From Wikipedia, the free encyclopedia

Der Ararat
Categories
  • Political magazine
  • Arts magazine
PublisherGoltzverlag
Founded1918
Final issue1921
Country Germany
Based in Munich
Language German

Der Ararat was a Dadaist magazine published in Munich between 1918 and 1921. Its subtitle was Glossen, Skizzen und Notizen zur Neuen Kunst ( German: Glosses, sketches and notes on new art). [1]

History and profile

Der Ararat was started in 1918. [2] Its owner was Hans Goltz. The magazine was published by Goltzverlag based in Munich. [1] It focused on politics until December 1919 and then, featured articles on new art. [3]

Der Ararat covered discussions and reviews of Dadaist art. Konstantin Umansky, a Soviet art critic, published articles in Der Ararat one of which was about Vladimir Tatlin’s art. [4] [5] The magazine folded in 1921. [2]

Some issues of Der Ararat were archived by the University of Iowa. [2]

References

  1. ^ a b "Der Ararat" (in German). kunsthaus.ch. Retrieved 3 October 2023.
  2. ^ a b c "Der Ararat". sdrc.lib.uiowa.edu. Retrieved 3 October 2023.
  3. ^ Carlotta Castellani (July 2020). "Metaphysical Masterpieces 1916–1920: Morandi, Sironi, and Carrà". Italian Modern Art (4).
  4. ^ Maria Elena Versari (July 2020). ""Chiriko wird Akademikprofessor": Expectations, Misunderstandings, and Appropriations of Pittura Metafisica Among the 1920s European Avant-Garde". Italian Modern Art (4).
  5. ^ Katharina Hoins (July 2017). "Johannes Baader's Postwar Plasto-Dio-Dada-Drama and German War Exhibitions during World War I". Dada/Surrealism. 21: 12. doi: 10.17077/0084-9537.1336.
From Wikipedia, the free encyclopedia

Der Ararat
Categories
  • Political magazine
  • Arts magazine
PublisherGoltzverlag
Founded1918
Final issue1921
Country Germany
Based in Munich
Language German

Der Ararat was a Dadaist magazine published in Munich between 1918 and 1921. Its subtitle was Glossen, Skizzen und Notizen zur Neuen Kunst ( German: Glosses, sketches and notes on new art). [1]

History and profile

Der Ararat was started in 1918. [2] Its owner was Hans Goltz. The magazine was published by Goltzverlag based in Munich. [1] It focused on politics until December 1919 and then, featured articles on new art. [3]

Der Ararat covered discussions and reviews of Dadaist art. Konstantin Umansky, a Soviet art critic, published articles in Der Ararat one of which was about Vladimir Tatlin’s art. [4] [5] The magazine folded in 1921. [2]

Some issues of Der Ararat were archived by the University of Iowa. [2]

References

  1. ^ a b "Der Ararat" (in German). kunsthaus.ch. Retrieved 3 October 2023.
  2. ^ a b c "Der Ararat". sdrc.lib.uiowa.edu. Retrieved 3 October 2023.
  3. ^ Carlotta Castellani (July 2020). "Metaphysical Masterpieces 1916–1920: Morandi, Sironi, and Carrà". Italian Modern Art (4).
  4. ^ Maria Elena Versari (July 2020). ""Chiriko wird Akademikprofessor": Expectations, Misunderstandings, and Appropriations of Pittura Metafisica Among the 1920s European Avant-Garde". Italian Modern Art (4).
  5. ^ Katharina Hoins (July 2017). "Johannes Baader's Postwar Plasto-Dio-Dada-Drama and German War Exhibitions during World War I". Dada/Surrealism. 21: 12. doi: 10.17077/0084-9537.1336.

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