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Ebyevugo is a genre of oral poetry in the Runyankore language, spoken by the Banyankore people of southwestern Uganda. [1] [2] Ebyevugo are mainly composed and performed to praise cattle, brides, warriors, and political leaders. They reflect the traditional pre-colonial occupations, values, and history of the Banyankore, especially the Bahima, who are cattle keepers. [3] [4]
History
Ebyevugo are believed to have originated from communal gatherings in people’s homes or beer parties, where people met to talk and share experiences. Ebyevugo were also used as a form of entertainment, education, and socialization. Ebyevugo are closely related to ibyivugo, the praise poetry of the Banyarwanda people of Rwanda, who share linguistic and cultural ties with the Banyankore. Both ebyevugo and ibyivugo contain characteristics that reflect the distinction between the cattle-keeping elite ( Bahima/ Batutsi) and the farming majority (Bairu/Bahutu) in the pre-colonial era. [5]
Performance
Ebyevugo are performed by individual poets, called abevugyi, who have the skill, creativity, and ability to memorize and recite the poetry. The performance of ebyevugo is usually accompanied by musical instruments, such as drums, flutes, and horns. [3] The performance is also interactive, as the audience responds to the poet’s calls with chants, claps, or cheers. The performance of ebyevugo is influenced by the context, the occasion, and the audience. Ebyevugo are still recited in the Ankole countryside, in homes and beer places, but the most common occasion for their performance is the okuhingira, the dowry and/or marriage ceremony. [1] [6]
Significance
Ebyevugo are significant for the preservation and transmission of the Banyankore culture, identity, and history. Ebyevugo celebrate the beauty, strength, and wealth of the Banyankore, especially their prized cattle. Ebyevugo also praise the bravery, heroism, and achievements of the Banyankore warriors and political leaders, such as kings and chiefs. [4] Ebyevugo are linked to the behaviors and attitudes of the Banyankole people and are essential to their well-being. They were taught to male members of society at a young age, and they grew up knowing how to compose them and respecting them. [6]
See also
References
- ^ a b Karungi, Viola (2012). "Kinyankore folk poetry: structure and context". African Performance Review. 6 (2): 58–74. ISSN 1753-5964.
- ^ joomlasupport (2010-08-22). "It all began with ebyevugo for BBC winner". The Observer - Uganda. Retrieved 2024-01-10.
- ^ a b "Reflections on the creation and performance of ekyevugo and ibyivugo". Ebrary. Retrieved 2024-01-10.
- ^ a b Auty, Robert (1980). Traditions of Heroic and Epic Poetry: The traditions. MHRA. ISBN 978-0-900547-72-0.
- ^ Wilgus, D. K. (1974). "Review of The Hammons Family: A Study of a West Virginia Family's Traditions". Ethnomusicology. 18 (2): 347–349. doi: 10.2307/850604. ISSN 0014-1836. JSTOR 850604.
- ^ a b Morris, Henry Francis (1964). The Heroic Recitations of the Bahima of Ankole. Clarendon Press.
External links
| This article may need to be rewritten to comply with Wikipedia's
quality standards. (January 2024) |
Ebyevugo is a genre of oral poetry in the Runyankore language, spoken by the Banyankore people of southwestern Uganda. [1] [2] Ebyevugo are mainly composed and performed to praise cattle, brides, warriors, and political leaders. They reflect the traditional pre-colonial occupations, values, and history of the Banyankore, especially the Bahima, who are cattle keepers. [3] [4]
History
Ebyevugo are believed to have originated from communal gatherings in people’s homes or beer parties, where people met to talk and share experiences. Ebyevugo were also used as a form of entertainment, education, and socialization. Ebyevugo are closely related to ibyivugo, the praise poetry of the Banyarwanda people of Rwanda, who share linguistic and cultural ties with the Banyankore. Both ebyevugo and ibyivugo contain characteristics that reflect the distinction between the cattle-keeping elite ( Bahima/ Batutsi) and the farming majority (Bairu/Bahutu) in the pre-colonial era. [5]
Performance
Ebyevugo are performed by individual poets, called abevugyi, who have the skill, creativity, and ability to memorize and recite the poetry. The performance of ebyevugo is usually accompanied by musical instruments, such as drums, flutes, and horns. [3] The performance is also interactive, as the audience responds to the poet’s calls with chants, claps, or cheers. The performance of ebyevugo is influenced by the context, the occasion, and the audience. Ebyevugo are still recited in the Ankole countryside, in homes and beer places, but the most common occasion for their performance is the okuhingira, the dowry and/or marriage ceremony. [1] [6]
Significance
Ebyevugo are significant for the preservation and transmission of the Banyankore culture, identity, and history. Ebyevugo celebrate the beauty, strength, and wealth of the Banyankore, especially their prized cattle. Ebyevugo also praise the bravery, heroism, and achievements of the Banyankore warriors and political leaders, such as kings and chiefs. [4] Ebyevugo are linked to the behaviors and attitudes of the Banyankole people and are essential to their well-being. They were taught to male members of society at a young age, and they grew up knowing how to compose them and respecting them. [6]
See also
References
- ^ a b Karungi, Viola (2012). "Kinyankore folk poetry: structure and context". African Performance Review. 6 (2): 58–74. ISSN 1753-5964.
- ^ joomlasupport (2010-08-22). "It all began with ebyevugo for BBC winner". The Observer - Uganda. Retrieved 2024-01-10.
- ^ a b "Reflections on the creation and performance of ekyevugo and ibyivugo". Ebrary. Retrieved 2024-01-10.
- ^ a b Auty, Robert (1980). Traditions of Heroic and Epic Poetry: The traditions. MHRA. ISBN 978-0-900547-72-0.
- ^ Wilgus, D. K. (1974). "Review of The Hammons Family: A Study of a West Virginia Family's Traditions". Ethnomusicology. 18 (2): 347–349. doi: 10.2307/850604. ISSN 0014-1836. JSTOR 850604.
- ^ a b Morris, Henry Francis (1964). The Heroic Recitations of the Bahima of Ankole. Clarendon Press.