Clement Drew (1806–1889) was an artist and "dealer in picture-frames" in Boston, Massachusetts, in the 19th century. [1] He specialized in marine paintings. He kept a studio on Court Street (ca.1840s-1860s), [2] [3] Tremont Street (in the Boston Museum building, ca.1873), Copeland Street (ca.1888), [4] and Tremont Temple (1889). [5] He married Elizabeth Teal in 1829; they had two children. [1]
Among the subjects painted by Drew: "Abaellino privateer, 1812"; [6] Bark Vernon on Lynn Beach, Morning, Feby. 3rd, 1859; [7] Brig Vintage (built 1837); [8] missionary packet Morning Star [9] Minot's Light; "the ship Abolition and the wreck Colonization, 1839;" [10] sailing ship Uriel; [11] yacht passing Thatcher Island Lights, Cape Ann; [12] Ship Mary L. Sutton; [12] Ship Hound; [12] and wreck of the Schooner Hesperus on Norman's Woe, Gloucester, Massachusetts, 1883. [13]
Clement Drew (1806–1889) was an artist and "dealer in picture-frames" in Boston, Massachusetts, in the 19th century. [1] He specialized in marine paintings. He kept a studio on Court Street (ca.1840s-1860s), [2] [3] Tremont Street (in the Boston Museum building, ca.1873), Copeland Street (ca.1888), [4] and Tremont Temple (1889). [5] He married Elizabeth Teal in 1829; they had two children. [1]
Among the subjects painted by Drew: "Abaellino privateer, 1812"; [6] Bark Vernon on Lynn Beach, Morning, Feby. 3rd, 1859; [7] Brig Vintage (built 1837); [8] missionary packet Morning Star [9] Minot's Light; "the ship Abolition and the wreck Colonization, 1839;" [10] sailing ship Uriel; [11] yacht passing Thatcher Island Lights, Cape Ann; [12] Ship Mary L. Sutton; [12] Ship Hound; [12] and wreck of the Schooner Hesperus on Norman's Woe, Gloucester, Massachusetts, 1883. [13]