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Ernest J. T. Martin (July 5, 1927—October 2, 2015) was an American painter and sculptor whose work earned international awards. Martin was exhibited in museums in Europe, Central, and South America, as well as in the United States.
Martin was also a professional matador, a world traveler, a published author, patented inventor, martial artist, jewelry designer, lecturer, and a friend of many celebrated artists.
He served in WW II and was a Combat Veteran in the United States Coast Guard in five theaters of war. He was also a 20 MM gunner, honorably discharged in 1946.
Born in Roanoke Virginia, Martin was the youngest son of William Knox Martin. [1], a pioneer aviator who was the first man to fly over the Andes mountains, and Isabel Maria Vieco (from Colombia).
His parents were married in the Panama Canal Zone, in Panama in 1921. Ernest’s father was killed in an automobile accident in Watertown NY in 1927. Isabel Martin moved to New York City with her 3 young sons, Knox Jr. [2], Samuel Morris, and Ernest.
Ernest Martin’s art career started with his first one-man exhibition in 1934, at Public School 169 in New York City. He was seven years old. His art continued to be exhibited in public libraries in Manhattan until 1943, when he enlisted in the Coast Guard.
Utilizing the GI Bill in 1946, Martin enrolled at the Art Students League of New York City [3] and quickly became a recognized painter there. He studied with instructor and artist Morris Kantor. [4]
Martin often reminisced about the time, in the early 1950's, when he was standing near Carnegie Hall in New York waiting to cross the street. Copious bird droppings fell onto his shoulder and on that of a fellow pedestrian. Also hit in the face, the other man began cursing in Spanish. Stunned, Martin thought, “This is Salvador Dalí!” Extracting Dali’s handkerchief from his pocket, Martin cleaned him up. Perhaps it was their soiled solidarity that prompted Salvador Dalí [5] to invite Martin to the elite Russian Tea Room for cognac. [6]
Dali and Martin became friends after that, and Dali introduced him to Peggy Guggenheim [7]. Peggy introduced Martin to Solomon R. Guggenheim [8]
Solomon acquired several of Ernest Martin's pieces for his personal collection. In 1956, Guggenheim Director James Johnson Sweeney acquired six of Ernest’s major paintings for the Guggenheim’s permanent collection. See James Johnson Sweeney Letter, dated 1956.
1946 to 1950 was a stimulating era for Martin as he participated artistically in the Avant-garde movement known as Abstract Expressionism. Martin painted with many artists of the time, drank with them, got into heated discussions with them, attended parties, openings and events with them. His works were shown in group shows with theirs. Many members of this community became known for breaking barriers in this new language of art, including notable artists De Kooning, Kline, Krasner, Pollock, Nakian, and many others, as well as Knox Martin, Martin's older brother. Martin's works were exhibited at New York galleries, including the Egan and Poindexter. (Interview with Clara Congoro, Barranquilla, Colombia,1983.)
In 1952, Martin moved to Mexico, where he studied and taught painting and sculpture at the Escuela National de Pintura, Escultura y Grabado in Mexico City. His artwork was represented by the Trini Art Gallery in Cuernavaca, Mexico.
He reconnected with Salvador Dali in Mexico City. Diego Rivera, Frida Kahlo and Siqueiros became good friends and influential in Martin’s artistic development.
Martin had been fascinated with bullfighting from an early age. When he moved to Mexico, he met Armillita, a beloved Mexican matador.
Armillita was so impressed by Martin’s courage that he took him on as a student, and trained him to become a professional bullfighter. Martin became known as "El Gitano", the Gypsy. He fought bulls from 1952 to 1964, in Mexico, Spain, France, and Portugal.
While in France in the early 1950's, Martin met Douglas Cooper, world art historian and art collector, at a bullfight. Cooper brought Picasso to witness Martin's skills in the bullfighting arena, and personally introduced the two artists. Martin was invited to work side-by-side with Picasso at the home of Douglas Cooper in Château de Castille in Argilliers and in Vallauris, France.
