Feldman is the recipient of a Guggenheim Foundation Grant (2018)[2] and Joan Mitchell Foundation Grant (2013).[1][3]
Work
Feldman's work has been shown in galleries and museums since 2008. Her work is planned,
casual and spontaneously painted with loosely geometric, graphic gestures in whites to dark grays on various whites to gray grounds.[4][5][6][7]
The stark contrast between figure and ground in Feldman's paintings is initially arresting, then subsequently complicated, exploratory, and meditative.[8] Feldman's bold, urgent, and large scale abstract paintings are often anthropomorphic and darkly humorous with psychologically charged imagery.[9][10][11][12] Her stripped down abstract sign system addresses, among other things,
topology,
morphology, and the perception and transmission of
information[13].
Quicktime: University of the Arts, Philadelphia, PA, 2017[citation needed]
Heartbreak Hotel: Invisible Exports, New York, NY, 2017[39]
MCA DNA: Riot Grrrls: Museum of Contemporary Art, Chicago, Illinois, curated by Michael Darling, 2016-2017[40]
The Congregation, Jack Hanley Gallery, New York, New York, curated by Joshua Abelow, 2016[41]
Amy Feldman, Lucio Fontana, Maximilian Schubert, Alan Wiener: 11R Gallery, New York, New York, 2016[42]
Face to Face: Palazzo Fruscione, Salerno, Italy, curated by Eugenio Viola, 2016[43]
New York Painting: Kunstmuseum BONN, Bonn Germany, curated by Christoph Schreier, 2015[44]
The Empire Strikes Back ARNDT Singapore, curated by Amir Shariat, 2015[45]
2159 Miles: Museo Britanico Americano, Mexico City, and Casa Blanca, San Juan, PR, curated by Brand New Gallery (Milan), 2015[46]
This One's Optimistic: Pincushion: New Britain Museum of American Art, New Britain, CT, curated by Cary Smith, 2014[citation needed]
The New York Moment: Museum of Contemporary Art, St. Etienne, France, curated by Lorand Hegyi, 2014[47]
Annual Invitational Exhibition, The Academy of Arts and Letters, New York City, New York, 2013[48]
An Exhibition on the Centenary of the 1913 Armory Show: DECENTER: Henry Street Settlement/Abrons Art Center, New York City, New York, curated by Daniel Palmer and
Andrianna Campbell, 2013[citation needed]
Feldman is the recipient of a Guggenheim Foundation Grant (2018)[2] and Joan Mitchell Foundation Grant (2013).[1][3]
Work
Feldman's work has been shown in galleries and museums since 2008. Her work is planned,
casual and spontaneously painted with loosely geometric, graphic gestures in whites to dark grays on various whites to gray grounds.[4][5][6][7]
The stark contrast between figure and ground in Feldman's paintings is initially arresting, then subsequently complicated, exploratory, and meditative.[8] Feldman's bold, urgent, and large scale abstract paintings are often anthropomorphic and darkly humorous with psychologically charged imagery.[9][10][11][12] Her stripped down abstract sign system addresses, among other things,
topology,
morphology, and the perception and transmission of
information[13].
Quicktime: University of the Arts, Philadelphia, PA, 2017[citation needed]
Heartbreak Hotel: Invisible Exports, New York, NY, 2017[39]
MCA DNA: Riot Grrrls: Museum of Contemporary Art, Chicago, Illinois, curated by Michael Darling, 2016-2017[40]
The Congregation, Jack Hanley Gallery, New York, New York, curated by Joshua Abelow, 2016[41]
Amy Feldman, Lucio Fontana, Maximilian Schubert, Alan Wiener: 11R Gallery, New York, New York, 2016[42]
Face to Face: Palazzo Fruscione, Salerno, Italy, curated by Eugenio Viola, 2016[43]
New York Painting: Kunstmuseum BONN, Bonn Germany, curated by Christoph Schreier, 2015[44]
The Empire Strikes Back ARNDT Singapore, curated by Amir Shariat, 2015[45]
2159 Miles: Museo Britanico Americano, Mexico City, and Casa Blanca, San Juan, PR, curated by Brand New Gallery (Milan), 2015[46]
This One's Optimistic: Pincushion: New Britain Museum of American Art, New Britain, CT, curated by Cary Smith, 2014[citation needed]
The New York Moment: Museum of Contemporary Art, St. Etienne, France, curated by Lorand Hegyi, 2014[47]
Annual Invitational Exhibition, The Academy of Arts and Letters, New York City, New York, 2013[48]
An Exhibition on the Centenary of the 1913 Armory Show: DECENTER: Henry Street Settlement/Abrons Art Center, New York City, New York, curated by Daniel Palmer and
Andrianna Campbell, 2013[citation needed]