De Nuremberg à Nuremberg | |
---|---|
Directed by | Frédéric Rossif |
Written by | Philippe Meyer |
Produced by | Jean Frydman |
Starring | Philippe Meyer |
Narrated by | Philippe Meyer |
Edited by | Marie-Sophie Dubus |
Music by | Vangelis |
Distributed by | Éditions Montparnasse |
Release date |
|
Running time | 180 or 238 minutes |
Country | France |
Language | French |
De Nuremberg à Nuremberg (fr: "From Nuremberg to Nuremberg") is a French documentary film about the Third Reich by Frédéric Rossif, with text written and read by Philippe Meyer, produced by Jean Frydman. [1]
The title is a reference to both the Nazi mass Nuremberg Rallies held in Nuremberg from 1933, at the beginning of the regime, and to the Nuremberg Trials (1945-1946), after its fall.
Two versions of the film, a short and a long one, respectively cut into two or four parts.
The 180-minute version is divided into two parts: [2]
The 238-minute version is divided into four parts:
Philippe Meyer and Frédéric Rossif has decided that the text should in no way express moral outrage or indignation, or any preconceived idea, as pure facts should in their view be sufficient to gather the viewer's attention and reflection. To keep the film as neutral as possible, the text was eventually read by Meyer himself, as to make certain that no affect would taint it. [4]
Meyer stated that some of the cited facts, such as the German-Soviet non-aggression pact and some of its implications (notably petrol for the German planes involved in the bombings of London originating in the Soviet Union) were not well-known to the public in 1986, and that the documentary allowed some viewers to learn some details of the war. The film was delivered to Antenne 2 in 1987, but was not released for two years: firstly, it was not aired until after the French presidential election of 1988, as to avoid any semblance of opposition to its far-right candidate; furthermore, arguments such as « the French being divided » on the subject, or the notion that « Nazism does not interest anyone anymore », were put forwards and retarded the release.
De Nuremberg à Nuremberg | |
---|---|
Directed by | Frédéric Rossif |
Written by | Philippe Meyer |
Produced by | Jean Frydman |
Starring | Philippe Meyer |
Narrated by | Philippe Meyer |
Edited by | Marie-Sophie Dubus |
Music by | Vangelis |
Distributed by | Éditions Montparnasse |
Release date |
|
Running time | 180 or 238 minutes |
Country | France |
Language | French |
De Nuremberg à Nuremberg (fr: "From Nuremberg to Nuremberg") is a French documentary film about the Third Reich by Frédéric Rossif, with text written and read by Philippe Meyer, produced by Jean Frydman. [1]
The title is a reference to both the Nazi mass Nuremberg Rallies held in Nuremberg from 1933, at the beginning of the regime, and to the Nuremberg Trials (1945-1946), after its fall.
Two versions of the film, a short and a long one, respectively cut into two or four parts.
The 180-minute version is divided into two parts: [2]
The 238-minute version is divided into four parts:
Philippe Meyer and Frédéric Rossif has decided that the text should in no way express moral outrage or indignation, or any preconceived idea, as pure facts should in their view be sufficient to gather the viewer's attention and reflection. To keep the film as neutral as possible, the text was eventually read by Meyer himself, as to make certain that no affect would taint it. [4]
Meyer stated that some of the cited facts, such as the German-Soviet non-aggression pact and some of its implications (notably petrol for the German planes involved in the bombings of London originating in the Soviet Union) were not well-known to the public in 1986, and that the documentary allowed some viewers to learn some details of the war. The film was delivered to Antenne 2 in 1987, but was not released for two years: firstly, it was not aired until after the French presidential election of 1988, as to avoid any semblance of opposition to its far-right candidate; furthermore, arguments such as « the French being divided » on the subject, or the notion that « Nazism does not interest anyone anymore », were put forwards and retarded the release.