From Wikipedia, the free encyclopedia
Elizabeth Anne McCauley
NationalityAmerican
Academic background
Alma mater Wellesley College, Yale University
Academic work
DisciplineArt History
Sub-disciplineHistory of Photography
Institutions Princeton University

Elizabeth Anne McCauley is an art historian. She serves as David Hunter McAlpin Professor of the History of Photography and Modern Art at Princeton University.

McCauley graduated from Yale University. Her work deals with 19th- and early-20th-century visual culture, particularly the history of photography. [1]

Works

  • A. A. E. Disdéri and the Carte de Visite Portrait Photograph ( Yale University Press, 1985) OCLC  228668690
  • Industrial Madness: Commercial Photography in Paris, 1848-1871 (Yale University Press, 1994) ISBN  9780300038545, OCLC  28585299 [2] [3] [4]
  • The Museum and the Photograph with Mark Haworth-Booth (Sterling and Francine Clark Art Institute, 1998) ISBN  9780931102400, OCLC  37935241
  • Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle with Alan Chong, Rosella Mamella Zorzi, and Richard Lingner ( Isabella Stewart Gardner Museum, 2004) ISBN  9780914660217, OCLC  938200301
  • The Steerage and Alfred Stieglitz with Jason Francisco ( University of California Press, 2012) OCLC  755640723 [5] [6]

References

  1. ^ "Elizabeth Anne McCauley". artandarchaeology.princeton.edu. Princeton University. Archived from the original on 17 March 2017. Retrieved 1 March 2017.
  2. ^ Dahn, Johanna (1994-07-01). "Industrial Madness: Commercial Photography in Paris 1848-1871". Women's Art Magazine (59): 54–55.
  3. ^ Green, David (1995-01-01). "Industrial Madness: Commercial Photography in Paris 1848–1871". Journal of Design History. 8 (2): 147–149. doi: 10.1093/jdh/8.2.147. ISSN  0952-4649.
  4. ^ Crary, Jonathan (1996-06-01). "Elizabeth Anne McCauley. Industrial Madness: Commercial Photography in Paris, 1848–1871. (Yale Publications in the History of Art.) New Haven: Yale University Press. 1994. Pp. xvi, 448. $45.00". The American Historical Review. 101 (3): 855. doi: 10.1086/ahr/101.3.855. ISSN  0002-8762.
  5. ^ Sakarya, Hülya (2013-03-01). "The Steerage and Alfred Stieglitz". Visual Studies. 28 (1): 107. doi: 10.1080/1472586X.2013.765251. ISSN  1472-586X. S2CID  145363092.
  6. ^ Woodward, Richard B. (2015-09-18). "A Photo That's Not What It First Seems to Be". Wall Street Journal. ISSN  0099-9660. Archived from the original on 2017-02-26. Retrieved 2020-12-19.


From Wikipedia, the free encyclopedia
Elizabeth Anne McCauley
NationalityAmerican
Academic background
Alma mater Wellesley College, Yale University
Academic work
DisciplineArt History
Sub-disciplineHistory of Photography
Institutions Princeton University

Elizabeth Anne McCauley is an art historian. She serves as David Hunter McAlpin Professor of the History of Photography and Modern Art at Princeton University.

McCauley graduated from Yale University. Her work deals with 19th- and early-20th-century visual culture, particularly the history of photography. [1]

Works

  • A. A. E. Disdéri and the Carte de Visite Portrait Photograph ( Yale University Press, 1985) OCLC  228668690
  • Industrial Madness: Commercial Photography in Paris, 1848-1871 (Yale University Press, 1994) ISBN  9780300038545, OCLC  28585299 [2] [3] [4]
  • The Museum and the Photograph with Mark Haworth-Booth (Sterling and Francine Clark Art Institute, 1998) ISBN  9780931102400, OCLC  37935241
  • Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle with Alan Chong, Rosella Mamella Zorzi, and Richard Lingner ( Isabella Stewart Gardner Museum, 2004) ISBN  9780914660217, OCLC  938200301
  • The Steerage and Alfred Stieglitz with Jason Francisco ( University of California Press, 2012) OCLC  755640723 [5] [6]

References

  1. ^ "Elizabeth Anne McCauley". artandarchaeology.princeton.edu. Princeton University. Archived from the original on 17 March 2017. Retrieved 1 March 2017.
  2. ^ Dahn, Johanna (1994-07-01). "Industrial Madness: Commercial Photography in Paris 1848-1871". Women's Art Magazine (59): 54–55.
  3. ^ Green, David (1995-01-01). "Industrial Madness: Commercial Photography in Paris 1848–1871". Journal of Design History. 8 (2): 147–149. doi: 10.1093/jdh/8.2.147. ISSN  0952-4649.
  4. ^ Crary, Jonathan (1996-06-01). "Elizabeth Anne McCauley. Industrial Madness: Commercial Photography in Paris, 1848–1871. (Yale Publications in the History of Art.) New Haven: Yale University Press. 1994. Pp. xvi, 448. $45.00". The American Historical Review. 101 (3): 855. doi: 10.1086/ahr/101.3.855. ISSN  0002-8762.
  5. ^ Sakarya, Hülya (2013-03-01). "The Steerage and Alfred Stieglitz". Visual Studies. 28 (1): 107. doi: 10.1080/1472586X.2013.765251. ISSN  1472-586X. S2CID  145363092.
  6. ^ Woodward, Richard B. (2015-09-18). "A Photo That's Not What It First Seems to Be". Wall Street Journal. ISSN  0099-9660. Archived from the original on 2017-02-26. Retrieved 2020-12-19.



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