Submission declined on 23 April 2024 by Kline ( talk). This submission reads more like an essay than an encyclopedia article. Submissions should summarise information in secondary, reliable sources and not contain opinions or original research. Please write about the topic from a neutral point of view in an encyclopedic manner. If you would like to continue working on the submission, click on the "Edit" tab at the top of the window. If you have not resolved the issues listed above, your draft will be declined again and potentially deleted. If you need extra help, please ask us a question at the AfC Help Desk or get live help from experienced editors. Please do not remove reviewer comments or this notice until the submission is accepted. Where to get help If you need help editing or submitting your draft, please ask us a question at the AfC Help Desk or get live help from experienced editors. These venues are only for help with editing and the submission process, not to get reviews. If you need feedback on your draft, or if the review is taking a lot of time, you can try asking for help on the talk page of a relevant WikiProject. Some WikiProjects are more active than others so a speedy reply is not guaranteed. How to improve a draft Wikipedia:Contributing to Wikipedia – a basic overview on how to edit Wikipedia. Help:Wikitext – how to use the markup Help:Referencing for beginners – how to include references Wikipedia:Article development – how to develop your article Wikipedia:Writing better articles – how to improve your article Wikipedia:Verifiability – make sure your article includes reliable third-party sources You can also browse Wikipedia:Featured articles and Wikipedia:Good articles to find examples of Wikipedia's best writing on topics similar to your proposed article. Improving your odds of a speedy review To improve your odds of a faster review, tag your draft with relevant WikiProject tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the Biography, Astronomy, and Women scientists tags. Add tags to your draft Editor resources Find sources:  Google ( books · news · scholar · free images · WP refs) · FENS · JSTOR · TWL Easy tools: Citation bot ( help) | Advanced: Fix bare URLs Declined by Kline 4 days ago. Last edited by Kline 4 days ago. Reviewer: Inform author. Resubmit Please note that if the issues are not fixed, the draft will be declined again.

Submission declined on 22 January 2024 by 1AmNobody24 ( talk). This draft's references do not show that the subject qualifies for a Wikipedia article. In summary, the draft needs multiple published sources that are: in-depth (not just passing mentions about the subject) reliable secondary independent of the subject Make sure you add references that meet these criteria before resubmitting. Learn about mistakes to avoid when addressing this issue. If no additional references exist, the subject is not suitable for Wikipedia. Declined by 1AmNobody24 3 months ago.

The term "live audiovisual performance", also known as live visual, ^[1] refers to contemporary artistic expressions involving the real-time manipulation of both sound and image. ^[2] This creative form is characterised as time-based, media-driven, and performative. Live audiovisual performance is intricate because it lacks a specific style, technique, or medium. Instead, it encompasses a collection of shared elements that collectively define a group of artistic expressions and specific works. These may not neatly align with any singular category within the overarching concept. ^{[3] [4] [5]}

Since the inception of these practices, there has consistently existed an interconnection between sound and image. This connection may manifest explicitly at times and remain more intuitive on other occasions. An inherent aspect of live audiovisual performance is improvisation, which is implicitly embedded in the terms "live" and "performance." The ability to improvise is made feasible by the use of real-time production technology. William Kaizen elucidates this paradox by highlighting the role of video intervention in recording, leading to the emergence of 'the live' in live television. This transformation of liveness evolved into both an ideological and technological imperative. ^{[6] [7]}

The immediacy associated with television, propelled by cameras, mixers, and software derived from television equipment, has enabled the simultaneous capture and presentation of actions as they unfold. Realtime, as a technological capability, seamlessly combines presence with the manipulation of sound or image source material.

The artists practicing live audiovisual performance are usually active in music, cinema, dance, or media arts. Including Robert Henke, Alva Noto, and Ryoji Ikeda.

References