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Academic journal
East European Film Bulletin is a not-for-profit
[1]
[2] online journal
[3]
[4]
[5]
[6]
[7] dedicated to the criticism
[8]
[9] of films related to Central, Eastern
[10]
[11] and South-Eastern Europe,
[12] published 10 times a year.
[13]
On 1 January 2011, in Paris, France,
[14]
[15] East European Film Bulletin was launched online.
[16]
[14] Co-founders and co-editors-in-chief are Konstanty Kuzma and Moritz Pfeifer.
[17]
[18]
[19]
[14]
[20]
[21]
ISSN
1775-3635
[15]
^
"Etablissement EAST EUROPEAN FILM BULLETIN (EEFB) à PARIS 20 (75020) sur SOCIETE.COM (53748427100011)" . SOCIETE.com . SOCIETE SAS. Retrieved 27 September 2022 .
^
"PRIVACY POLICY" . East European Film Bulletin . Retrieved 27 September 2022 .
^
"FIPRESCI Jury 2018" . ZAGREBDOX International documentary film festival . Archived from
the original on 27 November 2020. Retrieved 27 September 2022 .
^ Pavlova, Yoana (3 March 2021). Hough, Quinn V. (ed.).
"Dad Made Dirty Movies Interview: Filmmaker Jordan Todorov Discusses the Doc" . Vague Visages . Retrieved 27 September 2022 .
^
"Dr. László Strausz" . Department of Film Studies .
Eötvös Loránd University . Retrieved 27 September 2022 .
^ Ignashev, Diane Nemec (3 December 2020).
"On Cinematic Ekphrasis: Aleksandr Sokurov's Otets i syn Redux" . Film Criticism . 44 (1).
doi :
10.3998/fc.13761232.0044.112 .
S2CID
230620395 . Retrieved 27 September 2022 .
^ Volintiru, Clara (2012-11-01).
"The Institutionalisation of the Romanian Party System" . Sfera Politicii . Bucharest: 134–145.
Archived from the original on 27 September 2022. Retrieved 27 September 2022 – via ProQuest.
^ Vuković, Vesi (2022).
"Women in the Wave: Representation of Female Characters in Yugoslav New Film and Black Wave" . Faculty of Social Sciences Department of Communication Studies Visual and Digital Cultures Research Center . Antwerp:
University of Antwerp . Retrieved 27 September 2022 . Thesis submitted for the degree of doctor of Film Studies and Visual Culture at the University of Antwerp to be defended by
^
"A Letter to Dad" . Department of Art & Art History .
Stanford University . Retrieved 27 September 2022 .
^ Mazierska, Ewa (27 October 2016).
Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure .
Edinburgh University Press .
ISBN
978-1-4744-0515-7 . Retrieved 27 September 2022 .
^ Praisler, Michaela; Gheorghiu, Oana-Celia (14 May 2021).
The Odyssey of Communism: Visual Narratives, Memory and Culture .
Cambridge Scholars Publishing . p. 107.
ISBN
978-1-5275-6959-1 . Retrieved 27 September 2022 .
^
"ABOUT" . East European Film Bulletin . Retrieved 27 September 2022 .
^
"CONTACT US" . East European Film Bulletin . Retrieved 27 September 2022 .
^
a
b
c Howard, Cerise (29 July 2021).
"A celebration of the first decade of the East European Film Bulletin" . Studies in Eastern European Cinema : 1–3.
doi :
10.1080/2040350X.2021.1953240 .
S2CID
238795137 . Retrieved 27 September 2022 .
^
a
b
"East European Film bulletin" .
Ghent University Library .
Ghent University . Retrieved 27 September 2022 .
^
"Vol. 1 (January 2011)" . East European Film Bulletin . Retrieved 27 September 2022 .
^
"Moritz Pfeifer" .
Senses of Cinema . Retrieved 27 September 2022 .
^ Hudson, David (May 31, 2011).
"Wrapping Cannes 2011. Un Certain Regard" . Notebook .
Mubi (streaming service) . Retrieved 27 September 2022 .
^
"Cinema in Eastern Europe" .
International Federation of Film Critics . Retrieved 27 September 2022 .
^
"TEAM" . East European Film Bulletin . Retrieved 27 September 2022 .
^
"Moritz Pfeifer" . parisberlinmag.com (in French). Retrieved 27 September 2022 .