This article needs additional citations for
verification. (May 2019) |
Crucero de placer | |
---|---|
Directed by | Carlos Borcosque Jr. |
Written by | Daniel Delbene |
Starring |
Katja Alemann
Juan Carlos Altavista |
Cinematography | Luis Vecchione |
Edited by | Atilio Rinaldi |
Music by | Francis Smith |
Release date |
|
Country | Argentina |
Language | Spanish |
Crucero de placer is an Argentine film shot in Eastmancolor, directed by Carlos Borcosque Jr. based on the screenplay by Daniel Delbene. It was released on March 20, 1980, and stars Claudio García Satur, Juan Carlos Altavista, Ana María Cores, and Pedro Quartucci. It was partially filmed in the Paraná River Delta.
The short journey two married men take to relax. [1]
Fernando Masllorens wrote in Convicción: "A film to forget long before watching it."
La Opinión wrote: "(Borcosque) now approaches comedy with humor, without vulgarity or vulgar situations, bringing the missing hotel to Argentine cinema: a floating one."
Manrupe and Portela write: "Inconsequential comedy with successful escapist intentions, achieved only partially."
This article needs additional citations for
verification. (May 2019) |
Crucero de placer | |
---|---|
Directed by | Carlos Borcosque Jr. |
Written by | Daniel Delbene |
Starring |
Katja Alemann
Juan Carlos Altavista |
Cinematography | Luis Vecchione |
Edited by | Atilio Rinaldi |
Music by | Francis Smith |
Release date |
|
Country | Argentina |
Language | Spanish |
Crucero de placer is an Argentine film shot in Eastmancolor, directed by Carlos Borcosque Jr. based on the screenplay by Daniel Delbene. It was released on March 20, 1980, and stars Claudio García Satur, Juan Carlos Altavista, Ana María Cores, and Pedro Quartucci. It was partially filmed in the Paraná River Delta.
The short journey two married men take to relax. [1]
Fernando Masllorens wrote in Convicción: "A film to forget long before watching it."
La Opinión wrote: "(Borcosque) now approaches comedy with humor, without vulgarity or vulgar situations, bringing the missing hotel to Argentine cinema: a floating one."
Manrupe and Portela write: "Inconsequential comedy with successful escapist intentions, achieved only partially."