Disco Crash is the sixth studio album by French DJ
Bob Sinclar, released on 20 February 2012 on
Yellow Productions. It produced six singles: "Tik Tok" featuring
Sean Paul; "
Far l'amore" featuring
Raffaella Carrà; "Me Not a Gangsta" featuring Mr Shammi and Colonel Reyel (a remix of the album track "Not Gangsta"); "
Rock the Boat" featuring
Pitbull, Dragonfly and
Fatman Scoop; "Fuck with You" featuring
Sophie Ellis-Bextor and Gilbere Forte; and "Groupie", a song included on the re-release.
Jon O'Brien of
AllMusic wrote that while Sinclar is "no stranger to the idea of the odd hook-up", Disco Crash represented the "first time he's assembled such an esteemed array of guests on one record". O'Brien highlighted "Fuck with You", "Put Your Handz Up" and "Magic Fly", but felt that "far too often, Sinclar descends into the kind of brainless novelty territory that seems more suited to a holiday camp disco than the super-clubs of
Ibiza". He concluded that the album "occasionally harks back to his earlier and more palatable DJ days, but on the whole, it's a formulaic bandwagon-jumping affair suggesting that Sinclar is now content to play the fool".[1]
Disco Crash is the sixth studio album by French DJ
Bob Sinclar, released on 20 February 2012 on
Yellow Productions. It produced six singles: "Tik Tok" featuring
Sean Paul; "
Far l'amore" featuring
Raffaella Carrà; "Me Not a Gangsta" featuring Mr Shammi and Colonel Reyel (a remix of the album track "Not Gangsta"); "
Rock the Boat" featuring
Pitbull, Dragonfly and
Fatman Scoop; "Fuck with You" featuring
Sophie Ellis-Bextor and Gilbere Forte; and "Groupie", a song included on the re-release.
Jon O'Brien of
AllMusic wrote that while Sinclar is "no stranger to the idea of the odd hook-up", Disco Crash represented the "first time he's assembled such an esteemed array of guests on one record". O'Brien highlighted "Fuck with You", "Put Your Handz Up" and "Magic Fly", but felt that "far too often, Sinclar descends into the kind of brainless novelty territory that seems more suited to a holiday camp disco than the super-clubs of
Ibiza". He concluded that the album "occasionally harks back to his earlier and more palatable DJ days, but on the whole, it's a formulaic bandwagon-jumping affair suggesting that Sinclar is now content to play the fool".[1]