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Submission declined on 9 December 2023 by
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Michael Just | |
---|---|
![]() | |
Citizenship | German, Austrian |
Alma mater |
Kunstakademie Düsseldorf
Goldsmiths, University of London Whitney Museum of American Art City University of Hong Kong |
Website | https://www.mjust.com |
Michael Just (born 1979 Frankfurt am Main, Germany) is a German interdisciplinary artist and educator.
Michael Just studied at the Kunstakademie Düsseldorf from 2000 to 2007, completing his studies under Daniel Buren with a diploma ( MA) and Meisterschüler. [1]. From 2004 to 2006, he was assistant to Daniel Buren. While in Düsseldorf, he also worked with Elia Zenghelis ( architecture) and Hubert Kiecol (integration of arts and architecture).
From 2007 to 2009, he studied at the University of London, Goldsmiths, with a DAAD postgraduate scholarship and the EHF-Fellowship from the Konrad-Adenauer-Foundation, [2] earning an MFA in Art Practice [3] [4]. He lived in New York City from 2010 to 2012, participating in the Whitney Museum of American Art Independent Study Program from 2010 to 2011. [5]
Michael Just is currently a doctoral candidate at the City University of Hong Kong, School of Creative Media, [6] and a Visiting Researcher at Delft University of Technology, Faculty of Architecture, with the Ecologies of Architecture Research Group [7].
Since 2023, he has been a member of the Steering Committee of DigitalFUTURES [8] where he chaired the jury for the 2023 Mark Cousins Theory Award. [9]
Michael Just teaches part-time at Hong Kong Baptist University, Academy of Visual Arts. [10] Since 2008, he has maintained a studio in Berlin-Kreuzberg and currently lives and works in Berlin, Hong Kong, and the Südburgenland region in Austria [11]
Michael Just's work has engaged early on with public space, architecture, urbanism, and design within the framework of a relational practice [12] [13]. The focus of his work revolves around the question of how art can facilitate new relationships and thus become a transformative force within society. This approach is explicitly post-anthropocentric and decolonial, envisioning artistic methods and models for the integration and coexistence of diverse forms of cognition and intelligence—both biological and technological—across various substrates and timescales [14]. His work is primarily constituted through interdisciplinary collaboration and often falls within the realm of artistic research, understood as the communicability and applicability of insights gained systematically through artistic methods to various scientific disciplines.
In its primary orientation as transformative knowledge production, Michael Just's work integrates pedagogy, as well as the design of educational institutions, physically and conceptually at the same time.[ citation needed] Here, architecture and medicine overlap in light of social regeneration and repair [15]
Michael Just has taught at universities and art schools since 2004. He has participated in conferences on methods of artistic research and art education and has published on these topics, most recently as part of CAMP Notes on Education at documenta fifteen. [16]
Institutions at which Michael Just has taught include the Kunstakademie Düsseldorf, Germany (2004-2006, with Daniel Buren), Goldsmiths, University of London, UK (2008, Teaching Assistant), Accademia di Belle Arti Napoli, Italy (2010), Art Center College of Design, Pasadena, USA (2012), Texas Christian University, Fort Worth, USA (2015), Central Academy of Fine Arts, Beijing, China (2017), China Academy of Art, School of Design and Innovation, Hangzhou, China (2020) [17] and Hong Kong Baptist University, Academy of Visual Arts, Hong Kong SAR (2023–2024) [18]
Solo- and Group Exhibitions in which Michael Just's work has been shown include: Avenir de Villes / Future for Cities (Site Alstom, Nancy, 2005), [19] A y regarder de près (Mrac Occitanie, Sérignan, 2005), [20] Counterpoints ( Benaki Museum, Athens, 2005), [21] Experience Pommery #4: L'Emprise du Lieu ( Domaine Pommery, Reims, 2007), [22] Believe Me! (KIT, Düsseldorf, 2008), [23] ONE TWO X YOU, (SOUTERRAIN, Berlin), [24] Bloomberg Newcontemporaries ( Cornerhouse, Manchester / A Foundation, London, 2009), [25] PAN Studios 2010 (Palazzo delle Arti Napoli, 2010), [26] Informal Relations ( Indianapolis Museum of Art, 2010), Whitney Museum of American Art Independent Study Program Studio Program Exhibition, 2011 [5], Surface Meanings (Artisanal House, New York City, 2013), Checkpoint California (Deutsche Bank KunstHalle, 2015), [27] MMCA Residents ( MMCA Seoul, 2018), [28] Youngtoyoung 2020 ( China Academy of Art, 2020), 60 Days of Lockdown (Luxelakes A4 Museum, Chengdu), [29] Beyond Smart Cities ( Massachusetts Institute of Technology Hong Kong Innovation Node, 2022), [30] Rivers: Jugular Veins of Empire ( University of the Arts, London, 2022), Vestiges of the Future (Narbo Via, Narbonne, 2023). [31]
His work is held in private and public collections in North America, Europe and Asia: Mrac Occitanie, Sérignan [32], Benaki Museum, Athens, Vranken-Pommery, Reims, Palazzo delle Arti Napoli, Indianapolis Museum of Art, Peppermint Holding, Berlin, Peter and Alison Klein Collection, Nussdorf-Eberdingen, Nationalbank, Essen, Luxelakes A4 Art Museum, Chengdu, KNPZ Law, Hamburg.
