From Wikipedia, the free encyclopedia
Ballokume, Albanian cookie originating in the city of Elbasan in central Albania but very popular among Albanians, is a figurative representation of the Sun. It is traditionally eaten on Dita e Verës, an Albanian pagan spring festival, celebrated by all Albanians (also officially in Albania) to drive away the darkness of the winter season and for the strengthening of the Sun, traditionally by litting bonfires in yards everywhere, especially on high places.

Dielli ( Albanian indefinite form Diell " Sun") holds a prominent position in Albanian pagan customs, beliefs, rituals, myths, and legends.

Albanians were firstly described in written sources as worshippers of the Sun and the Moon by German humanist Sebastian Franck in 1534, [1] but the Sun and the Moon have been preserved as sacred elements of Albanian tradition since antiquity. Illyrian material culture shows that the Sun was the chief cult object of the Illyrian religion. [2] The symbolization of the cult of the Sun, which is often combined with the crescent Moon, is commonly found in a variety of contexts of Albanian folk art, including traditional tattooing of northern Albanian tribes, grave art, jewellery and house carvings. [3]

In Albanian pagan beliefs and mythology the Sun is a personified male deity, and the Moon (Hëna) is his female counterpart. [4] [5] In pagan beliefs the fire hearth ( vatra e zjarrit) is the symbol of fire as the offspring of the Sun. [6] In some folk tales, myths and legends the Sun and the Moon are regarded as husband and wife, also appearing as the parents of E Bija e Hënës dhe e Diellit ("the Daughter of the Moon and the Sun"); in others the Sun and the Moon are regarded as brother and sister, but in this case they are never considered consorts. [7] [8] Nëna e Diellit ("the Mother of the Sun" or "the Sun's Mother") also appears as a personified deity in Albanian folk beliefs and tales. [9]

Name

The Albanian word diell (definite form: dielli) is considered to have been a word taboo originally meaning "yellow, golden, bright/shiny one" used to refer to the Sun due to its perceived sacred nature. The commonly accepted historical linguistic evolution of the word is: Albanian dielli < Proto-Albanian *dðiella < *dziella- < Pre-Proto-Albanian *ȷ́élu̯a- < Proto-Indo-European *ǵʰélh₃u̯o- "yellow, golden, bright/shiny". [10]

History

Prehistoric Illyrian symbols used on funeral monuments of the pre-Roman period have been used also in Roman times and continued into late antiquity in the broad Illyrian territory. The same motifs were kept with identical cultural-religious symbolism on various monuments of the early medieval culture of the Albanians. They appear also on later funerary monuments, including the medieval tombstones ( stećci) in Bosnia and Herzegovina and the burial monuments used until recently in northern Albania, Kosovo, Montenegro, southern Serbia and northern North Macedonia. Such motifs are particularly related to the ancient cults of the Sun and Moon, survived until recently among northern Albanians. [11]

The Illyrian Roman emperor Aurelian, whose mother was a priestess of the Sun, promoted the Sun – Sol Invictus – as the chief god of the Roman Empire. [12] Among the Illyrians of early Albania the Sun was a widespread symbol. The spread of a Sun cult and the persistence of Sun motifs into the Roman period and later are considered to have been the product of the Illyrian culture. In Christian iconography the symbol of the Sun is associated with immortality and a right to rule. The pagan cult of the Sun was almost identical to the Christian cult in the first centuries of Christianity. Varieties of the symbols of the Sun that Christian orders brought in the region found in the Albanian highlands sympathetic supporters, enriching the body of their symbols with new material. [13]

Cult, practices and folk beliefs

Albanians often swear oaths ( be) "by the sun" (për atë diell), "by the ray of light" (për këtë rreze drite) and "by the sunbeam" (për këtë rreze dielli). [14] The Albanian oath taken "by the eye of the sun" (për sy të diellit) or "by the star" (për atë hyll) is related to the Sky-God worship. [15]

In Albanian tradition the Sun is referred to as "the Beauty of the Sky" (i Bukuri i Qiellit). [16] During the ceremonial ritual of celebration of the first day of spring (Albanian: Dita e Verës), "the Beauty of the Sky" is the human who is dressed in yellow personifying the Sun, worshiped as the giver of life and the god of light, who fade away the darkness of the world and melts the frost. [17] In an Arbëreshë folk song of mythological nature, E Bija e Hënës dhe e Diellit ("the Daughter of the Moon and the Sun") is described as the lightning of the sky (pika e qiellit) which falls everywhere from heaven on the mountains and the valleys and strikes pride and evil. [18] [19] Described in some traditions with a star on her forehead and a moon on her chest, her victory over the kulshedra shows the symbolization of the supremacy of the deity of the sky over that of the underworld. [20]

