Faneflukt | |
---|---|
Directed by | Eldar Einarson |
Written by | Eldar Einarson |
Produced by | Lasse Glomm |
Starring | Aïna Walle Siemen Rühaak Frank Straass Palle Granditsky Rolf Søder Knut Husebø Leif Skarra Ellen Nikolaysen |
Cinematography | Erling Thurmann-Andersen |
Edited by | Edith Toreg |
Music by | Alf Cranner |
Distributed by | Norsk Film |
Release date |
|
Running time | 97 minutes |
Country | Norway |
Language | Norwegian |
Faneflukt (Desertion) is a Norwegian film from 1975. It was directed by Eldar Einarson, who also wrote the screenplay. [1] [2] [3]
In 1941, the young kitchen maid Liv meets the German non-commissioned officer Franz while she is working in the non-commissioned officer's mess. This is a relationship that their environment, and especially Liv's father, cannot accept, and they decide to flee to Sweden. What Liv does not know is that Franz is already married in Germany. [4]
The film has a different perspective on the German occupation of Norway than Norwegian war films had up until then, and is one of the early examples of an alternative war narrative.
Faneflukt | |
---|---|
Directed by | Eldar Einarson |
Written by | Eldar Einarson |
Produced by | Lasse Glomm |
Starring | Aïna Walle Siemen Rühaak Frank Straass Palle Granditsky Rolf Søder Knut Husebø Leif Skarra Ellen Nikolaysen |
Cinematography | Erling Thurmann-Andersen |
Edited by | Edith Toreg |
Music by | Alf Cranner |
Distributed by | Norsk Film |
Release date |
|
Running time | 97 minutes |
Country | Norway |
Language | Norwegian |
Faneflukt (Desertion) is a Norwegian film from 1975. It was directed by Eldar Einarson, who also wrote the screenplay. [1] [2] [3]
In 1941, the young kitchen maid Liv meets the German non-commissioned officer Franz while she is working in the non-commissioned officer's mess. This is a relationship that their environment, and especially Liv's father, cannot accept, and they decide to flee to Sweden. What Liv does not know is that Franz is already married in Germany. [4]
The film has a different perspective on the German occupation of Norway than Norwegian war films had up until then, and is one of the early examples of an alternative war narrative.