Not to be confused with Indian House Lake on the
George River in northeastern Canada.
Indian House is a
Taos, New Mexico based record company specialized in traditional
Native American Indian music in the United States and Canada.[1] Founded in 1966 by Tony and Ida Lujan Isaacs, the Indian House catalog has now around 150 titles.[2][3] The company originally issued recordings on
phonodisc and
cassette tape, however almost all albums are now available in the
CD format.
Notable recordings
Round Dance -It was recorded in two volumes on November 12, 1966, at Taos Pueblo.[4]
War Dance -Recorded on May 15, 1967, is a Southern Ponca Hethushka (or War Dance) performed at Ponca city, Oklahoma.[5]
Navajo Sway -It was recorded in two volumes and comprises 41 songs.[6]
Night & Daylight
Yeibichei -It was sung by Navaho singers from Klagetoh, Arizona and Biniface Bonnie.[7]
Klagetoh Maiden Singers -It was recorded in 1977, and comprises 24 songs.[16]
Kiowa Church Songs -It was recorded in two volumes at Carnegie, Oklahoma on 31 March 1971. First volume contains 22 songs and second, 18.[19]
Yankton Sioux Peyote -It was recorded at Lake Andes, South Dakota on 6 July 1976 and consists 88 songs in four volumes.[19]
Turtle Dance Songs of San Juan Pueblo -The album represents the Turtle dance performed annually on 26 December at San Juan Pueblo and consists songs composed during 1971 turtle dance and was recorded around a month later the public performances.[20]
Cloud Dance Songs of San Juan Pueblo -The album represents Cloud dance performed alternate a year in San Juan Pueblo on 26 December and comprises six songs of 1972 Cloud dance that was recorded around a month later the public performances.[20]
References
^Santa Fean Danita Ross (August 1992). "Taos studio keeps tribal songs on the record". New Mexico Magazine.
^Donald N. Brown (May 1968). "Round Dance Songs of Taos Pueblo by Tony Isaacs". Ethnomusicology. 12 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 304–305.
doi:
10.2307/849951.
JSTOR849951.
^James H. Howard (January 1969). "War Dance Songs of the Ponca". Ethnomusicology. 13 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 202–204.
doi:
10.2307/849847.
JSTOR849847.
^David P. McAllester (May 1969). "Navajo Sway Songs by Tony Isaacs". Ethnomusicology. 13 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 401–403.
doi:
10.2307/850173.
JSTOR850173.
^David P. McAllester (January 1971). "Night and Daylight Yeibichei by Boniface Bonnie, Tony Isaacs". Ethnomusicology. 15 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 167–170.
doi:
10.2307/850406.
JSTOR850406.
^David P. McAllester (May 1971). "Navajo Skip Dance and Two-Step Songsby Tony Isaacs". Ethnomusicology. 15 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 296–297.
doi:
10.2307/850479.
JSTOR850479.
^David P. McAllester (May 1971). "Comanche Peyote Songs by Tony Isaacs". Ethnomusicology. 15 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 298–299.
doi:
10.2307/850480.
JSTOR850480.
^Donald N. Brown (May 1975). "Zuni Fair-Live". Ethnomusicology. 19 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 330.
doi:
10.2307/850374.
JSTOR850374.
^William K. Powers (May 1976). "Kiowa Gourd Dance by Tony Isaacs". Ethnomusicology. 20 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 403–404.
doi:
10.2307/851039.
JSTOR851039.
^David P. McAllester (January 1977). "Cheyenne Peyote Songs". Ethnomusicology. 21 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 161–162.
doi:
10.2307/850869.
JSTOR850869.
^William K. Powers (January 1977). "Ho hwo sju Lakota Singers: Traditional Songs of the Sioux; Sound of the Badlands Singers". Ethnomusicology. 21 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 163–164.
doi:
10.2307/850870.
JSTOR850870.
^Charlotte J. Frisbie (May 1977). "Navajo Corn Grinding & Shoe Game Songs by Tony Isaacs". Ethnomusicology. 21 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 355–356.
doi:
10.2307/850969.
JSTOR850969.
^Charlotte J. Frisbie (September 1977). "The Klagetoh Swingers: Navajo Songs about Love". Ethnomusicology. 21 (3). University of Illinois Press on behalf of Society for Ethnomusicology: 524–525.
doi:
10.2307/850746.
JSTOR850746.
^
abCharlotte J. Frisbie (September 1980). "Klagetoh Maiden Singers; The Klagetoh Swingers: Navajo Songs about Love". Ethnomusicology. 24 (3). University of Illinois Press on behalf of Society for Ethnomusicology: 628–630.
JSTOR851189.
^William K. Powers (January 1978). "War Dance Songs of the Kiowa". Ethnomusicology. 22 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 206–208.
doi:
10.2307/851381.
JSTOR851381.
^Lynn Huenemann (May 1980). "Comanche Flute Music, Played by Doc Tate Nevaquaya by Verna Gillis; Flute Songs of the Kiowa and Comanche. Tom Mauchahty-Ware". Ethnomusicology. 24 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 339–341.
doi:
10.2307/851142.
JSTOR851142.
^
abWilliam K. Powers (January 1981). "Toward a sound Ethnography of Native American Music". Ethnomusicology. 25 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 159–162.
doi:
10.2307/851000.
JSTOR851000.
^
abMaria La Vigna (January 1981). "Turtle Dance Songs of San Juan Pueblo; Cloud Dance Songs of San Juan Pueblo". Ethnomusicology. 25 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 166–168.
doi:
10.2307/851002.
JSTOR851002.
Not to be confused with Indian House Lake on the
George River in northeastern Canada.
