British conductor (born 1980)
Clement Power (born 20 August 1980 in London) is a British conductor.
After studies of piano, violin and composition, Power read music at
Gonville and Caius College ,
Cambridge , and conducting at the
Royal College of Music , London.
After a season (2005–06) as assistant conductor to the
London Philharmonic Orchestra , Power was named assistant conductor (2006–08) of the
Ensemble Intercontemporain , Paris, where he worked with
Pierre Boulez and
Susanna Mälkki . Known for his interpretations of the major works of the twentieth and twenty-first centuries,
[1] Power frequently collaborates with leading new-music ensembles including
Klangforum Wien
[2]
[3]
[4]
[5]
[6] and
MusikFabrik .
[7]
[8] He has conducted orchestras including the
Philharmonia ,
[9]
[10] the
London Philharmonic Orchestra ,
[11]
[12]
[13]
[14]
BBC Scottish Symphony Orchestra ,
[15]
NHK Symphony Orchestra ,
RSO Stuttgart ,
[16]
[17]
[18]
Lucerne Festival Academy Orchestra ,
[19]
Orchestre Philharmonique du Luxembourg ,
Estonian National Symphony Orchestra , Orchestre de Bretagne, Ensemble Intercontemporain,
[20]
[21]
Ensemble Contrechamps ,
[22]
Avanti! Chamber Orchestra ,
[23]
Ictus Ensemble ,
[24]
Ensemble Modern ,
Birmingham Contemporary Music Group ,
[25]
[26] and the
Munich Chamber Orchestra . He has been the guest of festivals including
Lucerne Festival ,
[27]
[28]
Salzburg Biennale ,
[29]
Darmstadt ,
[30]
Wien Modern ,
[31]
[32]
[33]
[34]
IRCAM Agora ,
[35] and the
Venice Biennale ,
[36] amongst many others. Power has given over two hundred world premieres, including works by
Georg Friedrich Haas ,
[37]
Péter Eötvös ,
Benedict Mason , and new operas by
Hèctor Parra (Hypermusic Prologue , Ensemble Intercontemporain /
Liceu ),
[38]
[39]
Wolfgang Mitterer (Marta ,
Opéra de Lille ),
[40]
[41]
[42]
[43] and
Liza Lim (Tree of Codes ,
Cologne Opera ).
[44]
[45]
Hèctor Parra , Hypermusic Prologue –
Ensemble intercontemporain –
KAIROS 0013042KAI, 2010
[46]
Gerald Resch, Collection Serti —
Klangforum Wien –
KAIROS 0013282KAI, 2012
Marko Nikodijevic, dark/rooms —
Ensemble Musikfabrik – Col Legno 40408, 2013
[47]
[48]
Agata Zubel , Not I — Klangforum Wien —
KAIROS 0013362KAI, 2014
[49]
ConNotations (
Alban Berg - Kammerkonzert ),
Britten Sinfonia ,
Mei Yi Foo , Bartosz Woroch – Orchid Classics, 2017
[50]
Christoph Renhart, Edition Zeitton - Klangforum Wien -
ORF ORF-CD 3218, 2017
[51]
Edition Musikfabrik 16, Fall —
WERGO WER68692, 2019
[52]
[53]
Edition Musikfabrik 17, Erbe —
WERGO WER68702, 2019
[54]
[55]
Elis Hallik, Born in Waves —
Ensemble Musikfabrik –
KAIROS 0022024KAI, 2023
[56]
^ Hewett, Ivan (9 February 2012).
"Clement Power: new face" . Telegraph.co.uk . Retrieved 27 July 2020 .
^ Kuznik, Frank (14 November 2010).
"Prague Culture: CONTEMPULS" . Pragueculture.blogspot.com . Retrieved 27 July 2020 .
^
"derStandard.at" . Apps.derstandard.at . Archived from
the original on 28 August 2016. Retrieved 27 July 2020 .
^
" "musikprotokoll": Die Grenzen der Freiheit > Kleine Zeitung" . Archived from
the original on 25 April 2012. Retrieved 11 October 2011 .
^
"Belgrade Music Festival Ends on Austrian Note" . Balkaninsight.com . 16 November 2011. Retrieved 27 July 2020 .
