Fanning the Flames | ||||
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Studio album by | ||||
Released | 1996 | |||
Studio | Dockside | |||
Genre | Blues | |||
Label | Telarc Blues [1] | |||
Producer | John Snyder, Maria Muldaur, Elane Martone | |||
Maria Muldaur chronology | ||||
|
Fanning the Flames is an album by the American musician Maria Muldaur, released in 1996. [2] [3] Muldaur labeled the album's music "bluesiana", a combination of blues and Louisiana good-time music. [4] Muldaur included songs with political or topical themes, a choice she had rarely made in the past. [5]
The album peaked at No. 14 on Billboard's Blues Albums chart. [6] It was Muldaur's first album for Telarc. [7]
Produced by John Snyder, Muldaur, and Elane Martone, the album was recorded at Dockside Studio Recordings, in Maurice, Louisiana. [8] [9] Bonnie Raitt duetted with Muldaur on "Somebody Was Watching Over Me". [10] Mavis Staples, Johnny Adams, Ann Peebles, Tracy Nelson, and Huey Lewis also sang on, or contributed instrumentation to, the album. [11] [12] "Well, Well, Well" is a cover of the Bob Dylan song; Muldaur was inspired to record it after talking with Dylan about Jerry Garcia's death. [13] [14]
Review scores | |
---|---|
Source | Rating |
AllMusic | [15] |
The Commercial Appeal | [7] |
The Encyclopedia of Popular Music | [16] |
MusicHound Folk: The Essential Album Guide | [8] |
The Washington Post thought that when Muldaur "sings blues, R&B or hillbilly music today, she no longer skips lightly over the rhythm; she now reinforces the beat with her vocal oomph, and her throaty growls give her vocals a sassy edge they never had before." [11] Newsday wrote that "it's the ease with which Muldaur can shift from a raw Texas honky-tonk vibe to sly Chi-town sophistication that makes this collection of tunes so interesting." [17]
The Patriot-News stated that "longtime New Orleans keyboard stalwart David Torkanowski, while accorded minimal solo space, provides a vital melodic and harmonic foundation to the session." [18] The Buffalo News concluded that Muldaur's "slightly surreal, baby-doll voice ... has deepened and roughened over the years, but her taste in what to sing remains gutsy and close to impeccable." [19]
AllMusic wrote that "Muldaur belts out gritty blues and gospel and soulful R&B as very few can." [15]
No. | Title | Length |
---|---|---|
1. | "Home of the Blues" | |
2. | "Fanning the Flames" | |
3. | "Trust in My Love" | |
4. | "Somebody Was Watching Over Me" | |
5. | "Heaven on Earth" | |
6. | "Stand by Me" | |
7. | "Talk Real Slow" | |
8. | "Stop Runnin' from Your Own Shadow" | |
9. | "Can't Pin Yo' Spin on Me" | |
10. | "Brotherly Love" | |
11. | "Well, Well, Well" | |
12. | "Strange and Foreign Land" |
Fanning the Flames | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1996 | |||
Studio | Dockside | |||
Genre | Blues | |||
Label | Telarc Blues [1] | |||
Producer | John Snyder, Maria Muldaur, Elane Martone | |||
Maria Muldaur chronology | ||||
|
Fanning the Flames is an album by the American musician Maria Muldaur, released in 1996. [2] [3] Muldaur labeled the album's music "bluesiana", a combination of blues and Louisiana good-time music. [4] Muldaur included songs with political or topical themes, a choice she had rarely made in the past. [5]
The album peaked at No. 14 on Billboard's Blues Albums chart. [6] It was Muldaur's first album for Telarc. [7]
Produced by John Snyder, Muldaur, and Elane Martone, the album was recorded at Dockside Studio Recordings, in Maurice, Louisiana. [8] [9] Bonnie Raitt duetted with Muldaur on "Somebody Was Watching Over Me". [10] Mavis Staples, Johnny Adams, Ann Peebles, Tracy Nelson, and Huey Lewis also sang on, or contributed instrumentation to, the album. [11] [12] "Well, Well, Well" is a cover of the Bob Dylan song; Muldaur was inspired to record it after talking with Dylan about Jerry Garcia's death. [13] [14]
Review scores | |
---|---|
Source | Rating |
AllMusic | [15] |
The Commercial Appeal | [7] |
The Encyclopedia of Popular Music | [16] |
MusicHound Folk: The Essential Album Guide | [8] |
The Washington Post thought that when Muldaur "sings blues, R&B or hillbilly music today, she no longer skips lightly over the rhythm; she now reinforces the beat with her vocal oomph, and her throaty growls give her vocals a sassy edge they never had before." [11] Newsday wrote that "it's the ease with which Muldaur can shift from a raw Texas honky-tonk vibe to sly Chi-town sophistication that makes this collection of tunes so interesting." [17]
The Patriot-News stated that "longtime New Orleans keyboard stalwart David Torkanowski, while accorded minimal solo space, provides a vital melodic and harmonic foundation to the session." [18] The Buffalo News concluded that Muldaur's "slightly surreal, baby-doll voice ... has deepened and roughened over the years, but her taste in what to sing remains gutsy and close to impeccable." [19]
AllMusic wrote that "Muldaur belts out gritty blues and gospel and soulful R&B as very few can." [15]
No. | Title | Length |
---|---|---|
1. | "Home of the Blues" | |
2. | "Fanning the Flames" | |
3. | "Trust in My Love" | |
4. | "Somebody Was Watching Over Me" | |
5. | "Heaven on Earth" | |
6. | "Stand by Me" | |
7. | "Talk Real Slow" | |
8. | "Stop Runnin' from Your Own Shadow" | |
9. | "Can't Pin Yo' Spin on Me" | |
10. | "Brotherly Love" | |
11. | "Well, Well, Well" | |
12. | "Strange and Foreign Land" |