In 1954, Picasso and Douglas Cooper set up a one-man exhibition for Martin at the prestigious Museé des Beaux-Artes in Nîmes, France. [9] [10]
Martin was a prolific artist who worked across multiple media, producing both figurative and abstract works characterized by bold, energetic color. His habit of writing or painting on the backs of his canvases added an additional layer of commentary or artistic expression to his work. Martin's artistic practice was defined by his daily painting routine, which he maintained for over eight decades.
Martin's art was deeply influenced by his experiences in the bullfighting ring, where he was regularly confronted with mortality. His painting "Matador Contemplating Death" powerfully captures the raw emotion and conflict inherent in bullfighting. Martin frequently explored dichotomies or duos (dualities) in his work, such as life and death, good and evil, and truth and lies. Through his art, Martin asserted that spiritual and ethereal forces, rather than material or tangible ones, lie at the heart of human existence.
To express these ideas, Martin employed a variety of techniques, such as juxtaposing straight lines and curves, using strong contrasting colors, and playing with bold forms, lights, and darks. Sometimes he created recognizable objects, while at other times he worked more abstractly, using brushwork to convey emotion without attachment to specific objects.
Outside of his art, Martin's personal life included four marriages and six children. Some of his children also pursued careers as artists. America Martin and Mars Callahan.
Public and private collections in France, Spain, Colombia, Mexico, Virginia, Florida, Nevada, New York, San Francisco, Phoenix, and Los Angeles
Category:20th-century American male artists Category:20th-century American painters Category:20th-century American sculptors Category:21st-century American painters Category:Abstract expressionist artists Category:Painters from New York (state) Category:Art Students League of New York alumni Category:Military personnel from New York City Category:United States Coast Guard personnel of World War II Category:American bullfighters
Submission declined on 20 August 2023 by
DoubleGrazing (
talk). This submission is not adequately supported by
reliable sources. Reliable sources are required so that information can be
verified. If you need help with referencing, please see
Referencing for beginners and
Citing sources.
Where to get help
How to improve a draft
You can also browse Wikipedia:Featured articles and Wikipedia:Good articles to find examples of Wikipedia's best writing on topics similar to your proposed article. Improving your odds of a speedy review To improve your odds of a faster review, tag your draft with relevant WikiProject tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the Biography, Astronomy, and Women scientists tags. Editor resources
|
Ernest J. T. Martin (July 5, 1927—October 2, 2015) was an American painter and sculptor whose work earned international awards. Martin was exhibited in museums in Europe, Central, and South America, as well as in the United States.
Martin was also a professional matador, a world traveler, a published author, patented inventor, martial artist, jewelry designer, lecturer, and a friend of many celebrated artists.
He served in WW II and was a Combat Veteran in the United States Coast Guard in five theaters of war. He was also a 20 MM gunner, honorably discharged in 1946.
Born in Roanoke Virginia, Martin was the youngest son of William Knox Martin. [1], a pioneer aviator who was the first man to fly over the Andes mountains, and Isabel Maria Vieco (from Colombia).
His parents were married in the Panama Canal Zone, in Panama in 1921. Ernest’s father was killed in an automobile accident in Watertown NY in 1927. Isabel Martin moved to New York City with her 3 young sons, Knox Jr. [2], Samuel Morris, and Ernest.
Ernest Martin’s art career started with his first one-man exhibition in 1934, at Public School 169 in New York City. He was seven years old. His art continued to be exhibited in public libraries in Manhattan until 1943, when he enlisted in the Coast Guard.
