De Arte Cabalistica ( Latin for On the Art of Kabbalah) is a 1517 text by the German Renaissance humanist scholar Johann Reuchlin, [1] which deals with his thoughts on Kabbalah. In it, he puts forward the view that the theosophic philosophy of Kabbalah could be of great use in the defence of Christianity and the reconciliation of science with the mysteries of faith. [2] It builds on his earlier work De Verbo Mirifico.
The text is structured as a three-part dialogue between characters representing different philosophical and religious traditions: Philolaus the Pythagorean, Simon the Jew, and Marranus the Muslim. Through these dialogues, Reuchlin explores the integration of Kabbalistic thought with Christian theology and other philosophical traditions. [3]
Reuchlin discusses the origins and principles of Kabbalah, emphasizing its compatibility with Christian beliefs. He argues that Kabbalistic theosophy can serve as a powerful tool for defending Christianity and reconciling scientific knowledge with spiritual mysteries. [3]
The second part delves into the philosophical aspects of Kabbalah, integrating Pythagorean and Platonic thought. Reuchlin presents Kabbalah as a means to achieve a deeper understanding of the divine, highlighting its potential to bridge gaps between different philosophical and theological systems. [3]
In the final section, Reuchlin synthesizes the previous discussions, illustrating how Kabbalistic principles can be applied to Christian theology. He underscores the importance of mystical and esoteric knowledge in enhancing spiritual practice and understanding. [4]
- Reuchlin, Johann (1993). On the Art of Kabbalah (De Arte Cabalistica). Translated by Martin and Sarah Goodman. University of Nebraska Press. ISBN 978-0-8032-8946-8. Introduction by G. Lloyd Jones, Introduction to this edition by Moshe Idel.
- ^ Smith (1911).
- ^ Hanegraaff (2010), p. 108.
- ^ a b c Jones (1993).
- ^ Hanegraaff (2010).
- Hanegraaff, Wouter J. (2010). "The Beginning of Occultist Kabbalah: Adolphe Franck and Eliphas Levi". Kabbalah and Modernity: Interpretations, Transformations, Adaptations. Netherlands: Brill. pp. 107–128. ISBN 978-90-04-18287-5.
- Jones, G. Lloyd (1993). "Introduction". On the Art of Kabbalah: De Arte Cabalistica. University of Nebraska Press. ISBN 978-0-8032-8946-8.
- Smith, William Robertson (1911). . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 23 (11th ed.). Cambridge University Press. p. 203.
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De Arte Cabalistica ( Latin for On the Art of Kabbalah) is a 1517 text by the German Renaissance humanist scholar Johann Reuchlin, [1] which deals with his thoughts on Kabbalah. In it, he puts forward the view that the theosophic philosophy of Kabbalah could be of great use in the defence of Christianity and the reconciliation of science with the mysteries of faith. [2] It builds on his earlier work De Verbo Mirifico.
The text is structured as a three-part dialogue between characters representing different philosophical and religious traditions: Philolaus the Pythagorean, Simon the Jew, and Marranus the Muslim. Through these dialogues, Reuchlin explores the integration of Kabbalistic thought with Christian theology and other philosophical traditions. [3]
Reuchlin discusses the origins and principles of Kabbalah, emphasizing its compatibility with Christian beliefs. He argues that Kabbalistic theosophy can serve as a powerful tool for defending Christianity and reconciling scientific knowledge with spiritual mysteries. [3]
The second part delves into the philosophical aspects of Kabbalah, integrating Pythagorean and Platonic thought. Reuchlin presents Kabbalah as a means to achieve a deeper understanding of the divine, highlighting its potential to bridge gaps between different philosophical and theological systems. [3]
In the final section, Reuchlin synthesizes the previous discussions, illustrating how Kabbalistic principles can be applied to Christian theology. He underscores the importance of mystical and esoteric knowledge in enhancing spiritual practice and understanding. [4]
- Reuchlin, Johann (1993). On the Art of Kabbalah (De Arte Cabalistica). Translated by Martin and Sarah Goodman. University of Nebraska Press. ISBN 978-0-8032-8946-8. Introduction by G. Lloyd Jones, Introduction to this edition by Moshe Idel.
- ^ Smith (1911).
- ^ Hanegraaff (2010), p. 108.
- ^ a b c Jones (1993).
- ^ Hanegraaff (2010).
- Hanegraaff, Wouter J. (2010). "The Beginning of Occultist Kabbalah: Adolphe Franck and Eliphas Levi". Kabbalah and Modernity: Interpretations, Transformations, Adaptations. Netherlands: Brill. pp. 107–128. ISBN 978-90-04-18287-5.
- Jones, G. Lloyd (1993). "Introduction". On the Art of Kabbalah: De Arte Cabalistica. University of Nebraska Press. ISBN 978-0-8032-8946-8.
- Smith, William Robertson (1911). . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 23 (11th ed.). Cambridge University Press. p. 203.
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