Awards, grants and fellowships include: EHF-Fellowship, Konrad-Adenauer-Foundation, Germany, 2007 [2], DAAD Postgraduate Fellowship, Germany, 2007, PAN Studios, Palazzo delle Arti Napoli, Italy, 2010 [33], Villa Aurora, Los Angeles, USA, 2012 [34], MMCA Residency, National Museum of Modern and Contemporary Art Seoul, Korea, 2018. [35]
Category:Goldsmiths, University of London Category:Whitney Museum of American Art Category:City University of Hong Kong Category:German artists Category:Contemporary artists Category:German academics Category:Kunstakademie Düsseldorf alumni
![]() | A major contributor to this article appears to have a
close connection with its subject. (December 2023) |
Submission declined on 26 December 2023 by
Netherzone (
talk). This submission appears to
read more like an advertisement than an entry in an encyclopedia. Encyclopedia articles need to be written from a
neutral point of view, and should refer to a range of
independent, reliable, published sources, not just to materials produced by the creator of the subject being discussed. This is important so that the article can meet Wikipedia's
verifiability policy and the
notability of the subject can be established. If you still feel that this subject is worthy of inclusion in Wikipedia, please rewrite your submission to comply with these policies.
Where to get help
How to improve a draft
You can also browse Wikipedia:Featured articles and Wikipedia:Good articles to find examples of Wikipedia's best writing on topics similar to your proposed article. Improving your odds of a speedy review To improve your odds of a faster review, tag your draft with relevant WikiProject tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the Biography, Astronomy, and Women scientists tags. Editor resources
| ![]() |
Submission declined on 9 December 2023 by
Netherzone (
talk). This submission appears to
read more like an advertisement than an entry in an encyclopedia. Encyclopedia articles need to be written from a
neutral point of view, and should refer to a range of
independent, reliable, published sources, not just to materials produced by the creator of the subject being discussed. This is important so that the article can meet Wikipedia's
verifiability policy and the
notability of the subject can be established. If you still feel that this subject is worthy of inclusion in Wikipedia, please rewrite your submission to comply with these policies. Declined by
Netherzone 7 months ago. | ![]() |
Michael Just | |
---|---|
![]() | |
Citizenship | German, Austrian |
Alma mater |
Kunstakademie Düsseldorf
Goldsmiths, University of London Whitney Museum of American Art City University of Hong Kong |
Website | https://www.mjust.com |
Michael Just (born 1979 Frankfurt am Main, Germany) is a German interdisciplinary artist and educator.
Michael Just studied at the Kunstakademie Düsseldorf from 2000 to 2007, completing his studies under Daniel Buren with a diploma ( MA) and Meisterschüler. [1]. From 2004 to 2006, he was assistant to Daniel Buren. While in Düsseldorf, he also worked with Elia Zenghelis ( architecture) and Hubert Kiecol (integration of arts and architecture).
From 2007 to 2009, he studied at the University of London, Goldsmiths, with a DAAD postgraduate scholarship and the EHF-Fellowship from the Konrad-Adenauer-Foundation, [2] earning an MFA in Art Practice [3] [4]. He lived in New York City from 2010 to 2012, participating in the Whitney Museum of American Art Independent Study Program from 2010 to 2011. [5]
Michael Just is currently a doctoral candidate at the City University of Hong Kong, School of Creative Media, [6] and a Visiting Researcher at Delft University of Technology, Faculty of Architecture, with the Ecologies of Architecture Research Group [7].
