Submission declined on 29 December 2023 by
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Submission declined on 26 December 2023 by
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talk). This submission is not adequately supported by
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verified. If you need help with referencing, please see
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Chidipothu Manohar (born September 5, 1990), known professionally as Siddam Manohar, is an Indian cinematographer and screenplay writer recognized for his contributions to the Telugu and Kannada film industries.
Manohar was born on September 5, 1990, in Nellore, Andhra Pradesh. Despite financial constraints, he pursued higher studies in B.A. Political Science after attending YV Municipal Corporation High School. Alongside his academic pursuits, Manohar actively engaged in student politics, aligning himself successively with the Student Federation Union ( SFI) and the Progressive Democratic Students Union ( PDSU)
He holds a degree in Multimedia with a specialization in video editing from the National Academy of Media Education (NAME). Additionally, he obtained a diploma in Film Technology from the esteemed Film and Television Institute of Hyderabad (FTIH).
Manohar ventured into the film industry in 2012, marking the start of a promising career. His contributions began with the acclaimed short film Mr. and Miss, earning accolades at the South Indian International Movie Awards (SIIMA) [1]. His roles expanded to assistant cinematographer for Ko Antey Koti (2012) and operative cameraman for notable films like Mahanati (2018) and Jagannatakam (2015)
His diverse expertise includes serving as an additional cinematographer for films such as Narayana and Co (2021) and GangStars (2018). As a cinematographer, Manohar led notable projects including Raavana Kalyanam (2022) [2], Nachindhi Girl Friendu (2022), GD (2021), and Jathiratnalu (2021) .
Manohar's contributions to cinematography have received acclaim from critics and audiences alike. However, formal recognition through awards is pending.
Manohar's expertise integrates visual storytelling with narrative essence, focusing on practical lighting techniques. His proficiency as an editor and screenplay storyteller ensures that each frame encapsulates the story's emotional core. His commitment to the nuanced interplay of lighting and storytelling sets him apart in the filmmaking landscape [4] [5] [6]
Submission declined on 29 December 2023 by
DreamRimmer (
talk). This submission's references do not show that the subject
qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published,
reliable,
secondary sources that are
independent of the subject (see the
guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see
technical help and learn about
mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia.
Where to get help
How to improve a draft
You can also browse Wikipedia:Featured articles and Wikipedia:Good articles to find examples of Wikipedia's best writing on topics similar to your proposed article. Improving your odds of a speedy review To improve your odds of a faster review, tag your draft with relevant WikiProject tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the Biography, Astronomy, and Women scientists tags. Editor resources
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Submission declined on 26 December 2023 by
Maliner (
talk). This submission is not adequately supported by
reliable sources. Reliable sources are required so that information can be
verified. If you need help with referencing, please see
Referencing for beginners and
Citing sources. This submission's references do not show that the subject
qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published,
reliable,
secondary sources that are
independent of the subject (see the
guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see
technical help and learn about
mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by
Maliner 5 months ago. | ![]() |
Chidipothu Manohar (born September 5, 1990), known professionally as Siddam Manohar, is an Indian cinematographer and screenplay writer recognized for his contributions to the Telugu and Kannada film industries.
Manohar was born on September 5, 1990, in Nellore, Andhra Pradesh. Despite financial constraints, he pursued higher studies in B.A. Political Science after attending YV Municipal Corporation High School. Alongside his academic pursuits, Manohar actively engaged in student politics, aligning himself successively with the Student Federation Union ( SFI) and the Progressive Democratic Students Union ( PDSU)
He holds a degree in Multimedia with a specialization in video editing from the National Academy of Media Education (NAME). Additionally, he obtained a diploma in Film Technology from the esteemed Film and Television Institute of Hyderabad (FTIH).
Manohar ventured into the film industry in 2012, marking the start of a promising career. His contributions began with the acclaimed short film Mr. and Miss, earning accolades at the South Indian International Movie Awards (SIIMA) [1]. His roles expanded to assistant cinematographer for Ko Antey Koti (2012) and operative cameraman for notable films like Mahanati (2018) and Jagannatakam (2015)
His diverse expertise includes serving as an additional cinematographer for films such as Narayana and Co (2021) and GangStars (2018). As a cinematographer, Manohar led notable projects including Raavana Kalyanam (2022) [2], Nachindhi Girl Friendu (2022), GD (2021), and Jathiratnalu (2021) .
Manohar's contributions to cinematography have received acclaim from critics and audiences alike. However, formal recognition through awards is pending.
Manohar's expertise integrates visual storytelling with narrative essence, focusing on practical lighting techniques. His proficiency as an editor and screenplay storyteller ensures that each frame encapsulates the story's emotional core. His commitment to the nuanced interplay of lighting and storytelling sets him apart in the filmmaking landscape [4] [5] [6]