Fire and hearth

In Albanian pagan beliefs the fire hearth ( vatra e zjarrit) is the symbol of fire as the offspring of the Sun. [6] The place of the ignition of fire is traditionally built in the center of the house and of circular shape representing the Sun. Traditionally the fire of the hearth is identified with the existence of the family and it is worshiped as a deity (hyjni/perëndi të zjarrit të vatrës). Its extinguishing is regarded as a bad omen for the family. [21]

Mountain tops

The old pagan cult of the mountain and mountain tops is widespread among Albanians. Pilgrimages to sacred mountains take place regularly during the year. This ancient practice is still preserved today, notably in Tomorr, Pashtrik, Lybeten, Gjallicë, Rumia, Koritnik, Shkëlzen, Mount Krujë, Shelbuem, Këndrevicë, Maja e Hekurave, Shëndelli and many others. In Albanian folk beliefs the mountain worship is strictly related to the cult of Nature in general, and the cult of the Sun in particular. Every mountain is said to have its own nymph ( Zana e malit), who get their specific name according to the top of the mountain where the nymphs stay. For instance Mount Pashtrik is the dwelling of Zana e Pashtrikut. [22]

The Mother of the Sun

Nëna e Diellit ("the Mother of the Sun" or "the Sun's Mother") is a mother goddess in Albanian folk beliefs. A sacred ritual called "the funeral of the Sun's Mother" was very widespread in southeastern Albania until the 20th century. [23] She has been described by scholars as a heaven goddess [24] and a goddess of agriculture, livestock, and earth fertility, as suggested by the sacred ritual dedicated to her. [25]

Nëna e Diellit also appears as a personified deity in Albanian folk tales. [26]

Albanian spring festival

Dita e Verës is an Albanian pagan holiday celebrated on March 1 of the Julian calendar, the first day of the new year (which is March 14 in the Gregorian calendar). It is celebrated both in the Northern and Southern regions, but with regional differences. Bonfires are traditionally lit in yards elsewhere in Albania with the function to drive away the darkness of the winter season and for the strengthening of the Sun. [27] [28]

References

Citations

  1. ^ Elsie, Robert (ed.). "1534. Sebastian Franck: Albania: A Mighty Province of Europe". Texts and Documents of Albanian History.
  2. ^ Galaty et al. 2013, p. 156; Dobruna-Salihu 2005, p. 345–346; Tirta 2004, pp. 68–70; Stipčević 1974, p. 182.
  3. ^ Galaty et al. 2013, pp. 155–157; Tirta 2004, pp. 68–82; Elsie 2001, pp. 181, 244; Poghirc 1987, p. 178; Durham 1928a, p. 51; Durham 1928b, pp. 120–125.
  4. ^ Tirta 2004, pp. 72, 128
  5. ^ Dushi 2020, p. 21
  6. ^ a b Gjoni 2012, p. 90.
  7. ^ Tirta 2004, pp. 72, 128
  8. ^ Dushi 2020, p. 21
  9. ^ Golan 1991, p. 55; Daum 1998, p. 236; Golan 2003, pp. 93–94; Tirta 2004, pp. 259–260; Neziri 2015, p. 124.
  10. ^ Crăciun 2023, pp. 77–81; Demiraj & Neri 2020: "díell -i".
  11. ^ Dobruna-Salihu 2005, p. 345–346.
  12. ^ Belgiorno de Stefano 2014, pp. 2–3.
  13. ^ Galaty et al. 2013, p. 156.
  14. ^ Elsie 2001, pp. 193, 244.
  15. ^ Cook 1964, p. 197.
  16. ^ Sokoli 2013, p. 181.
  17. ^ Sokoli 2000, p. 37.
  18. ^ Shuteriqi 1959, p. 66.
  19. ^ Lambertz 1922, p. 77.
  20. ^ Tirta 2004, pp. 72, 128
  21. ^ Gjoni 2012, p. 91.
  22. ^ Krasniqi 2014, pp. 4–5; Tirta 2004, pp. 75, 113, 116; Gjoni 2012, pp. 62, 85–86.
  23. ^ Golan 1991, p. 55; Daum 1998, p. 236; Golan 2003, pp. 93–94; Tirta 2004, pp. 259–260; Neziri 2015, p. 124.
  24. ^ Golan 1991, p. 55; Golan 2003, pp. 93–94
  25. ^ Tirta 2004, pp. 259–260
  26. ^ Lambertz 1952, p. 138; Elsie 2001, p. 98; Bovan 1985, p. 241.
  27. ^ Tirta 2004, pp. 253–255.
  28. ^ Elsie 2001, pp. 259–260.

