Dayglo | ||||
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Studio album by | ||||
Released | 1992 | |||
Genre | Psychedelic music | |||
Length | 40:50 | |||
Label | Sub Pop | |||
Producer | Conrad Uno, Jon Auer | |||
Love Battery chronology | ||||
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Dayglo is the second studio album by the American band Love Battery. [1] [2] It was released in 1992 by Sub Pop. [3]
The band supported the album with a North American tour that included shows with L7. [4]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Chicago Tribune noted that, "unlike some of its upper-left-coast peers, Love Battery takes a more textured, psychedelic approach to modern rock." [6] USA Today determined that the band "adds discernible melody, trance-inducing rhythms, guitar tremolo and trippy effects, plus lyrics shaded by a very distant influence, Georgia-based R.E.M." [7]
The Seattle Times deemed the music "a dense, psychedelic-tinged sound that has more in common with the English 'dream pop' movement of My Bloody Valentine and Ride than the Seattle grunge sound of Mudhoney and Tad." [8] The Columbus Dispatch called the album "the right mix of '60s garage psychedelia and Neil Young-style music-as-primal-scream-therapy." [9]
Dayglo | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1992 | |||
Genre | Psychedelic music | |||
Length | 40:50 | |||
Label | Sub Pop | |||
Producer | Conrad Uno, Jon Auer | |||
Love Battery chronology | ||||
|
Dayglo is the second studio album by the American band Love Battery. [1] [2] It was released in 1992 by Sub Pop. [3]
The band supported the album with a North American tour that included shows with L7. [4]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Chicago Tribune noted that, "unlike some of its upper-left-coast peers, Love Battery takes a more textured, psychedelic approach to modern rock." [6] USA Today determined that the band "adds discernible melody, trance-inducing rhythms, guitar tremolo and trippy effects, plus lyrics shaded by a very distant influence, Georgia-based R.E.M." [7]
The Seattle Times deemed the music "a dense, psychedelic-tinged sound that has more in common with the English 'dream pop' movement of My Bloody Valentine and Ride than the Seattle grunge sound of Mudhoney and Tad." [8] The Columbus Dispatch called the album "the right mix of '60s garage psychedelia and Neil Young-style music-as-primal-scream-therapy." [9]