Denny Zeitlin at Maybeck | |
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Live album by | |
Recorded | October 1992 |
Venue | Maybeck Recital Hall, Berkeley, California |
Genre | Jazz |
Label | Concord |
Denny Zeitlin at Maybeck: Maybeck Recital Hall Series Volume 27 is an album of solo performances by jazz pianist Denny Zeitlin.
The album was recorded at the Maybeck Recital Hall in Berkeley, California [1] in October 1992. [2] Most of the material is standards. [2]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
The Rolling Stone Jazz & Blues Album Guide | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz suggested that the album should improve Zeitlin's musical standing. [2] The AllMusic reviewer wrote that "This live solo performance is one of his greatest triumphs". [3] Pianist Liam Noble described the performance of " 'Round Midnight": "this harmony is startlingly beautiful, quietly rendered and with its own strange disquiet, and carefully arranged. This is a recomposition... at first it feels like he could go anywhere with it, plucked strings against single lines seeming to abandon the chords completely before he eases into a medium tempo swing". [5]
Denny Zeitlin at Maybeck | |
---|---|
![]() | |
Live album by | |
Recorded | October 1992 |
Venue | Maybeck Recital Hall, Berkeley, California |
Genre | Jazz |
Label | Concord |
Denny Zeitlin at Maybeck: Maybeck Recital Hall Series Volume 27 is an album of solo performances by jazz pianist Denny Zeitlin.
The album was recorded at the Maybeck Recital Hall in Berkeley, California [1] in October 1992. [2] Most of the material is standards. [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
The Rolling Stone Jazz & Blues Album Guide | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz suggested that the album should improve Zeitlin's musical standing. [2] The AllMusic reviewer wrote that "This live solo performance is one of his greatest triumphs". [3] Pianist Liam Noble described the performance of " 'Round Midnight": "this harmony is startlingly beautiful, quietly rendered and with its own strange disquiet, and carefully arranged. This is a recomposition... at first it feels like he could go anywhere with it, plucked strings against single lines seeming to abandon the chords completely before he eases into a medium tempo swing". [5]