This article describes a work or element of fiction in a primarily
in-universe style. (March 2011) |
The Endless | |
---|---|
Publication information | |
Publisher | DC Comics |
First appearance | The Sandman vol. 2, #1 (January 1989) |
Created by | Neil Gaiman |
In-story information | |
Member(s) | Destiny Death Dream Destruction Desire Despair Delirium |
The Endless are a family of cosmic beings who appear in American comic books published by DC Comics. The members of the family are: Death, Delirium, Desire, Despair, Destiny, Destruction and Dream.
The Endless characters were created by Neil Gaiman and first appeared in the comic book series The Sandman (1989–1996). They embody forces of nature in the DC Universe. They are depicted as among the most powerful beings in the world of these characters, [1] and are distinct in this universe from gods, which are created by mortal belief. The character Dream is the protagonist of The Sandman series, but all the Endless beings play major roles.
The Endless are a dysfunctional family of seven siblings. They appear in different forms but are most often depicted as having very white skin and black hair, with the exception of redheads Delirium and Destruction. Their appearance often changes to fit the expectations of those they meet or the situation they are in. [2]
In the comic book, The Endless spend most of their time fulfilling their functions as embodiments of natural forces. For example, Death leads the souls of the dead away from the realm of the living, while Dream oversees the realm of dreams, nightmares and imagination. One notable facet of their depiction is that none of them are "representations" or "personifications" of their function, as cosmic beings, they simply are their function. In The Sandman (vol. 2) #48, Destruction gives a further description of the Endless:
The Endless are merely patterns. The Endless are ideas. The Endless are wave functions. The Endless are repeating motifs. The Endless are echoes of darkness, and nothing more...
As portrayed, some Endless beings are more committed to their work than others. The younger Endless, particularly Desire, are known to interfere with mortal life. Destruction, also known as "The Prodigal," abandoned his duty entirely.
Each of the Endless has a realm in which they are sovereign. Within their realm, all members of the Endless have a gallery containing symbols, or sigils, of the other Endless beings. The Endless may contact each other by holding the appropriate sigil and calling for that member of the Endless. Destiny is also able to summon his siblings by using his gallery of portraits, whether they want it or not (as seen in The Sandman: Overture).
The Endless beings, in addition to monitoring their area of influence, exist to define their opposites. This dualistic feature of the Endless has been affirmed by Death, who is present at both the beginning and conclusion of every existence. Destruction enjoys creative/constructive activities like painting, poetry, and cookery. Dream appears to have the ability to modify reality, as demonstrated in The Sandman (vol. 2) #18, A Dream of a Thousand Cats, in which a great number of beings dream of an alternate universe and create it.
The exact limits of the powers the Endless may use are subject to debate and speculation by readers, but are set by rules (such as Dream being forbidden to kill dreamers unless they become a vortex, in which case killing becomes an obligation). It is unknown if the Endless are capable of using their powers on those more powerful or more ancient than they are. At one point Dream heads into Hell to rescue a former lover of his, he admits that his power will allow him entrance, but that he does not know if he would be able to defeat Lucifer, who is a former archangel created by The Presence (the DC comics analogue of God).
In the comic, The Endless are as ancient as the ideals they symbolize. The Endless are claimed to predate fairies, gods, angels, and other supernatural entities. Their precise ages in years are unclear, although they are believed to have existed long before life on Earth; Destruction claims in "Brief Lives" that he has carried out his responsibilities for 10 billion years (not including the prior three centuries).
In The Sandman (vol. 2) #5, "Passengers," Dream is recognized by the Martian Manhunter as the dream god on ancient Mars, as well as in the Endless Nights chapter "Dream: The Heart of the Star," which takes place before our Sun's planets have developed life. Dream states in The Sandman (vol. 2) #16 that once another world was lost to a vortex. Death has claimed that she was there when the first living thing stirred, and Destiny has said that Dream gave the Earth itself the fond dream of being able to support life. Dream, according to Abel, was created shortly after Death, as living things are born before they can dream.
One of the few mentions to Endless paternity comes in The Sandman (vol. 2) #70, where some type of sentient being in the Necropolis Litharge that protects the emblems of each Endless weeps "like a mother mourning for her departed child." The Endless's father is Time, and their mother is Night, as revealed in The Sandman: Overture #5. Night is joined by Dusk, who was described by illustrator J. H. Williams III as Dream's "distant sister." However, Neil Gaiman has stated that this was only J. H. Williams III's speculation and there is nothing in canon that shows she is connected to them. The screenplay solely refers to her as an attendant.
