Dry Heat | |
我らの水はどこにある (Warera no Mizu wa Doko ni Aru) | |
---|---|
Genre | Yaoi |
Manga | |
Written by | Yugi Yamada |
Published by | Houbunsha |
English publisher | |
Magazine | Hanaoto |
Published | 2002 |
Dry Heat ( Japanese: 我らの水はどこにある, Hepburn: Warera no Mizu wa Doko ni Aru) is a Japanese manga written and illustrated by Yugi Yamada. It was serialised in Hanaoto magazine and collected into a bound volume by Houbunsha in 2002. [1] It is licensed in North America by Digital Manga Publishing, which released the manga through its June imprint, on 24 February 2010. [2]
Leroy Douresseaux, writing for Comic Book Bin, enjoyed the characterisation, saying "there is as much action going on in [the] character's heads as there is action on the page", and described the manga as an "engaging read". [3]
Katherine Farmar, writing for Manga Village, noted Yamada's method of taking the BL cliche of the "childhood-crush-all-grown-up" and making it "less sentimental and more realistic", feeling it had "substance", and that the genres were "a delightful blend of romance, comedy, and very low-key thriller". [4]
Dry Heat | |
我らの水はどこにある (Warera no Mizu wa Doko ni Aru) | |
---|---|
Genre | Yaoi |
Manga | |
Written by | Yugi Yamada |
Published by | Houbunsha |
English publisher | |
Magazine | Hanaoto |
Published | 2002 |
Dry Heat ( Japanese: 我らの水はどこにある, Hepburn: Warera no Mizu wa Doko ni Aru) is a Japanese manga written and illustrated by Yugi Yamada. It was serialised in Hanaoto magazine and collected into a bound volume by Houbunsha in 2002. [1] It is licensed in North America by Digital Manga Publishing, which released the manga through its June imprint, on 24 February 2010. [2]
Leroy Douresseaux, writing for Comic Book Bin, enjoyed the characterisation, saying "there is as much action going on in [the] character's heads as there is action on the page", and described the manga as an "engaging read". [3]
Katherine Farmar, writing for Manga Village, noted Yamada's method of taking the BL cliche of the "childhood-crush-all-grown-up" and making it "less sentimental and more realistic", feeling it had "substance", and that the genres were "a delightful blend of romance, comedy, and very low-key thriller". [4]