Crash Landing | |
---|---|
Directed by | Jim Wynorski (as "Jay Andrews") |
Produced by | Paul Hertzberg Kimberley Ray |
Starring |
Antonio Sabàto, Jr Michael Pare |
Edited by | Randy Carter |
Production companies |
CineTel Films Crash Landing Productions |
Distributed by | CineTel Films |
Release date |
|
Running time | 88 mins |
Country | United States |
Language | English |
Crash Landing is a 2005 American action film directed by Jim Wynorski. [1]
The daughter of a billionaire is kidnapped while flying on a private plane.
The Advocate Messanger said "if only the dialogue could have met the challenge, the film might have stood a chance." [2]
According to Bullet Proof Action the film "fulfilled Antonio Sabato Jr’s obligation as an action star to appear in a Die Hard inspired movie. The movie did benefit from Michael Pare’s presence as a supporting player... the movie plays out the way you’d expect it to." [3]
DVD Talk said "you've seen all of this stuff before, only not with dialogue this outrageously stupid or performances this embarrasingly ripe." [4]
Crash Landing | |
---|---|
Directed by | Jim Wynorski (as "Jay Andrews") |
Produced by | Paul Hertzberg Kimberley Ray |
Starring |
Antonio Sabàto, Jr Michael Pare |
Edited by | Randy Carter |
Production companies |
CineTel Films Crash Landing Productions |
Distributed by | CineTel Films |
Release date |
|
Running time | 88 mins |
Country | United States |
Language | English |
Crash Landing is a 2005 American action film directed by Jim Wynorski. [1]
The daughter of a billionaire is kidnapped while flying on a private plane.
The Advocate Messanger said "if only the dialogue could have met the challenge, the film might have stood a chance." [2]
According to Bullet Proof Action the film "fulfilled Antonio Sabato Jr’s obligation as an action star to appear in a Die Hard inspired movie. The movie did benefit from Michael Pare’s presence as a supporting player... the movie plays out the way you’d expect it to." [3]
DVD Talk said "you've seen all of this stuff before, only not with dialogue this outrageously stupid or performances this embarrasingly ripe." [4]