Daniel Uziel (1967–;
Hebrew: דניאל עזיאל)[1] is an Israeli historian and head of photographic collections at
Yad Vashem.[2] His doctoral thesis was on the Wehrmacht propaganda corps and was accepted in 2001 by
Hebrew University in Jerusalem.[3]
Works
Uziel, Daniel (2008). The Propaganda Warriors: The Wehrmacht and the Consolidation of the German Home Front. Peter Lang.
ISBN978-3-03911-532-7.[4][5][6]
Uziel, Daniel (2011). Arming the Luftwaffe: The German Aviation Industry in World War II. McFarland.
ISBN978-0-7864-8879-7.[7][8]
^Johnson, Eric A. (13 July 2012). "The Propaganda Warriors: The and the Consolidation of the German Home Front. By Daniel Uziel. Bern: Peter Lang AG. 2008. Pp. 463. Paper $97.95. ISBN 978-3-03911-532-7". Central European History. 45 (2): 353–355.
doi:
10.1017/S0008938912000209.
S2CID144304491.
^ZöLler, Alexander (23 March 2011). "The Propaganda Warriors: the Wehrmacht and the consolidation of the German home front". Historical Journal of Film, Radio and Television. 31 (1): 104–106.
doi:
10.1080/01439685.2011.553426.
S2CID191618696.
Daniel Uziel (1967–;
Hebrew: דניאל עזיאל)[1] is an Israeli historian and head of photographic collections at
Yad Vashem.[2] His doctoral thesis was on the Wehrmacht propaganda corps and was accepted in 2001 by
Hebrew University in Jerusalem.[3]
Works
Uziel, Daniel (2008). The Propaganda Warriors: The Wehrmacht and the Consolidation of the German Home Front. Peter Lang.
ISBN978-3-03911-532-7.[4][5][6]
Uziel, Daniel (2011). Arming the Luftwaffe: The German Aviation Industry in World War II. McFarland.
ISBN978-0-7864-8879-7.[7][8]
^Johnson, Eric A. (13 July 2012). "The Propaganda Warriors: The and the Consolidation of the German Home Front. By Daniel Uziel. Bern: Peter Lang AG. 2008. Pp. 463. Paper $97.95. ISBN 978-3-03911-532-7". Central European History. 45 (2): 353–355.
doi:
10.1017/S0008938912000209.
S2CID144304491.
^ZöLler, Alexander (23 March 2011). "The Propaganda Warriors: the Wehrmacht and the consolidation of the German home front". Historical Journal of Film, Radio and Television. 31 (1): 104–106.
doi:
10.1080/01439685.2011.553426.
S2CID191618696.