Bibliography

From Wikipedia, the free encyclopedia
Ballokume, Albanian cookie originating in the city of Elbasan in central Albania but very popular among Albanians, is a figurative representation of the Sun. It is traditionally eaten on Dita e Verës, an Albanian pagan spring festival, celebrated by all Albanians (also officially in Albania) to drive away the darkness of the winter season and for the strengthening of the Sun, traditionally by litting bonfires in yards everywhere, especially on high places.

Dielli ( Albanian indefinite form Diell " Sun") holds a prominent position in Albanian pagan customs, beliefs, rituals, myths, and legends.

Albanians were firstly described in written sources as worshippers of the Sun and the Moon by German humanist Sebastian Franck in 1534, [1] but the Sun and the Moon have been preserved as sacred elements of Albanian tradition since antiquity. Illyrian material culture shows that the Sun was the chief cult object of the Illyrian religion. [2] The symbolization of the cult of the Sun, which is often combined with the crescent Moon, is commonly found in a variety of contexts of Albanian folk art, including traditional tattooing of northern Albanian tribes, grave art, jewellery and house carvings. [3]

In Albanian pagan beliefs and mythology the Sun is a personified male deity, and the Moon (Hëna) is his female counterpart. [4] [5] In pagan beliefs the fire hearth ( vatra e zjarrit) is the symbol of fire as the offspring of the Sun. [6] In some folk tales, myths and legends the Sun and the Moon are regarded as husband and wife, also appearing as the parents of E Bija e Hënës dhe e Diellit ("the Daughter of the Moon and the Sun"); in others the Sun and the Moon are regarded as brother and sister, but in this case they are never considered consorts. [7] [8] Nëna e Diellit ("the Mother of the Sun" or "the Sun's Mother") also appears as a personified deity in Albanian folk beliefs and tales. [9]

Name

The Albanian word diell (definite form: dielli) is considered to have been a word taboo originally meaning "yellow, golden, bright/shiny one" used to refer to the Sun due to its perceived sacred nature. The commonly accepted historical linguistic evolution of the word is: Albanian dielli < Proto-Albanian *dðiella < *dziella- < Pre-Proto-Albanian *ȷ́élu̯a- < Proto-Indo-European *ǵʰélh₃u̯o- "yellow, golden, bright/shiny". [10]

History

Prehistoric Illyrian symbols used on funeral monuments of the pre-Roman period have been used also in Roman times and continued into late antiquity in the broad Illyrian territory. The same motifs were kept with identical cultural-religious symbolism on various monuments of the early medieval culture of the Albanians. They appear also on later funerary monuments, including the medieval tombstones ( stećci) in Bosnia and Herzegovina and the burial monuments used until recently in northern Albania, Kosovo, Montenegro, southern Serbia and northern North Macedonia. Such motifs are particularly related to the ancient cults of the Sun and Moon, survived until recently among northern Albanians. [11]

The Illyrian Roman emperor Aurelian, whose mother was a priestess of the Sun, promoted the Sun – Sol Invictus – as the chief god of the Roman Empire. [12] Among the Illyrians of early Albania the Sun was a widespread symbol. The spread of a Sun cult and the persistence of Sun motifs into the Roman period and later are considered to have been the product of the Illyrian culture. In Christian iconography the symbol of the Sun is associated with immortality and a right to rule. The pagan cult of the Sun was almost identical to the Christian cult in the first centuries of Christianity. Varieties of the symbols of the Sun that Christian orders brought in the region found in the Albanian highlands sympathetic supporters, enriching the body of their symbols with new material. [13]

Cult, practices and folk beliefs

Albanians often swear oaths ( be) "by the sun" (për atë diell), "by the ray of light" (për këtë rreze drite) and "by the sunbeam" (për këtë rreze dielli). [14] The Albanian oath taken "by the eye of the sun" (për sy të diellit) or "by the star" (për atë hyll) is related to the Sky-God worship. [15]

In Albanian tradition the Sun is referred to as "the Beauty of the Sky" (i Bukuri i Qiellit). [16] During the ceremonial ritual of celebration of the first day of spring (Albanian: Dita e Verës), "the Beauty of the Sky" is the human who is dressed in yellow personifying the Sun, worshiped as the giver of life and the god of light, who fade away the darkness of the world and melts the frost. [17] In an Arbëreshë folk song of mythological nature, E Bija e Hënës dhe e Diellit ("the Daughter of the Moon and the Sun") is described as the lightning of the sky (pika e qiellit) which falls everywhere from heaven on the mountains and the valleys and strikes pride and evil. [18] [19] Described in some traditions with a star on her forehead and a moon on her chest, her victory over the kulshedra shows the symbolization of the supremacy of the deity of the sky over that of the underworld. [20]

