DescriptionBen Johnston String Quartet No. 7, mov. 2 just tone row.png
English: Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2.
Each permutation contains a just chromatic scale, however, transformations (transposition and inversion) produce pitches outside of the primary row form, as already occurs in the inversion of P0.
Note: I've used "E1" instead of an upside down "13".
Date
25 January 2012 (original upload date)
Source
(Original text: Created by
Hyacinth (
talk) 02:04, 17 October 2010 using Sibelius 5.
Source: text version in Fonville, John (Summer, 1991). "Ben Johnston's Extended Just Intonation: A Guide for Interpreters", p.127, Perspectives of New Music, Vol. 29, No. 2, pp. 106-137.)
Author
Created by
Hyacinth (
talk) 02:04, 17 October 2010 using Sibelius 5.
This media depicts a tone row outside of a specific musical context. Rows consist of an ordering of the chromatic scale (no "
distinctiveness"), may be used in compositions by multiple composers ("common material"), and may not be readily apparent in compositions. As such, a tone row is a musical concept or technique, which is considered
too simple to be eligible for
copyright protection, or which consists only of technique, with no original creative input.
Public domainPublic domainfalsefalse
This media depicts a musical concept or technique, which is considered
too simple to be eligible for
copyright protection, or which consists only of technique, with no original creative input.
Original upload log
The original description page was
here. All following user names refer to en.wikipedia.
Created by [[User:Hyacinth|Hyacinth]] ([[User talk:Hyacinth|talk]]) 02:04, 17 October 2010 using Sibelius 5. Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Each permutation contains a just chromatic scale, however,
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Captions
Add a one-line explanation of what this file represents
DescriptionBen Johnston String Quartet No. 7, mov. 2 just tone row.png
English: Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2.
Each permutation contains a just chromatic scale, however, transformations (transposition and inversion) produce pitches outside of the primary row form, as already occurs in the inversion of P0.
Note: I've used "E1" instead of an upside down "13".
Date
25 January 2012 (original upload date)
Source
(Original text: Created by
Hyacinth (
talk) 02:04, 17 October 2010 using Sibelius 5.
Source: text version in Fonville, John (Summer, 1991). "Ben Johnston's Extended Just Intonation: A Guide for Interpreters", p.127, Perspectives of New Music, Vol. 29, No. 2, pp. 106-137.)
Author
Created by
Hyacinth (
talk) 02:04, 17 October 2010 using Sibelius 5.
This media depicts a tone row outside of a specific musical context. Rows consist of an ordering of the chromatic scale (no "
distinctiveness"), may be used in compositions by multiple composers ("common material"), and may not be readily apparent in compositions. As such, a tone row is a musical concept or technique, which is considered
too simple to be eligible for
copyright protection, or which consists only of technique, with no original creative input.
Public domainPublic domainfalsefalse
This media depicts a musical concept or technique, which is considered
too simple to be eligible for
copyright protection, or which consists only of technique, with no original creative input.
Original upload log
The original description page was
here. All following user names refer to en.wikipedia.
Created by [[User:Hyacinth|Hyacinth]] ([[User talk:Hyacinth|talk]]) 02:04, 17 October 2010 using Sibelius 5. Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Each permutation contains a just chromatic scale, however,
Information
Captions
Add a one-line explanation of what this file represents