Utilizing the GI Bill in 1946, Martin enrolled at the Art Students League of New York City [3] and quickly became a recognized painter there. He studied with instructor and artist Morris Kantor. [4]
Martin often reminisced about the time, in the early 1950's, when he was standing near Carnegie Hall in New York waiting to cross the street. Copious bird droppings fell onto his shoulder and on that of a fellow pedestrian. Also hit in the face, the other man began cursing in Spanish. Stunned, Martin thought, “This is Salvador Dalí!” Extracting Dali’s handkerchief from his pocket, Martin cleaned him up. Perhaps it was their soiled solidarity that prompted Salvador Dalí [5] to invite Martin to the elite Russian Tea Room for cognac. [6]
Dali and Martin became friends after that, and Dali introduced him to Peggy Guggenheim [7]. Peggy introduced Martin to Solomon R. Guggenheim [8]
Solomon acquired several of Ernest Martin's pieces for his personal collection. In 1956, Guggenheim Director James Johnson Sweeney acquired six of Ernest’s major paintings for the Guggenheim’s permanent collection. See James Johnson Sweeney Letter, dated 1956.
1946 to 1950 was a stimulating era for Martin as he participated artistically in the Avant-garde movement known as Abstract Expressionism. Martin painted with many artists of the time, drank with them, got into heated discussions with them, attended parties, openings and events with them. His works were shown in group shows with theirs. Many members of this community became known for breaking barriers in this new language of art, including notable artists De Kooning, Kline, Krasner, Pollock, Nakian, and many others, as well as Knox Martin, Martin's older brother. Martin's works were exhibited at New York galleries, including the Egan and Poindexter. (Interview with Clara Congoro, Barranquilla, Colombia,1983.)
In 1952, Martin moved to Mexico, where he studied and taught painting and sculpture at the Escuela National de Pintura, Escultura y Grabado in Mexico City. His artwork was represented by the Trini Art Gallery in Cuernavaca, Mexico.
He reconnected with Salvador Dali in Mexico City. Diego Rivera, Frida Kahlo and Siqueiros became good friends and influential in Martin’s artistic development.
Martin had been fascinated with bullfighting from an early age. When he moved to Mexico, he met Armillita, a beloved Mexican matador.
Armillita was so impressed by Martin’s courage that he took him on as a student, and trained him to become a professional bullfighter. Martin became known as "El Gitano", the Gypsy. He fought bulls from 1952 to 1964, in Mexico, Spain, France, and Portugal.
While in France in the early 1950's, Martin met Douglas Cooper, world art historian and art collector, at a bullfight. Cooper brought Picasso to witness Martin's skills in the bullfighting arena, and personally introduced the two artists. Martin was invited to work side-by-side with Picasso at the home of Douglas Cooper in Château de Castille in Argilliers and in Vallauris, France.
In 1954, Picasso and Douglas Cooper set up a one-man exhibition for Martin at the prestigious Museé des Beaux-Artes in Nîmes, France. [9] [10]
Martin was a prolific artist who worked across multiple media, producing both figurative and abstract works characterized by bold, energetic color. His habit of writing or painting on the backs of his canvases added an additional layer of commentary or artistic expression to his work. Martin's artistic practice was defined by his daily painting routine, which he maintained for over eight decades.
Martin's art was deeply influenced by his experiences in the bullfighting ring, where he was regularly confronted with mortality. His painting "Matador Contemplating Death" powerfully captures the raw emotion and conflict inherent in bullfighting. Martin frequently explored dichotomies or duos (dualities) in his work, such as life and death, good and evil, and truth and lies. Through his art, Martin asserted that spiritual and ethereal forces, rather than material or tangible ones, lie at the heart of human existence.
To express these ideas, Martin employed a variety of techniques, such as juxtaposing straight lines and curves, using strong contrasting colors, and playing with bold forms, lights, and darks. Sometimes he created recognizable objects, while at other times he worked more abstractly, using brushwork to convey emotion without attachment to specific objects.
Outside of his art, Martin's personal life included four marriages and six children. Some of his children also pursued careers as artists. America Martin and Mars Callahan.
Public and private collections in France, Spain, Colombia, Mexico, Virginia, Florida, Nevada, New York, San Francisco, Phoenix, and Los Angeles
Category:20th-century American male artists Category:20th-century American painters Category:20th-century American sculptors Category:21st-century American painters Category:Abstract expressionist artists Category:Painters from New York (state) Category:Art Students League of New York alumni Category:Military personnel from New York City Category:United States Coast Guard personnel of World War II Category:American bullfighters