Fire and hearth

In Albanian pagan beliefs the fire hearth ( vatra e zjarrit) is the symbol of fire as the offspring of the Sun. [6] The place of the ignition of fire is traditionally built in the center of the house and of circular shape representing the Sun. Traditionally the fire of the hearth is identified with the existence of the family and it is worshiped as a deity (hyjni/perëndi të zjarrit të vatrës). Its extinguishing is regarded as a bad omen for the family. [21]

Mountain tops

The old pagan cult of the mountain and mountain tops is widespread among Albanians. Pilgrimages to sacred mountains take place regularly during the year. This ancient practice is still preserved today, notably in Tomorr, Pashtrik, Lybeten, Gjallicë, Rumia, Koritnik, Shkëlzen, Mount Krujë, Shelbuem, Këndrevicë, Maja e Hekurave, Shëndelli and many others. In Albanian folk beliefs the mountain worship is strictly related to the cult of Nature in general, and the cult of the Sun in particular. Every mountain is said to have its own nymph ( Zana e malit), who get their specific name according to the top of the mountain where the nymphs stay. For instance Mount Pashtrik is the dwelling of Zana e Pashtrikut. [22]

The Mother of the Sun

Nëna e Diellit ("the Mother of the Sun" or "the Sun's Mother") is a mother goddess in Albanian folk beliefs. A sacred ritual called "the funeral of the Sun's Mother" was very widespread in southeastern Albania until the 20th century. [23] She has been described by scholars as a heaven goddess [24] and a goddess of agriculture, livestock, and earth fertility, as suggested by the sacred ritual dedicated to her. [25]

Nëna e Diellit also appears as a personified deity in Albanian folk tales. [26]

Albanian spring festival

Dita e Verës is an Albanian pagan holiday celebrated on March 1 of the Julian calendar, the first day of the new year (which is March 14 in the Gregorian calendar). It is celebrated both in the Northern and Southern regions, but with regional differences. Bonfires are traditionally lit in yards elsewhere in Albania with the function to drive away the darkness of the winter season and for the strengthening of the Sun. [27] [28]

References

Citations

  1. ^ Elsie, Robert (ed.). "1534. Sebastian Franck: Albania: A Mighty Province of Europe". Texts and Documents of Albanian History.
  2. ^ Galaty et al. 2013, p. 156; Dobruna-Salihu 2005, p. 345–346; Tirta 2004, pp. 68–70; Stipčević 1974, p. 182.
  3. ^ Galaty et al. 2013, pp. 155–157; Tirta 2004, pp. 68–82; Elsie 2001, pp. 181, 244; Poghirc 1987, p. 178; Durham 1928a, p. 51; Durham 1928b, pp. 120–125.
  4. ^ Tirta 2004, pp. 72, 128
  5. ^ Dushi 2020, p. 21
  6. ^ a b Gjoni 2012, p. 90.
  7. ^ Tirta 2004, pp. 72, 128
  8. ^ Dushi 2020, p. 21
  9. ^ Golan 1991, p. 55; Daum 1998, p. 236; Golan 2003, pp. 93–94; Tirta 2004, pp. 259–260; Neziri 2015, p. 124.
  10. ^ Crăciun 2023, pp. 77–81; Demiraj & Neri 2020: "díell -i".
  11. ^ Dobruna-Salihu 2005, p. 345–346.
  12. ^ Belgiorno de Stefano 2014, pp. 2–3.
  13. ^ Galaty et al. 2013, p. 156.
  14. ^ Elsie 2001, pp. 193, 244.
  15. ^ Cook 1964, p. 197.
  16. ^ Sokoli 2013, p. 181.
  17. ^ Sokoli 2000, p. 37.
  18. ^ Shuteriqi 1959, p. 66.
  19. ^ Lambertz 1922, p. 77.
  20. ^ Tirta 2004, pp. 72, 128
  21. ^ Gjoni 2012, p. 91.
  22. ^ Krasniqi 2014, pp. 4–5; Tirta 2004, pp. 75, 113, 116; Gjoni 2012, pp. 62, 85–86.
  23. ^ Golan 1991, p. 55; Daum 1998, p. 236; Golan 2003, pp. 93–94; Tirta 2004, pp. 259–260; Neziri 2015, p. 124.
  24. ^ Golan 1991, p. 55; Golan 2003, pp. 93–94
  25. ^ Tirta 2004, pp. 259–260
  26. ^ Lambertz 1952, p. 138; Elsie 2001, p. 98; Bovan 1985, p. 241.
  27. ^ Tirta 2004, pp. 253–255.
  28. ^ Elsie 2001, pp. 259–260.

Bibliography


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