It is
proposed that this article be deleted because of the following concern:
If you can address this concern by improving, copyediting, sourcing, renaming, or merging the page, please edit this page and do so. You may remove this message if you improve the article or otherwise object to deletion for any reason. Although not required, you are encouraged to explain why you object to the deletion, either in your edit summary or on the talk page. If this template is removed, do not replace it. The article may be deleted if this message remains in place for seven days, i.e., after 08:09, 18 July 2024 (UTC). Find sources: "Drag culture in India" – news · newspapers · books · scholar · JSTOR Nominator: Please consider notifying the author/project: {{
subst:proposed deletion notify|Drag culture in India|concern=Appears non-factual. Notability issue.}} ~~~~ |
This article's factual accuracy is
disputed. (July 2024) |
In India, drag culture has deep roots in history and mythology, dating back to ancient times. [1] One of the earliest records of gender-subversive practices is in the Natya Shastra, a treatise on dance compiled between 5000 BCE and 500 CE. The text mentions practices involving transposing into a feminine figure and transposing into a masculine figure, demonstrating that gender roles were fluid in Indian performance arts. [1] Performers in courts and palaces– tawaifs and devadasis would challenge gender stereotypes. [2] Under British colonial rule, however, non-heteronormative behaviors were criminalized, leading to the suppression of indigenous practices. [1] Despite this, however, gender subversive practices continue in traditional Indian art forms even to this day, and are seen in Kathakali, Theyyam, Yakshagana and other classical dance recitals. [3] Beyond this, drag culture in India is flourishing in different areas, for example, through the Kitty Su franchise which hosts local and international drag performers. [4]
It is
proposed that this article be deleted because of the following concern:
If you can address this concern by improving, copyediting, sourcing, renaming, or merging the page, please edit this page and do so. You may remove this message if you improve the article or otherwise object to deletion for any reason. Although not required, you are encouraged to explain why you object to the deletion, either in your edit summary or on the talk page. If this template is removed, do not replace it. The article may be deleted if this message remains in place for seven days, i.e., after 08:09, 18 July 2024 (UTC). Find sources: "Drag culture in India" – news · newspapers · books · scholar · JSTOR Nominator: Please consider notifying the author/project: {{
subst:proposed deletion notify|Drag culture in India|concern=Appears non-factual. Notability issue.}} ~~~~ |
This article's factual accuracy is
disputed. (July 2024) |
In India, drag culture has deep roots in history and mythology, dating back to ancient times. [1] One of the earliest records of gender-subversive practices is in the Natya Shastra, a treatise on dance compiled between 5000 BCE and 500 CE. The text mentions practices involving transposing into a feminine figure and transposing into a masculine figure, demonstrating that gender roles were fluid in Indian performance arts. [1] Performers in courts and palaces– tawaifs and devadasis would challenge gender stereotypes. [2] Under British colonial rule, however, non-heteronormative behaviors were criminalized, leading to the suppression of indigenous practices. [1] Despite this, however, gender subversive practices continue in traditional Indian art forms even to this day, and are seen in Kathakali, Theyyam, Yakshagana and other classical dance recitals. [3] Beyond this, drag culture in India is flourishing in different areas, for example, through the Kitty Su franchise which hosts local and international drag performers. [4]