The Endless are not known to have proper names, although Dream has a habit of collecting different names for himself. They are each known by their respective function.
The host that was first presented in a framing sequence by scribe Marv Wolfman and artist Bernie Wrightson would provide endless creative material for Neil Gaiman's The Sandman series decades later.
Mike Dringenberg: "The Sandman himself is even more of a composite. Certain well-known people influenced the design -- his mop of hair came from Robert Smith and ballet dancer Farukh Ruzimatov was always in my mind for his dramatic physique,..."
Artist Kelley Jones says, "I know Neil always said [the Sandman] was based on Robert Smith of the Cure,...
The Sandman image was inspired by Peter Murphy, the ex-Bauhaus singer and Maxell tape model, because when artist Mike Dringenberg saw the original sketches for the character he said "He looks like Peter Murphy from Bauhaus."
['Sandman' artist Kelly Jones talks about the inspiration behind Dream's appearance] I know Neil always said [the Sandman] was based on Robert Smith of the Cure, but I just hated the Cure. I didn't want to hear that. I was really into Peter Murphy at that time, the guy from Bauhaus. I didn't like Bauhaus, but I liked him on his own, and he had a song called "Cut You Up" or something; it was on the radio at the time. I bought the CD, and I said, 'You know, with that big poufy hair, he looks like that guy.' At that time, Murphy was very gestural. I don't think the guy ever had a picture taken of him that wasn't angled and in deep lighting. So I took that, too. I said, 'Whenever I do him, I'm gonna do that kind of thing. And get into his face, don't just keep him in deep shadow all the time. He will be in deep shadow all the time, but I want to put across a guy who's clueless. Not stupid, but he's not understanding things.' Because he's an immortal guy who...
The original idea-model for Morpheus was Peter Murphy from Bauhaus.
If I remember correctly Dave based the face on the cover of Sandman #1 on an image of Peter Murphy.
Sandman inker Mike Dringenberg observed, '"Hey, [he] looks like Peter Murphy from Bauhaus'". Cover artist Dave McKean and Gaiman 'got some Bauhaus videos and immediately saw that Mike was right; and Dave ended up making the central image on the cover of Sandman [number one] a Peter Murphy-like face.
This article describes a work or element of fiction in a primarily
in-universe style. (March 2011) |
The Endless | |
---|---|
Publication information | |
Publisher | DC Comics |
First appearance | The Sandman vol. 2, #1 (January 1989) |
Created by | Neil Gaiman |
In-story information | |
Member(s) | Destiny Death Dream Destruction Desire Despair Delirium |
The Endless are a family of cosmic beings who appear in American comic books published by DC Comics. The members of the family are: Death, Delirium, Desire, Despair, Destiny, Destruction and Dream.
The Endless characters were created by Neil Gaiman and first appeared in the comic book series The Sandman (1989–1996). They embody forces of nature in the DC Universe. They are depicted as among the most powerful beings in the world of these characters, [1] and are distinct in this universe from gods, which are created by mortal belief. The character Dream is the protagonist of The Sandman series, but all the Endless beings play major roles.
The Endless are a dysfunctional family of seven siblings. They appear in different forms but are most often depicted as having very white skin and black hair, with the exception of redheads Delirium and Destruction. Their appearance often changes to fit the expectations of those they meet or the situation they are in. [2]
In the comic book, The Endless spend most of their time fulfilling their functions as embodiments of natural forces. For example, Death leads the souls of the dead away from the realm of the living, while Dream oversees the realm of dreams, nightmares and imagination. One notable facet of their depiction is that none of them are "representations" or "personifications" of their function, as cosmic beings, they simply are their function. In The Sandman (vol. 2) #48, Destruction gives a further description of the Endless:
The Endless are merely patterns. The Endless are ideas. The Endless are wave functions. The Endless are repeating motifs. The Endless are echoes of darkness, and nothing more...
As portrayed, some Endless beings are more committed to their work than others. The younger Endless, particularly Desire, are known to interfere with mortal life. Destruction, also known as "The Prodigal," abandoned his duty entirely.
Each of the Endless has a realm in which they are sovereign. Within their realm, all members of the Endless have a gallery containing symbols, or sigils, of the other Endless beings. The Endless may contact each other by holding the appropriate sigil and calling for that member of the Endless. Destiny is also able to summon his siblings by using his gallery of portraits, whether they want it or not (as seen in The Sandman: Overture).