^
"Das Crescendo unter der Lupe > Kleine Zeitung" . www.kleinezeitung.at . Archived from
the original on 3 December 2013. Retrieved 17 January 2022 .
^ Musikfabrik, Ensemble (3 September 2015).
"Außergewöhnliches Instrumentarium des Komponisten Harry Partch im WDR-Funkhaus / Musikfabrik im WDR, 11.10.16 - openPR" . Openpr.de . Retrieved 27 July 2020 .
^ Schwering, Markus (11 April 2016).
"Uraufführung in Kölner Oper: Liza Lims "Tree of Codes" überwältigt die Zuschauer" . Ksta.de . Retrieved 27 July 2020 .
^ Hewett, Ivan (21 May 2010).
"Philharmonia Orchestra, Festival Hall, review" . Telegraph.co.uk . Retrieved 27 July 2020 .
^
"Philharmonia Orchestra/Jakub Hrůša [Smetana & Dvořák ... James Ehnes plays Bruch ... Christopher Trapani Music of Today] - from www.classicalsource.com" . www.classicalsource.com . Archived from
the original on 3 December 2013. Retrieved 17 January 2022 .
^ Hewett, Ivan (10 June 2014).
"London Philharmonic Orchestra: Debut Sounds, Queen Elizabeth Hall, review: 'brilliantly performed' " . Telegraph.co.uk . Retrieved 27 July 2020 .
^
"Currents of Space [London Philharmonic & Future Firsts] - from www.classicalsource.com" . www.classicalsource.com . Archived from
the original on 3 December 2013. Retrieved 17 January 2022 .
^
"Debut Sounds at the Queen Elizabeth Hall, SE1 - Times Online" . entertainment.timesonline.co.uk . Archived from
the original on 15 June 2011. Retrieved 17 January 2022 .
^
"Classical Music :: The Classical Source :: London Philharmonic Orchestra – Seven Minute Soundings... Osmo Vänskä & Lisa Batiashvili :: Classical Music" . www.classicalsource.com . Archived from
the original on 27 September 2011. Retrieved 17 January 2022 .
^
"Lifestyle" . Scotsman.com . Retrieved 27 July 2020 .
^
"Lachenmann-Perspektiven: Wie die Zeit vergeht" . Stuttgarter-nachrichten.de . Retrieved 27 July 2020 .
^
"Helmut Lachenmann: Der Komponist, der das Hören befreite" . Stuttgarter-zeitung.de . Retrieved 27 July 2020 .
^ GmbH, Südwest Presse Online-Dienste (9 November 2015).
"Zaubergarten der Geräusche" . Swp.de . Retrieved 27 July 2020 .
^ "...Angefangen mit der quirligen neoklassizistischen Musik, die vom Ensemble under Leitung von Clement Power höchst akkurat und farbenreich gespielt wird..." Sigfried Schibli, Basler Zeitung , 3 September 2012
^
"Solistes de l'Ensemble Intercontemporain | Anaclase" . www.anaclase.com . Archived from
the original on 29 March 2012. Retrieved 17 January 2022 .
^
"El Periódico - Noticias y última hora de Catalunya, España y el mundo" . Elperiodico.com . Retrieved 27 July 2020 .
^ Classic, S. W. R.
"Ensemble Contrechamps" . Swr.online . Retrieved 27 July 2020 .
^
"Harveyn sävelfantasia on maagista ja värikästä - HS.fi - Konsertit - HS.fi" . www.hs.fi . Archived from
the original on 3 July 2012. Retrieved 17 January 2022 .
^
"Marta à l'Opéra de Lille : le diamant noir de Mitterer - Actualités - Ôlyrix" . Olyrix.com . Retrieved 27 July 2020 .
^ Hewett, Ivan (7 February 2012).
"Birmingham Contemporary Music Group, CBSO centre, Birmingham, review" . Telegraph.co.uk . Retrieved 27 July 2020 .
^
"BCMG/Power – review" .
The Guardian . 5 February 2012. Retrieved 27 July 2020 .
^ Hagmann, Peter (14 September 2012).
"Sechs Wochen Musik mit Akzenten und Perspektiven | NZZ" . Neue Zürcher Zeitung . Retrieved 27 July 2020 .
^
"Une matinée atonale | Forum Opéra" . Forumopera.com . Retrieved 27 July 2020 .
