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Submission declined on 3 August 2024 by
SafariScribe (
talk). This submission is not adequately supported by
reliable sources. Reliable sources are required so that information can be
verified. If you need help with referencing, please see
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Citing sources. This submission's references do not show that the subject
qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published,
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Last edited by
223.178.85.211 (
talk |
contribs) 8 hours ago. (
Update)
This draft has been submitted and is currently awaiting review. |
The Signal (Original Motion Picture Soundtrack) | ||||
---|---|---|---|---|
Film score by | ||||
Released | June 10, 2014 | |||
Recorded | 2013–2014 | |||
Studio |
| |||
Genre | ||||
Length | 49:30 | |||
Label | Varèse Sarabande | |||
Producer | ||||
Nima Fakhrara chronology | ||||
|
The Signal (Original Motion Picture Soundtrack) is the film score soundtrack to the 2014 film The Signal directed by William Eubank. The film's original score was written by Nima Fakhrara featuring 22 tracks with a runtime of 49 minutes released under the Varèse Sarabande label on June 10, 2014.
In December 2013, it was announced that Iranian composer and experimental musical instrument designer Nima Fakhrara would provide the industrial score for The Signal. [1] Fakhrara, who has a background as a dulcimer player and student of Persian classical music, approached the production seeking to contribute, having been a fan of Eubank's earlier film Love. [2] Eubank recalled that he would discuss with Fakhrara at his studio discussing about the films and the sequences they liked and played few cues under his supervision which he was impressed with. [3]
As half of the film takes place indoors, he produced a number of custom instruments for the film designed to limit resonance, including a pagoda made of ceramic insulators, gongs, a number of bowed instruments, a steel marimba, and a tenor violin fashioned with viola strings. [2] When the characters journey outdoors, the music and instruments change. A number of the custom instruments had to be transported to Skywalker Ranch, where Fakhrara was mastering the score. [2] The sounds from those instruments were sampled and implemented in his keyboard, where he would also manipulate those non-familiar sounds to add more effects. [3]
Aminé Ramer served as the film's music supervisor, who selected various classical pieces to be used in the film. Fakhrara and Eubank went through 45 versions of the music for the opening credits scene before they chose a final version. [2]
A soundtrack album was released by Varèse Sarabande on June 10, 2014. [4] The album artwork was also issued after its release, featuring the teaser poster of an astronaut walking in multiple doors; it is further pressed in a limited edition vinyl LP scheduled to be released later. [3]
Pete Simons of Synchrotones while calling it as a "slick, minimalistic electronic score", he found it to be "atmospheric and mesmerizing at best, yet a little underwhelming". [5] Heather Phares of AllMusic rated the album three out of five calling it as an "engrossing score". [6] Matt Patches of IGN wrote "The Signal is a satisfying sensory experience, its chilling-if-not-standard mood music from Nima Fakhrara amplifying its geometrically inclined photography." [7] jfriar of The Victoria Advocate wrote "The ambient score by composer Nima Fakhrara is a the perfect accompaniment to the film's aesthetic style." [8] Roger Moore of The Oklahoman called it as "eerie", [9] and William Goss of The Austin Chronicle described it as "half-melancholy, half-foreboding". [10]
The score was shortlisted as one among the 114 contenders for the Best Original Score category at the 87th edition of the Academy Awards. [11] [12] [13] The Italian dark wave band Confrontational mentioned The Signal's score on their best scores at that time it was fond of, calling it as a "brilliantly haunting score that really worked well with the movie". [14]
No. | Title | Length |
---|---|---|
1. | "Good Luck" | 2:42 |
2. | "Get The Pony" | 1:30 |
3. | "Penly Ln." | 2:07 |
4. | "Clocks" | 1:14 |
5. | "4, 5, 6" | 0:51 |
6. | "Hallway Roll" | 4:48 |
7. | "Agitate" | 1:16 |
8. | "Wake Up" | 3:01 |
9. | "Door Kick" | 1:54 |
10. | "Your Protection" | 1:27 |
11. | "Hailey" | 1:19 |
12. | "What's Wrong With You" | 1:00 |
13. | "Road" | 0:56 |
14. | "Reunion" | 1:46 |
15. | "Visitor Center" | 4:28 |
16. | "Check Point" | 1:21 |
17. | "Jonah" | 2:31 |
18. | "Goodbye" | 4:37 |
19. | "I Am Sorry" | 2:35 |
20. | "Nomad" | 1:32 |
21. | "The End" | 2:48 |
22. | "2.3.5.41" ( Free the Robots, feat. William Grundler) | 3:47 |
Total length: | 49:30 |
Other songs featured in the film include: [15]
Credits adapted from liner notes [16]
Chart (2014) | Peak position |
---|---|
UK Soundtrack Albums ( OCC) [17] | 48 |
US Top Soundtracks ( Billboard) [18] | 25 |
{{
cite web}}
: CS1 maint: unfit URL (
link)
Review waiting, please be patient.
This may take 3 months or more, since drafts are reviewed in no specific order. There are 2,529 pending submissions waiting for review.
Where to get help
How to improve a draft
You can also browse Wikipedia:Featured articles and Wikipedia:Good articles to find examples of Wikipedia's best writing on topics similar to your proposed article. Improving your odds of a speedy review To improve your odds of a faster review, tag your draft with relevant WikiProject tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the Biography, Astronomy, and Women scientists tags. Editor resources
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Submission declined on 3 August 2024 by
SafariScribe (
talk). This submission is not adequately supported by
reliable sources. Reliable sources are required so that information can be
verified. If you need help with referencing, please see
Referencing for beginners and
Citing sources. This submission's references do not show that the subject
qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published,
reliable,
secondary sources that are
independent of the subject (see the
guidelines on the notability of music-related topics). Before any resubmission, additional references meeting these criteria should be added (see
technical help and learn about
mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia.
