Das Sühnopfer des neuen Bundes ("The expiatory sacrifice of the New Covenant") is an 1847
passionoratorio by
Carl Loewe after a libretto by
Wilhelm Telschow [
de] (1809—1872). The libretto contains poetic-dramatic paraphrasing of the biblical
Passion stories.[1]
Recordings
Das Sühnopfer des neuen Bundes, Chor der St. Nikolauskirche Frauenfeld; Collegium Musicum St. Gallen; Mario Schwarz, 2CD FSM 1991
Das Sühnopfer des neuen Bundes, Nathalie Gaudefroy (soprano), Christianne Stotjin (contralto), Jacky da Cunha (tenor), Henk Neven (bass), Edwin Crossley-Mercer (bass), Ensemble Instrumental des Heures Romantiques, Ensemble Vocal des Heures Romantiques, Udo Reinemann 2CD Naxos
Das Sühnopfer des neuen Bundes, Arcis-Vocalisten München, Monika Mauch (soprano), Ulrike Malotta (mezzo-soprano), Georg Poplutz (tenor), Andreas Burkhart (bass), Barockorchester L'arpa festante, Thomas Gropper; 2CD Oehms 2019
References
^Howard E. Smither A History of the Oratorio: Vol. 4: The Oratorio in the Nineteenth Century 2012 . 0807837784 "A libretto from the midcentury that includes much poetic-dramatic paraphrase of the biblical Passion is Wilhelm Telschow's for Loewe's Sünopfer (1847)."
Das Sühnopfer des neuen Bundes ("The expiatory sacrifice of the New Covenant") is an 1847
passionoratorio by
Carl Loewe after a libretto by
Wilhelm Telschow [
de] (1809—1872). The libretto contains poetic-dramatic paraphrasing of the biblical
Passion stories.[1]
Recordings
Das Sühnopfer des neuen Bundes, Chor der St. Nikolauskirche Frauenfeld; Collegium Musicum St. Gallen; Mario Schwarz, 2CD FSM 1991
Das Sühnopfer des neuen Bundes, Nathalie Gaudefroy (soprano), Christianne Stotjin (contralto), Jacky da Cunha (tenor), Henk Neven (bass), Edwin Crossley-Mercer (bass), Ensemble Instrumental des Heures Romantiques, Ensemble Vocal des Heures Romantiques, Udo Reinemann 2CD Naxos
Das Sühnopfer des neuen Bundes, Arcis-Vocalisten München, Monika Mauch (soprano), Ulrike Malotta (mezzo-soprano), Georg Poplutz (tenor), Andreas Burkhart (bass), Barockorchester L'arpa festante, Thomas Gropper; 2CD Oehms 2019
References
^Howard E. Smither A History of the Oratorio: Vol. 4: The Oratorio in the Nineteenth Century 2012 . 0807837784 "A libretto from the midcentury that includes much poetic-dramatic paraphrase of the biblical Passion is Wilhelm Telschow's for Loewe's Sünopfer (1847)."