^
"Lichtmusik im Dunkeln" . Drehpunktkultur.at . Retrieved 27 July 2020 .
^
"Die 47. Internationalen Ferienkurse für Neue Musik eröffnen mit der Darmstädter Erstaufführung von Stockhausens Carré | by Bachtrack for classical music, opera, ballet and dance event reviews" . bachtrack.com . Archived from
the original on 14 May 2015. Retrieved 17 January 2022 .
^
"Kloing, Klaus, Klatsch bei Wien Modern - KURIER.at" . kurier.at . Archived from
the original on 3 December 2013. Retrieved 17 January 2022 .
^ Ritonja, Elisabeth (30 October 2012).
"Wien Modern Eröffnungsabend – es darf gelacht werden!" . Retrieved 27 July 2020 .
^ Weidringer, 23 10 2012 um 16:59 von Walter (23 October 2012).
"Mensch gegen Maschine: Eröffnung von "Wien Modern" " . Diepresse.com . Retrieved 27 July 2020 . {{
cite web }}
: CS1 maint: numeric names: authors list (
link )
^
"derStandard.at" . Apps.derstandard.at . Retrieved 27 July 2020 .
^
"Création d'Ius lucis de Valerio Sannicandro | Anaclase" . www.anaclase.com . Archived from
the original on 28 August 2016. Retrieved 17 January 2022 .
^
"Biennale Musica 2020 | Ensemble Contrechamps" . 17 March 2020.
^
"terz : magazin : aktuelles : Kritik Dialoge Eröffnungskonzert" . Terz.cc . Retrieved 27 July 2020 .
^
[1] [
dead link ]
^ Senz, Javier Pérez (14 November 2013).
"La música de Hèctor Parra irrumpe con fuerza en el Festival de Huddersfield" . El País . Retrieved 27 July 2020 .
^
" " Marta " subjugue l'Opéra de Lille" . La Croix . 15 March 2016. Retrieved 27 July 2020 .
^
"Lille : Marta, opéra onirique d'une " éternelle enfant-poupée " - La Voix du Nord" . Lavoixdunord.fr . Retrieved 27 July 2020 .
^
"Un roi sans divertissement | Forum Opéra" . Forumopera.com . Retrieved 27 July 2020 .
^
"Marta, le nouvel enfant prodige de Mitterer, à l'Opéra de Lill... - Diapason" . Diapasonmag.fr . 15 March 2016. Retrieved 27 July 2020 .
^
"Review: Tree of Codes (Musikfabrik)" . Archived from
the original on 20 September 2016. Retrieved 16 August 2016 .
^
"Die Deutsche Bühne" . Die-deutsche-buehne.de . Retrieved 27 July 2020 .
^ "The performance is consummately elegant, each detail finely etched, while never losing sight of the whole acoustic spectrum", Fabrice Fitch, Gramophone , September 2010
^
"klassik.com : Aktuelle CD-Besprechung, DVD-Kritik, CD-Besprechungen, DVD-Kritiken" . Magazin.klassik.com . Retrieved 27 July 2020 .
^
"derStandard.at" . Apps.derstandard.at . Retrieved 27 July 2020 .
^ Ross, Alex.
"Notable Performances and Recordings of 2014" .
The New Yorker . Retrieved 27 July 2020 .
^
"ConNotations CD review – Mai Yi Foo makes light work of Shostakovich, Berg and Saint-Saëns" .
The Guardian . 9 March 2017. Retrieved 27 July 2020 .
^
"Musikalische Eruptionen, kompositorische Stringenz | MO | 22 01 2018 | 23:03" . Oe1.orf.at . Retrieved 27 July 2020 .
^
"Edition Musikfabrik" . Retrieved 27 July 2020 .
^ Pettitt, Hugh Canning, David Cairns, Paul Driver and Stephen.
"On record: Classical, 14 July" . Thetimes.co.uk . Retrieved 27 July 2020 . {{
cite news }}
: CS1 maint: multiple names: authors list (
link )
^
"Musikfabrik Saison Brosch 2019-2020" (PDF) . Musikfabrik.eu . Retrieved 27 July 2020 .
^
"Erbe" . Musikfabrik.eu . Retrieved 27 July 2020 .
^
"ELIS HALLIK: Born in Waves" . 2 September 2023.
International National Artists