Since 2023, he has been a member of the Steering Committee of DigitalFUTURES [8] where he chaired the jury for the 2023 Mark Cousins Theory Award. [9]
Michael Just teaches part-time at Hong Kong Baptist University, Academy of Visual Arts. [10] Since 2008, he has maintained a studio in Berlin-Kreuzberg and currently lives and works in Berlin, Hong Kong, and the Südburgenland region in Austria [11]
Michael Just's work has engaged early on with public space, architecture, urbanism, and design within the framework of a relational practice [12] [13]. The focus of his work revolves around the question of how art can facilitate new relationships and thus become a transformative force within society. This approach is explicitly post-anthropocentric and decolonial, envisioning artistic methods and models for the integration and coexistence of diverse forms of cognition and intelligence—both biological and technological—across various substrates and timescales [14]. His work is primarily constituted through interdisciplinary collaboration and often falls within the realm of artistic research, understood as the communicability and applicability of insights gained systematically through artistic methods to various scientific disciplines.
In its primary orientation as transformative knowledge production, Michael Just's work integrates pedagogy, as well as the design of educational institutions, physically and conceptually at the same time.[ citation needed] Here, architecture and medicine overlap in light of social regeneration and repair [15]
Michael Just has taught at universities and art schools since 2004. He has participated in conferences on methods of artistic research and art education and has published on these topics, most recently as part of CAMP Notes on Education at documenta fifteen. [16]
Institutions at which Michael Just has taught include the Kunstakademie Düsseldorf, Germany (2004-2006, with Daniel Buren), Goldsmiths, University of London, UK (2008, Teaching Assistant), Accademia di Belle Arti Napoli, Italy (2010), Art Center College of Design, Pasadena, USA (2012), Texas Christian University, Fort Worth, USA (2015), Central Academy of Fine Arts, Beijing, China (2017), China Academy of Art, School of Design and Innovation, Hangzhou, China (2020) [17] and Hong Kong Baptist University, Academy of Visual Arts, Hong Kong SAR (2023–2024) [18]
Solo- and Group Exhibitions in which Michael Just's work has been shown include: Avenir de Villes / Future for Cities (Site Alstom, Nancy, 2005), [19] A y regarder de près (Mrac Occitanie, Sérignan, 2005), [20] Counterpoints ( Benaki Museum, Athens, 2005), [21] Experience Pommery #4: L'Emprise du Lieu ( Domaine Pommery, Reims, 2007), [22] Believe Me! (KIT, Düsseldorf, 2008), [23] ONE TWO X YOU, (SOUTERRAIN, Berlin), [24] Bloomberg Newcontemporaries ( Cornerhouse, Manchester / A Foundation, London, 2009), [25] PAN Studios 2010 (Palazzo delle Arti Napoli, 2010), [26] Informal Relations ( Indianapolis Museum of Art, 2010), Whitney Museum of American Art Independent Study Program Studio Program Exhibition, 2011 [5], Surface Meanings (Artisanal House, New York City, 2013), Checkpoint California (Deutsche Bank KunstHalle, 2015), [27] MMCA Residents ( MMCA Seoul, 2018), [28] Youngtoyoung 2020 ( China Academy of Art, 2020), 60 Days of Lockdown (Luxelakes A4 Museum, Chengdu), [29] Beyond Smart Cities ( Massachusetts Institute of Technology Hong Kong Innovation Node, 2022), [30] Rivers: Jugular Veins of Empire ( University of the Arts, London, 2022), Vestiges of the Future (Narbo Via, Narbonne, 2023). [31]
His work is held in private and public collections in North America, Europe and Asia: Mrac Occitanie, Sérignan [32], Benaki Museum, Athens, Vranken-Pommery, Reims, Palazzo delle Arti Napoli, Indianapolis Museum of Art, Peppermint Holding, Berlin, Peter and Alison Klein Collection, Nussdorf-Eberdingen, Nationalbank, Essen, Luxelakes A4 Art Museum, Chengdu, KNPZ Law, Hamburg.
Awards, grants and fellowships include: EHF-Fellowship, Konrad-Adenauer-Foundation, Germany, 2007 [2], DAAD Postgraduate Fellowship, Germany, 2007, PAN Studios, Palazzo delle Arti Napoli, Italy, 2010 [33], Villa Aurora, Los Angeles, USA, 2012 [34], MMCA Residency, National Museum of Modern and Contemporary Art Seoul, Korea, 2018. [35]
Category:Goldsmiths, University of London Category:Whitney Museum of American Art Category:City University of Hong Kong Category:German artists Category:Contemporary artists Category:German academics Category:Kunstakademie Düsseldorf alumni