English: "This is the pair to
David in the Wilderness (NG 2409). Both are amongst the most original examples of nineteenth-century religious painting. Instead of treating the wilderness as an Oriental desert, such as Holman Hunt painted in The Scapegoat, Dyce has re-interpreted it as located in the Scottish Highlands, his object in doing this was most likely to give the story greater immediacy and reality to British viewers. The two paintings contrast youth and maturity, spring and autumn, hope and grief, the Old Testament and the New, reminding the viewer that Christ was of the lineage of David, and that David was his precursor."
[1]
Date
circa 1860
date QS:P571,+1860-00-00T00:00:00Z/9,P1480,Q5727902
This is a faithful photographic reproduction of a two-dimensional,
public domain work of art. The work of art itself is in the public domain for the following reason:
Public domainPublic domainfalsefalse
This work is in the public domain in its country of origin and other countries and areas where the
copyright term is the author's life plus 100 years or fewer.
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see
Reuse of PD-Art photographs for details.
File history
Click on a date/time to view the file as it appeared at that time.
The Public Catalogue Foundation is committed to respecting the intellectual property rights of others.The copyright in paintings and images reproduced by the Public Catalogue Foundation belong to a variety of organisations and individuals including the collections that own the paintings and third party rights holders.Permitted Use of This ImageThis image and data related to the image may be reproduced for non-commercial research and private study purposes.For ALL other uses other than those outlined above, including commercial uses, users should contact, in the first instance, the contributing collection using the contact information provided on the Your Paintings website. Where the underlying painting is in copyright, further permissions will also be needed.Protection of Image CopyrightThis image is protected with a secure invisible digital watermark that allows the Public Catalogue Foundation to identify unauthorized use of the image.Further InformationAny queries should be addressed to copyrightofficer@thepcf.org.uk
English: "This is the pair to
David in the Wilderness (NG 2409). Both are amongst the most original examples of nineteenth-century religious painting. Instead of treating the wilderness as an Oriental desert, such as Holman Hunt painted in The Scapegoat, Dyce has re-interpreted it as located in the Scottish Highlands, his object in doing this was most likely to give the story greater immediacy and reality to British viewers. The two paintings contrast youth and maturity, spring and autumn, hope and grief, the Old Testament and the New, reminding the viewer that Christ was of the lineage of David, and that David was his precursor."
[1]
Date
circa 1860
date QS:P571,+1860-00-00T00:00:00Z/9,P1480,Q5727902
This is a faithful photographic reproduction of a two-dimensional,
public domain work of art. The work of art itself is in the public domain for the following reason:
Public domainPublic domainfalsefalse
This work is in the public domain in its country of origin and other countries and areas where the
copyright term is the author's life plus 100 years or fewer.
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see
Reuse of PD-Art photographs for details.
File history
Click on a date/time to view the file as it appeared at that time.
The Public Catalogue Foundation is committed to respecting the intellectual property rights of others.The copyright in paintings and images reproduced by the Public Catalogue Foundation belong to a variety of organisations and individuals including the collections that own the paintings and third party rights holders.Permitted Use of This ImageThis image and data related to the image may be reproduced for non-commercial research and private study purposes.For ALL other uses other than those outlined above, including commercial uses, users should contact, in the first instance, the contributing collection using the contact information provided on the Your Paintings website. Where the underlying painting is in copyright, further permissions will also be needed.Protection of Image CopyrightThis image is protected with a secure invisible digital watermark that allows the Public Catalogue Foundation to identify unauthorized use of the image.Further InformationAny queries should be addressed to copyrightofficer@thepcf.org.uk