The Endless beings, in addition to monitoring their area of influence, exist to define their opposites. This dualistic feature of the Endless has been affirmed by Death, who is present at both the beginning and conclusion of every existence. Destruction enjoys creative/constructive activities like painting, poetry, and cookery. Dream appears to have the ability to modify reality, as demonstrated in The Sandman (vol. 2) #18, A Dream of a Thousand Cats, in which a great number of beings dream of an alternate universe and create it.
The exact limits of the powers the Endless may use are subject to debate and speculation by readers, but are set by rules (such as Dream being forbidden to kill dreamers unless they become a vortex, in which case killing becomes an obligation). It is unknown if the Endless are capable of using their powers on those more powerful or more ancient than they are. At one point Dream heads into Hell to rescue a former lover of his, he admits that his power will allow him entrance, but that he does not know if he would be able to defeat Lucifer, who is a former archangel created by The Presence (the DC comics analogue of God).
In the comic, The Endless are as ancient as the ideals they symbolize. The Endless are claimed to predate fairies, gods, angels, and other supernatural entities. Their precise ages in years are unclear, although they are believed to have existed long before life on Earth; Destruction claims in "Brief Lives" that he has carried out his responsibilities for 10 billion years (not including the prior three centuries).
In The Sandman (vol. 2) #5, "Passengers," Dream is recognized by the Martian Manhunter as the dream god on ancient Mars, as well as in the Endless Nights chapter "Dream: The Heart of the Star," which takes place before our Sun's planets have developed life. Dream states in The Sandman (vol. 2) #16 that once another world was lost to a vortex. Death has claimed that she was there when the first living thing stirred, and Destiny has said that Dream gave the Earth itself the fond dream of being able to support life. Dream, according to Abel, was created shortly after Death, as living things are born before they can dream.
One of the few mentions to Endless paternity comes in The Sandman (vol. 2) #70, where some type of sentient being in the Necropolis Litharge that protects the emblems of each Endless weeps "like a mother mourning for her departed child." The Endless's father is Time, and their mother is Night, as revealed in The Sandman: Overture #5. Night is joined by Dusk, who was described by illustrator J. H. Williams III as Dream's "distant sister." However, Neil Gaiman has stated that this was only J. H. Williams III's speculation and there is nothing in canon that shows she is connected to them. The screenplay solely refers to her as an attendant.
The Endless are not known to have proper names, although Dream has a habit of collecting different names for himself. They are each known by their respective function.
The host that was first presented in a framing sequence by scribe Marv Wolfman and artist Bernie Wrightson would provide endless creative material for Neil Gaiman's The Sandman series decades later.
Mike Dringenberg: "The Sandman himself is even more of a composite. Certain well-known people influenced the design -- his mop of hair came from Robert Smith and ballet dancer Farukh Ruzimatov was always in my mind for his dramatic physique,..."
Artist Kelley Jones says, "I know Neil always said [the Sandman] was based on Robert Smith of the Cure,...
The Sandman image was inspired by Peter Murphy, the ex-Bauhaus singer and Maxell tape model, because when artist Mike Dringenberg saw the original sketches for the character he said "He looks like Peter Murphy from Bauhaus."
['Sandman' artist Kelly Jones talks about the inspiration behind Dream's appearance] I know Neil always said [the Sandman] was based on Robert Smith of the Cure, but I just hated the Cure. I didn't want to hear that. I was really into Peter Murphy at that time, the guy from Bauhaus. I didn't like Bauhaus, but I liked him on his own, and he had a song called "Cut You Up" or something; it was on the radio at the time. I bought the CD, and I said, 'You know, with that big poufy hair, he looks like that guy.' At that time, Murphy was very gestural. I don't think the guy ever had a picture taken of him that wasn't angled and in deep lighting. So I took that, too. I said, 'Whenever I do him, I'm gonna do that kind of thing. And get into his face, don't just keep him in deep shadow all the time. He will be in deep shadow all the time, but I want to put across a guy who's clueless. Not stupid, but he's not understanding things.' Because he's an immortal guy who...
The original idea-model for Morpheus was Peter Murphy from Bauhaus.
If I remember correctly Dave based the face on the cover of Sandman #1 on an image of Peter Murphy.
Sandman inker Mike Dringenberg observed, '"Hey, [he] looks like Peter Murphy from Bauhaus'". Cover artist Dave McKean and Gaiman 'got some Bauhaus videos and immediately saw that Mike was right; and Dave ended up making the central image on the cover of Sandman [number one] a Peter Murphy-like face.