Where to get help
How to improve a draft
You can also browse Wikipedia:Featured articles and Wikipedia:Good articles to find examples of Wikipedia's best writing on topics similar to your proposed article. Improving your odds of a speedy review To improve your odds of a faster review, tag your draft with relevant WikiProject tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the Biography, Astronomy, and Women scientists tags. Editor resources
This draft has been resubmitted and is currently awaiting re-review. |
This is a
draft article. It is a work in progress
open to editing by
anyone. Please ensure
core content policies are met before publishing it as a
live Wikipedia article. Find sources:
Google (
books ·
news ·
scholar ·
free images ·
WP refs) ·
FENS ·
JSTOR ·
TWL
Last edited by
223.178.85.211 (
talk |
contribs) 8 hours ago. (
Update)
This draft has been submitted and is currently awaiting review. |
The Signal (Original Motion Picture Soundtrack) | ||||
---|---|---|---|---|
Film score by | ||||
Released | June 10, 2014 | |||
Recorded | 2013–2014 | |||
Studio |
| |||
Genre | ||||
Length | 49:30 | |||
Label | Varèse Sarabande | |||
Producer | ||||
Nima Fakhrara chronology | ||||
|
The Signal (Original Motion Picture Soundtrack) is the film score soundtrack to the 2014 film The Signal directed by William Eubank. The film's original score was written by Nima Fakhrara featuring 22 tracks with a runtime of 49 minutes released under the Varèse Sarabande label on June 10, 2014.
In December 2013, it was announced that Iranian composer and experimental musical instrument designer Nima Fakhrara would provide the industrial score for The Signal. [1] Fakhrara, who has a background as a dulcimer player and student of Persian classical music, approached the production seeking to contribute, having been a fan of Eubank's earlier film Love. [2] Eubank recalled that he would discuss with Fakhrara at his studio discussing about the films and the sequences they liked and played few cues under his supervision which he was impressed with. [3]
As half of the film takes place indoors, he produced a number of custom instruments for the film designed to limit resonance, including a pagoda made of ceramic insulators, gongs, a number of bowed instruments, a steel marimba, and a tenor violin fashioned with viola strings. [2] When the characters journey outdoors, the music and instruments change. A number of the custom instruments had to be transported to Skywalker Ranch, where Fakhrara was mastering the score. [2] The sounds from those instruments were sampled and implemented in his keyboard, where he would also manipulate those non-familiar sounds to add more effects. [3]
Aminé Ramer served as the film's music supervisor, who selected various classical pieces to be used in the film. Fakhrara and Eubank went through 45 versions of the music for the opening credits scene before they chose a final version. [2]
A soundtrack album was released by Varèse Sarabande on June 10, 2014. [4] The album artwork was also issued after its release, featuring the teaser poster of an astronaut walking in multiple doors; it is further pressed in a limited edition vinyl LP scheduled to be released later. [3]
Pete Simons of Synchrotones while calling it as a "slick, minimalistic electronic score", he found it to be "atmospheric and mesmerizing at best, yet a little underwhelming". [5] Heather Phares of AllMusic rated the album three out of five calling it as an "engrossing score". [6] Matt Patches of IGN wrote "The Signal is a satisfying sensory experience, its chilling-if-not-standard mood music from Nima Fakhrara amplifying its geometrically inclined photography." [7] jfriar of The Victoria Advocate wrote "The ambient score by composer Nima Fakhrara is a the perfect accompaniment to the film's aesthetic style." [8] Roger Moore of The Oklahoman called it as "eerie", [9] and William Goss of The Austin Chronicle described it as "half-melancholy, half-foreboding". [10]
The score was shortlisted as one among the 114 contenders for the Best Original Score category at the 87th edition of the Academy Awards. [11] [12] [13] The Italian dark wave band Confrontational mentioned The Signal's score on their best scores at that time it was fond of, calling it as a "brilliantly haunting score that really worked well with the movie". [14]
No. | Title | Length |
---|---|---|
1. | "Good Luck" | 2:42 |
2. | "Get The Pony" | 1:30 |
3. | "Penly Ln." | 2:07 |
4. | "Clocks" | 1:14 |
5. | "4, 5, 6" | 0:51 |
6. | "Hallway Roll" | 4:48 |
7. | "Agitate" | 1:16 |
8. | "Wake Up" | 3:01 |
9. | "Door Kick" | 1:54 |
10. | "Your Protection" | 1:27 |
11. | "Hailey" | 1:19 |
12. | "What's Wrong With You" | 1:00 |
13. | "Road" | 0:56 |
14. | "Reunion" | 1:46 |
15. | "Visitor Center" | 4:28 |
16. | "Check Point" | 1:21 |
17. | "Jonah" | 2:31 |
18. | "Goodbye" | 4:37 |
19. | "I Am Sorry" | 2:35 |
20. | "Nomad" | 1:32 |
21. | "The End" | 2:48 |
22. | "2.3.5.41" ( Free the Robots, feat. William Grundler) | 3:47 |
Total length: | 49:30 |
Other songs featured in the film include: [15]
Credits adapted from liner notes [16]
Chart (2014) | Peak position |
---|---|
UK Soundtrack Albums ( OCC) [17] | 48 |
US Top Soundtracks ( Billboard) [18] | 25 |
{{
cite web}}
: CS1 maint: unfit URL (
link)