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Louis Cane | |
---|---|
Born |
Beaulieu-sur-Mer, France | December 13, 1943
Nationality | French |
Occupations |
|
Cane was born in 1943 in Beaulieu sur Mer, France. He is a painter, sculptor and furniture designer. [1] [2]
Louis Cane attended the National School of Decorative Arts in Nice then the Superior School of Decorative arts in Paris in 1961. [3]
He then studied at the Superior School of Decorative Arts in Paris and got his diploma in Interior Architecture. [1]
Cane was a part of the Supports/Surfaces Movement in France that lasted from 1969 to 1972 and co-founded and edited the Peinture, Cahiers Theoriques. [4]
In 1978, he began sculpting again. They consisted of female figures in a traditional style. [1]
Cane focused on the concept of deconstruction of the canvas. His series, Louis Cane artiste peintre français, he continuously stamped his name on a sheet, exploring the idea of personal branding. [5]
By 1970, Cane transitioned into a series of cut-out paintings, the toiles découpées, which he worked with for several years. [5] His process for paintings was much like Jackson Pollock or Helen Frankenthaler, by painting the un-stretched canvas on the ground [6]
He participated in the second and third exhibition of the Supports/Surfaces group at the Théâtre de la Cité Internationale in Paris. [7] [8]
In 1971, Cane had his first solo exhibition in Paris at Daniel Templon Gallery. [9] Then at the Yvon Lambert Gallery in 1972. [7]
From 1972 to 1972, he produced a series called Sol/Mur as part of the Supports/Surfaces movement. [3]
Until 1975, Cane continued his abstract series. [3] These canvases were un-stretched, spread on the floor, spray painted and folded in half, then cut and staples directly on the wall. [6]
In 1978, Cane went from abstract painting to figuration. [3] He reflected on the history of pictorial forms. He also started integrating sculpture into his practice. The statues were almost exclusively female occasionally appearing in form of burlesque or baroque expressionism. [10]
Cane was also a furniture designer, which is an important part of his artistic creation. [10]
1995
Museum of contemporary Art, Cambrai, France [3]
1991
Musée Municipal de Bellas Artes, Santander, Spain [11]
1971
Galerie Templon, Paris, France [9]
2019
Unfurled: Supports/ Surfaces 1966-1976, curated by Wallace Whitney, MOCAD, Detroit, USA [12]
2002
Supports/Surfaces, Galerie Dorsky, New York, USA [13]
1991
Supports/Surfaces, Museum of modern Art, Saint-Etienne, France [3]
1979
Museum of modern Art - A.R.C., Paris, France [3]
Centre national des arts plastiques, Paris, France [14]
Musée national d’art moderne - centre Pompidou, Paris, France [15]
Musée d’Art moderne et d’Art contemporain de Nice, France [16]
Carré d’Art, Nîmes, France [17]
Musée d’art moderne de la ville de Paris, France [18]
Les Abattoirs, Toulouse, France [19]
Frac Picardie, Amiens, France [20]
Musée d’art moderne et contemporain, Saint-Etienne, France [21]
Frac Alsace, Sélestat, France [22]
Frac Normandie, Caen, France [20]
Musée de Grenoble, France [23]
Collection Institut d’art contemporain, Rhône-Alpes, Villeurbanne, France [24]
Musée d’art de Nantes, France [25]
Musée d’art contemporain du Val-de-Marne, Vitry-sur-Seine, France [26]
This article has multiple issues. Please help
improve it or discuss these issues on the
talk page. (
Learn how and when to remove these template messages)
|
Louis Cane | |
---|---|
Born |
Beaulieu-sur-Mer, France | December 13, 1943
Nationality | French |
Occupations |
|
Cane was born in 1943 in Beaulieu sur Mer, France. He is a painter, sculptor and furniture designer. [1] [2]
Louis Cane attended the National School of Decorative Arts in Nice then the Superior School of Decorative arts in Paris in 1961. [3]
He then studied at the Superior School of Decorative Arts in Paris and got his diploma in Interior Architecture. [1]
Cane was a part of the Supports/Surfaces Movement in France that lasted from 1969 to 1972 and co-founded and edited the Peinture, Cahiers Theoriques. [4]
In 1978, he began sculpting again. They consisted of female figures in a traditional style. [1]
Cane focused on the concept of deconstruction of the canvas. His series, Louis Cane artiste peintre français, he continuously stamped his name on a sheet, exploring the idea of personal branding. [5]
By 1970, Cane transitioned into a series of cut-out paintings, the toiles découpées, which he worked with for several years. [5] His process for paintings was much like Jackson Pollock or Helen Frankenthaler, by painting the un-stretched canvas on the ground [6]
He participated in the second and third exhibition of the Supports/Surfaces group at the Théâtre de la Cité Internationale in Paris. [7] [8]
In 1971, Cane had his first solo exhibition in Paris at Daniel Templon Gallery. [9] Then at the Yvon Lambert Gallery in 1972. [7]
From 1972 to 1972, he produced a series called Sol/Mur as part of the Supports/Surfaces movement. [3]
Until 1975, Cane continued his abstract series. [3] These canvases were un-stretched, spread on the floor, spray painted and folded in half, then cut and staples directly on the wall. [6]
In 1978, Cane went from abstract painting to figuration. [3] He reflected on the history of pictorial forms. He also started integrating sculpture into his practice. The statues were almost exclusively female occasionally appearing in form of burlesque or baroque expressionism. [10]
Cane was also a furniture designer, which is an important part of his artistic creation. [10]
1995
Museum of contemporary Art, Cambrai, France [3]
1991
Musée Municipal de Bellas Artes, Santander, Spain [11]
1971
Galerie Templon, Paris, France [9]
2019
Unfurled: Supports/ Surfaces 1966-1976, curated by Wallace Whitney, MOCAD, Detroit, USA [12]
2002
Supports/Surfaces, Galerie Dorsky, New York, USA [13]
1991
Supports/Surfaces, Museum of modern Art, Saint-Etienne, France [3]
1979
Museum of modern Art - A.R.C., Paris, France [3]
Centre national des arts plastiques, Paris, France [14]
Musée national d’art moderne - centre Pompidou, Paris, France [15]
Musée d’Art moderne et d’Art contemporain de Nice, France [16]
Carré d’Art, Nîmes, France [17]
Musée d’art moderne de la ville de Paris, France [18]
Les Abattoirs, Toulouse, France [19]
Frac Picardie, Amiens, France [20]
Musée d’art moderne et contemporain, Saint-Etienne, France [21]
Frac Alsace, Sélestat, France [22]
Frac Normandie, Caen, France [20]
Musée de Grenoble, France [23]
Collection Institut d’art contemporain, Rhône-Alpes, Villeurbanne, France [24]
Musée d’art de Nantes, France [25]
Musée d’art contemporain du Val-de-Marne, Vitry-sur-Seine, France [26]