Ewald Daub | |
|---|---|
| Born | 13 October 1889 |
| Died | 4 November 1946 (aged 57) |
| Occupation | Cinematographer |
| Years active | 1919–1946 |
Ewald Daub (13 October 1889 – 4 November 1946) was a German cinematographer who shot more than a hundred films during his career. Daub entered the film industry during the silent era, with one of his first films being the biopic Martin Luther (1923). [1] Over the next two decades he was to work on a number of Harry Piel thrillers and Heinz Rühmann comedies. He died in 1946 following an operation.
- Miss Venus (1921)
- A Dying Nation (1922)
- Martin Luther (1923)
- Helena (1924)
- The Brigantine of New York (1924)
- Girls You Don't Marry (1924)
- Reluctant Imposter (1925)
- Love Story (1925)
- The Man in the Saddle (1925)
- Die Tragödie zweier Menschen (1925)
- Der Schuß in den Schatten (1925)
- Our Emden (1926)
- Crooks in Tails (1927)
- Assassination (1927)
- Lützow's Wild Hunt (1927)
- His Strongest Weapon (1928)
- Man Against Man (1928)
- Immorality (1928)
- Panic (1928)
- Taxi at Midnight (1929)
- His Best Friend (1929)
- Men Without Work (1929)
- Achtung! – Auto-Diebe! (1930)
- Menschen im Feuer (1930)
- Him or Me (1930)
- Wellen der Leidenschaft (1930)
- Bobby Gets Going (1931)
- Shadows of the Underworld (1931)
- The Captain from Köpenick (1931)
- Johnny Steals Europe (1932)
- The Heath Is Green (1932)
- Ship Without a Harbour (1932)
- Secret Agent (1932)
- Little Man, What Now? (1933)
- The Black Forest Girl (1933)
- Jumping Into the Abyss (1933)
- Tell Me Who You Are (1933)
- Master of the World (1934)
- Paganini (1934)
- The World Without a Mask (1934)
- Love Conquers All (1934)
- The Grand Duke's Finances (1934)
- Artisten (1935)
- The Bird Seller (1935)
- Last Stop (1935)
- Counsel for Romance (1936)
- The Czar's Courier (1936)
- The Beggar Student (1936)
- Michel Strogoff (1936)
- A Woman of No Importance (1936)
- Gordian the Tyrant (1937)
- Dance on the Volcano (1938)
- Five Million Look for an Heir (1938)
- The Indian Tomb (1938)
- The Tiger of Eschnapur (1938)
- Maria Ilona (1939)
- Men Are That Way (1939)
- The False Step (1939)
- The Swedish Nightingale (1941)
- Andreas Schlüter (1942)
- Die Feuerzangenbowle (1944)
- Quax in Afrika (1947)
- ^ Wipfler p.210
- Wipfler, Esther Pia. Martin Luther in Motion Pictures: History of a Metamorphosis. Vandenhoeck & Ruprecht, 2011.
- Ewald Daub at IMDb
| International | |
|---|---|
| National | |
| People | |
| Other | |
 | This article about a cinematographer is a stub. You can help Wikipedia by expanding it. |
 | This biographical article related to film in Germany is a stub. You can help Wikipedia by expanding it. |
Ewald Daub | |
|---|---|
| Born | 13 October 1889 |
| Died | 4 November 1946 (aged 57) |
| Occupation | Cinematographer |
| Years active | 1919–1946 |
Ewald Daub (13 October 1889 – 4 November 1946) was a German cinematographer who shot more than a hundred films during his career. Daub entered the film industry during the silent era, with one of his first films being the biopic Martin Luther (1923). [1] Over the next two decades he was to work on a number of Harry Piel thrillers and Heinz Rühmann comedies. He died in 1946 following an operation.
- Miss Venus (1921)
- A Dying Nation (1922)
- Martin Luther (1923)
- Helena (1924)
- The Brigantine of New York (1924)
- Girls You Don't Marry (1924)
- Reluctant Imposter (1925)
- Love Story (1925)
- The Man in the Saddle (1925)
- Die Tragödie zweier Menschen (1925)
- Der Schuß in den Schatten (1925)
- Our Emden (1926)
- Crooks in Tails (1927)
- Assassination (1927)
- Lützow's Wild Hunt (1927)
- His Strongest Weapon (1928)
- Man Against Man (1928)
- Immorality (1928)
- Panic (1928)
- Taxi at Midnight (1929)
- His Best Friend (1929)
- Men Without Work (1929)
- Achtung! – Auto-Diebe! (1930)
- Menschen im Feuer (1930)
- Him or Me (1930)
- Wellen der Leidenschaft (1930)
- Bobby Gets Going (1931)
- Shadows of the Underworld (1931)
- The Captain from Köpenick (1931)
- Johnny Steals Europe (1932)
- The Heath Is Green (1932)
- Ship Without a Harbour (1932)
- Secret Agent (1932)
- Little Man, What Now? (1933)
- The Black Forest Girl (1933)
- Jumping Into the Abyss (1933)
- Tell Me Who You Are (1933)
- Master of the World (1934)
- Paganini (1934)
- The World Without a Mask (1934)
- Love Conquers All (1934)
- The Grand Duke's Finances (1934)
- Artisten (1935)
- The Bird Seller (1935)
- Last Stop (1935)
- Counsel for Romance (1936)
- The Czar's Courier (1936)
- The Beggar Student (1936)
- Michel Strogoff (1936)
- A Woman of No Importance (1936)
- Gordian the Tyrant (1937)
- Dance on the Volcano (1938)
- Five Million Look for an Heir (1938)
- The Indian Tomb (1938)
- The Tiger of Eschnapur (1938)
- Maria Ilona (1939)
- Men Are That Way (1939)
- The False Step (1939)
- The Swedish Nightingale (1941)
- Andreas Schlüter (1942)
- Die Feuerzangenbowle (1944)
- Quax in Afrika (1947)
- ^ Wipfler p.210
- Wipfler, Esther Pia. Martin Luther in Motion Pictures: History of a Metamorphosis. Vandenhoeck & Ruprecht, 2011.
- Ewald Daub at IMDb
| International | |
|---|---|
| National | |
| People | |
| Other | |
|
| This article about a cinematographer is a stub. You can help Wikipedia by expanding it. |
|
| This biographical article related to film in Germany is a stub. You can help Wikipedia by expanding it. |