Submission declined on 5 April 2024 by
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Submission declined on 16 March 2024 by
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Submission declined on 16 March 2024 by
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Jeffrey Hass (born November 24, 1953 in New York) is a contemporary American classical composer of acoustic and electroacoustic music ( computer music, electronic music). He is best known for his compositions combining electronic soundtracks with solo instruments or with large ensembles such as wind ensemble [1] [2] [3] and orchestra. Later in his career, he developed an interest in composing works for contemporary dance and ballet, often accompanied by visual projection. [4] Several of his video works are for prerecorded dancers placed in a virtual 3D motion graphics environment [5] or for live interactive video projection based on dancers’ movements and actions. [6]
Hass was a composition faculty member at the Jacobs School of Music of Indiana University (retiring in 2019) where he served as Director of the School’s Center for Electronic and Computer Music from 1984-2019. [7] He was also appointed Adjunct Professor of Dance Technology in 2007 and currently serves the Jacobs School as Professor Emeritus. [8] He is well-known as an educator in the field of computer music, with many of his former students such as Phillip Sink and Samuel Wells now directing facilities and teaching the subject as faculty members elsewhere. [9] [10]
Upon retirement, Hass produced an online electronic textbook, Introduction to Computer Music, [11] which has been adopted for courses around the world. [12] [13] He had previously served on the music faculty of Rutgers University-Newark and the Interlochen Center for the Arts.
Hass's acoustic compositions have been performed by the Louisville Orchestra, Memphis Symphony Orchestra, American Concerto Orchestra (Chicago), the U.S. Army Band and the Concordia Chamber Orchestra. [14] In addition, his electronic and video works have been performed both nationally and internationally at the Society for Electro-Acoustic Music in the U.S. ( SEAMUS), International Computer Music Conference (ICMC), New York City Electroacoustic Music Festival (NYCEMF), [15] Australasian Computer Music Conference (ACMC), New Interfaces for Music Expression ( NIME), World Dance Alliance Global Summit and the Matera Intermedia Festival MA/IN.
Composition teachers included Richard Wilson, Robert Moevs, Frederick Fox, Donald Erb and Bernhard Heiden.
Wind Ensemble with electronics | Orchestra and Chamber Orchestra |
---|---|
Lost in the Funhouse (1996) [16] | City Life (1990) [16] |
All the Bells and Whistles (1997) [17] | Symphony for Orchestra with Electronics (2005) |
Concerto for Amplified Piano and Wind Ensemble (2001) [16] | Postcards from the Canyons (2009) [16] |
Chamber Music | Works for Dance with Video |
Fantasy for Violin and Piano (1990) | Coming to Light for dance, video projection and digital sound (2006) |
Liaisons digital soundtrack (1991) [18] | Dancing Till the Cows Come Home dance, interactive video projection and digital sound (2007) |
Sussurrando for oboe and digital soundtrack (1993) | The Nature of Human for dance, interactive video projection and digital sound (2008) |
Keyed Up for two amplified pianos and digital sound (1996) | Unstrung for solo dancer, violin, interactive digital music and video projection (2009) |
Three Etudes for Piano and Electronics (2013) | |
Video Works | |
Magnetic Resonance Music (2009) | |
Three Easy Recipes (2015) | |
Labyrinths (2016) | |
Capsule (2017) |
National Band Association/Revelli Award [22], Walter Beeler Memorial Award [23], ASCAP/Rudolph Nissim Award [24], Lee Ettelson Award [25], United States Army Band 75th Anniversary Composition Competition, Frank Ticheli Wind Ensemble competition [26], Heckscher Composition Award [4], Bogliasco Foundation Fellowship [27] [28], Utah Arts Festival competition commission, Meet the Composer/NEA grant
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{{
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: CS1 maint: multiple names: authors list (
link)
Submission declined on 5 April 2024 by
CurryTime7-24 (
talk). This submission's references do not show that the subject
qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published,
reliable,
secondary sources that are
independent of the subject (see the
guidelines on the notability of music-related topics). Before any resubmission, additional references meeting these criteria should be added (see
technical help and learn about
mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia.