Indian House is a
Taos, New Mexico based record company specialized in traditional
Native American Indian music in the United States and Canada.[1] Founded in 1966 by Tony and Ida Lujan Isaacs, the Indian House catalog has now around 150 titles.[2][3] The company originally issued recordings on
phonodisc and
cassette tape, however almost all albums are now available in the
CD format.
Notable recordings
Round Dance -It was recorded in two volumes on November 12, 1966, at Taos Pueblo.[4]
War Dance -Recorded on May 15, 1967, is a Southern Ponca Hethushka (or War Dance) performed at Ponca city, Oklahoma.[5]
Navajo Sway -It was recorded in two volumes and comprises 41 songs.[6]
Night & Daylight
Yeibichei -It was sung by Navaho singers from Klagetoh, Arizona and Biniface Bonnie.[7]
Klagetoh Maiden Singers -It was recorded in 1977, and comprises 24 songs.[16]
Kiowa Church Songs -It was recorded in two volumes at Carnegie, Oklahoma on 31 March 1971. First volume contains 22 songs and second, 18.[19]
Yankton Sioux Peyote -It was recorded at Lake Andes, South Dakota on 6 July 1976 and consists 88 songs in four volumes.[19]
Turtle Dance Songs of San Juan Pueblo -The album represents the Turtle dance performed annually on 26 December at San Juan Pueblo and consists songs composed during 1971 turtle dance and was recorded around a month later the public performances.[20]
Cloud Dance Songs of San Juan Pueblo -The album represents Cloud dance performed alternate a year in San Juan Pueblo on 26 December and comprises six songs of 1972 Cloud dance that was recorded around a month later the public performances.[20]
References
^Santa Fean Danita Ross (August 1992). "Taos studio keeps tribal songs on the record". New Mexico Magazine.
^Donald N. Brown (May 1968). "Round Dance Songs of Taos Pueblo by Tony Isaacs". Ethnomusicology. 12 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 304–305.
doi:
10.2307/849951.
JSTOR849951.
^James H. Howard (January 1969). "War Dance Songs of the Ponca". Ethnomusicology. 13 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 202–204.
doi:
10.2307/849847.
JSTOR849847.
^David P. McAllester (May 1969). "Navajo Sway Songs by Tony Isaacs". Ethnomusicology. 13 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 401–403.
doi:
10.2307/850173.
JSTOR850173.
^David P. McAllester (January 1971). "Night and Daylight Yeibichei by Boniface Bonnie, Tony Isaacs". Ethnomusicology. 15 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 167–170.
doi:
10.2307/850406.
JSTOR850406.
^David P. McAllester (May 1971). "Navajo Skip Dance and Two-Step Songsby Tony Isaacs". Ethnomusicology. 15 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 296–297.
doi:
10.2307/850479.
JSTOR850479.
^David P. McAllester (May 1971). "Comanche Peyote Songs by Tony Isaacs". Ethnomusicology. 15 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 298–299.
doi:
10.2307/850480.
JSTOR850480.
^Donald N. Brown (May 1975). "Zuni Fair-Live". Ethnomusicology. 19 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 330.
doi:
10.2307/850374.
JSTOR850374.
^William K. Powers (May 1976). "Kiowa Gourd Dance by Tony Isaacs". Ethnomusicology. 20 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 403–404.
doi:
10.2307/851039.
JSTOR851039.
^David P. McAllester (January 1977). "Cheyenne Peyote Songs". Ethnomusicology. 21 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 161–162.
doi:
10.2307/850869.
JSTOR850869.
^William K. Powers (January 1977). "Ho hwo sju Lakota Singers: Traditional Songs of the Sioux; Sound of the Badlands Singers". Ethnomusicology. 21 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 163–164.
doi:
10.2307/850870.
JSTOR850870.
^Charlotte J. Frisbie (May 1977). "Navajo Corn Grinding & Shoe Game Songs by Tony Isaacs". Ethnomusicology. 21 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 355–356.
doi:
10.2307/850969.
JSTOR850969.
^Charlotte J. Frisbie (September 1977). "The Klagetoh Swingers: Navajo Songs about Love". Ethnomusicology. 21 (3). University of Illinois Press on behalf of Society for Ethnomusicology: 524–525.
doi:
10.2307/850746.
JSTOR850746.
^
abCharlotte J. Frisbie (September 1980). "Klagetoh Maiden Singers; The Klagetoh Swingers: Navajo Songs about Love". Ethnomusicology. 24 (3). University of Illinois Press on behalf of Society for Ethnomusicology: 628–630.
JSTOR851189.
^William K. Powers (January 1978). "War Dance Songs of the Kiowa". Ethnomusicology. 22 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 206–208.
doi:
10.2307/851381.
JSTOR851381.
^Lynn Huenemann (May 1980). "Comanche Flute Music, Played by Doc Tate Nevaquaya by Verna Gillis; Flute Songs of the Kiowa and Comanche. Tom Mauchahty-Ware". Ethnomusicology. 24 (2). University of Illinois Press on behalf of Society for Ethnomusicology: 339–341.
doi:
10.2307/851142.
JSTOR851142.
^
abWilliam K. Powers (January 1981). "Toward a sound Ethnography of Native American Music". Ethnomusicology. 25 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 159–162.
doi:
10.2307/851000.
JSTOR851000.
^
abMaria La Vigna (January 1981). "Turtle Dance Songs of San Juan Pueblo; Cloud Dance Songs of San Juan Pueblo". Ethnomusicology. 25 (1). University of Illinois Press on behalf of Society for Ethnomusicology: 166–168.
doi:
10.2307/851002.
JSTOR851002.