Ditte Ejlerskov (born 1982) is a Danish contemporary artist. She was born in Frederikshavn, Denmark, and lives and works in Denmark. In 2017, her official portrait of Helle Thorning-Schmidt at Christiansborg was positively received by local critics. [1] [2] [3]
Parts of Ejlerskovs artistic process consist of interaction with the Internet. Everything from written correspondence with email-scammers, paparazzi photographs downloaded from Google and contemporary music videos are brought into Ejlerskovs universe. With simultaneous disdain and fascination, Ejlerskov started to use Rihanna as a motif in her work. A few years ago, Ejlerskov was drawn to Barbados, Rihanna's home country, after an email correspondence with an Internet scammer. The scammer and Ejlerskov exchanged a series of emails, all of which was turned into a book and a film before she again started to focus on the painting. Ejlerskov's work investigate thematic and perceptual experiences pertaining to her generation, but also with references to post-colonial and post-feminist ideas. A large part of her work deals with contemporary pop-culture, where the purpose is to draw attention to what is happening in the intermediate positions, between the private and public space. [4]
The main tool in Ditte Ejlerskov's practice is media literacy. Most of Ejlerskov's work is founded on interactions with the Internet; written correspondences with email-scammers from exotic parts of the world, translations of trashy paparazzi photos into large scale abstract paintings or detailed medieval-looking copperplate etchings based on imagery from a contemporary music video. Her abstract and representational paintings analyse and explore the potential of painting as medium itself, as well as they are tools for interpreting our contemporary reality. [5] [6] [7] [8]
Most of Ejlerskov's work has a feminist angle [9] [10] [11] and questions the space between the personal and the public; suggesting an individual experience within a stream of collective consciousness. The work "About: The Blank Pages" is a collaboration with EvaMarie Lindahl and it highlights Taschen Basic Art - a book series that consists of 95 books of artists's biographies, 5 of which are of women artists. [12] [13] [14] [15] [16]
Ejlerskov has mainly exhibited at institutions in Sweden. For example, at Malmö Konsthall [8] in Malmö, at Malmö Art Museum [17] in Malmö, at Skissernas Museum in Lund, [18] Uppsala Konstmuseum [19] in Uppsala and at Konstakademin [20] in Stockholm. She has also exhibited in Norway at Kristiansand Kunsthall in Kristiansand [21] and at Stenersenmuseet in Oslo, [22] at Den Frie Udstillingsbygning and Kunsthal Charlottenborg in Copenhagen, Denmark, at CCA Andratx [23] in Andratx, Spain, at Bonn Art Museum [24] in Bonn, Germany, at Amos Anderson Art Museum [25] in Helsinki, Finland and at Barbara Davis Gallery in Houston, Texas, US. Ejlerskov was nominated for Carnegie Art Award 2012. [26]
Ditte Ejlerskov (born 1982) is a Danish contemporary artist. She was born in Frederikshavn, Denmark, and lives and works in Denmark. In 2017, her official portrait of Helle Thorning-Schmidt at Christiansborg was positively received by local critics. [1] [2] [3]
Parts of Ejlerskovs artistic process consist of interaction with the Internet. Everything from written correspondence with email-scammers, paparazzi photographs downloaded from Google and contemporary music videos are brought into Ejlerskovs universe. With simultaneous disdain and fascination, Ejlerskov started to use Rihanna as a motif in her work. A few years ago, Ejlerskov was drawn to Barbados, Rihanna's home country, after an email correspondence with an Internet scammer. The scammer and Ejlerskov exchanged a series of emails, all of which was turned into a book and a film before she again started to focus on the painting. Ejlerskov's work investigate thematic and perceptual experiences pertaining to her generation, but also with references to post-colonial and post-feminist ideas. A large part of her work deals with contemporary pop-culture, where the purpose is to draw attention to what is happening in the intermediate positions, between the private and public space. [4]
The main tool in Ditte Ejlerskov's practice is media literacy. Most of Ejlerskov's work is founded on interactions with the Internet; written correspondences with email-scammers from exotic parts of the world, translations of trashy paparazzi photos into large scale abstract paintings or detailed medieval-looking copperplate etchings based on imagery from a contemporary music video. Her abstract and representational paintings analyse and explore the potential of painting as medium itself, as well as they are tools for interpreting our contemporary reality. [5] [6] [7] [8]
Most of Ejlerskov's work has a feminist angle [9] [10] [11] and questions the space between the personal and the public; suggesting an individual experience within a stream of collective consciousness. The work "About: The Blank Pages" is a collaboration with EvaMarie Lindahl and it highlights Taschen Basic Art - a book series that consists of 95 books of artists's biographies, 5 of which are of women artists. [12] [13] [14] [15] [16]
Ejlerskov has mainly exhibited at institutions in Sweden. For example, at Malmö Konsthall [8] in Malmö, at Malmö Art Museum [17] in Malmö, at Skissernas Museum in Lund, [18] Uppsala Konstmuseum [19] in Uppsala and at Konstakademin [20] in Stockholm. She has also exhibited in Norway at Kristiansand Kunsthall in Kristiansand [21] and at Stenersenmuseet in Oslo, [22] at Den Frie Udstillingsbygning and Kunsthal Charlottenborg in Copenhagen, Denmark, at CCA Andratx [23] in Andratx, Spain, at Bonn Art Museum [24] in Bonn, Germany, at Amos Anderson Art Museum [25] in Helsinki, Finland and at Barbara Davis Gallery in Houston, Texas, US. Ejlerskov was nominated for Carnegie Art Award 2012. [26]