Where to get help
How to improve a draft
You can also browse Wikipedia:Featured articles and Wikipedia:Good articles to find examples of Wikipedia's best writing on topics similar to your proposed article. Improving your odds of a speedy review To improve your odds of a faster review, tag your draft with relevant WikiProject tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the Biography, Astronomy, and Women scientists tags. Editor resources
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Submission declined on 16 March 2024 by
Jamiebuba (
talk). This submission's references do not show that the subject
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guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see
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Submission declined on 16 March 2024 by
Utopes (
talk). This submission is not adequately supported by
reliable sources. Reliable sources are required so that information can be
verified. If you need help with referencing, please see
Referencing for beginners and
Citing sources. This submission's references do not show that the subject
qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published,
reliable,
secondary sources that are
independent of the subject (see the
guidelines on the notability of music-related topics). Before any resubmission, additional references meeting these criteria should be added (see
technical help and learn about
mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. |
Jeffrey Hass (born November 24, 1953 in New York) is a contemporary American classical composer of acoustic and electroacoustic music ( computer music, electronic music). He is best known for his compositions combining electronic soundtracks with solo instruments or with large ensembles such as wind ensemble [1] [2] [3] and orchestra. Later in his career, he developed an interest in composing works for contemporary dance and ballet, often accompanied by visual projection. [4] Several of his video works are for prerecorded dancers placed in a virtual 3D motion graphics environment [5] or for live interactive video projection based on dancers’ movements and actions. [6]
Hass was a composition faculty member at the Jacobs School of Music of Indiana University (retiring in 2019) where he served as Director of the School’s Center for Electronic and Computer Music from 1984-2019. [7] He was also appointed Adjunct Professor of Dance Technology in 2007 and currently serves the Jacobs School as Professor Emeritus. [8] He is well-known as an educator in the field of computer music, with many of his former students such as Phillip Sink and Samuel Wells now directing facilities and teaching the subject as faculty members elsewhere. [9] [10]
Upon retirement, Hass produced an online electronic textbook, Introduction to Computer Music, [11] which has been adopted for courses around the world. [12] [13] He had previously served on the music faculty of Rutgers University-Newark and the Interlochen Center for the Arts.
Hass's acoustic compositions have been performed by the Louisville Orchestra, Memphis Symphony Orchestra, American Concerto Orchestra (Chicago), the U.S. Army Band and the Concordia Chamber Orchestra. [14] In addition, his electronic and video works have been performed both nationally and internationally at the Society for Electro-Acoustic Music in the U.S. ( SEAMUS), International Computer Music Conference (ICMC), New York City Electroacoustic Music Festival (NYCEMF), [15] Australasian Computer Music Conference (ACMC), New Interfaces for Music Expression ( NIME), World Dance Alliance Global Summit and the Matera Intermedia Festival MA/IN.
Composition teachers included Richard Wilson, Robert Moevs, Frederick Fox, Donald Erb and Bernhard Heiden.
Wind Ensemble with electronics | Orchestra and Chamber Orchestra |
---|---|
Lost in the Funhouse (1996) [16] | City Life (1990) [16] |
All the Bells and Whistles (1997) [17] | Symphony for Orchestra with Electronics (2005) |
Concerto for Amplified Piano and Wind Ensemble (2001) [16] | Postcards from the Canyons (2009) [16] |
Chamber Music | Works for Dance with Video |
Fantasy for Violin and Piano (1990) | Coming to Light for dance, video projection and digital sound (2006) |
Liaisons digital soundtrack (1991) [18] | Dancing Till the Cows Come Home dance, interactive video projection and digital sound (2007) |
Sussurrando for oboe and digital soundtrack (1993) | The Nature of Human for dance, interactive video projection and digital sound (2008) |
Keyed Up for two amplified pianos and digital sound (1996) | Unstrung for solo dancer, violin, interactive digital music and video projection (2009) |
Three Etudes for Piano and Electronics (2013) | |
Video Works | |
Magnetic Resonance Music (2009) | |
Three Easy Recipes (2015) | |
Labyrinths (2016) | |
Capsule (2017) |
National Band Association/Revelli Award [22], Walter Beeler Memorial Award [23], ASCAP/Rudolph Nissim Award [24], Lee Ettelson Award [25], United States Army Band 75th Anniversary Composition Competition, Frank Ticheli Wind Ensemble competition [26], Heckscher Composition Award [4], Bogliasco Foundation Fellowship [27] [28], Utah Arts Festival competition commission, Meet the Composer/NEA grant
{{
cite web}}
: CS1 maint: multiple names: authors list (
link)
{{
cite news}}
: CS1 maint: multiple names: authors list (
link)