This article needs additional citations for
verification. (December 2017) |
Christine Kozlov | |
---|---|
Born | Christine Kozlov 1945 |
Died | 2005 |
Nationality | American |
Education | School of Visual Arts, New York City |
Known for | Conceptual art |
Christine Kozlov (1945, New York City – 2005, London) was an American conceptual artist.
She attended the School of Visual Arts in NYC until 1967.
Kozlov was a figure in the New York Conceptual art scene centering around the Lannis Gallery located at 315 E 12th St near 2nd Ave in New York's East Village. She participated in a number of exhibitions in the sixties and early 1970s, subsequently falling away from the art world. [1] Her work has seen a revival since her death in 2005 and been included in a number of exhibitions over the past decade.[ citation needed]
Her first pieces responded to questions of sound, memory and information. "Information, No Theory" consisted of a reel-to-reel recorder with an infinite tape loop and a microphone recording ambient noise from the room. It would record and then erase the traces of what was just recorded. It was recently restaged. [2]
She and Joseph Kosuth started the Museum of Normal Art out of the Lannis Gallery. For a short time it featured many of the artists associated with Conceptualism. She was a member of the Art and Language Group from 1971 to 1976.
This article needs additional citations for
verification. (December 2017) |
Christine Kozlov | |
---|---|
Born | Christine Kozlov 1945 |
Died | 2005 |
Nationality | American |
Education | School of Visual Arts, New York City |
Known for | Conceptual art |
Christine Kozlov (1945, New York City – 2005, London) was an American conceptual artist.
She attended the School of Visual Arts in NYC until 1967.
Kozlov was a figure in the New York Conceptual art scene centering around the Lannis Gallery located at 315 E 12th St near 2nd Ave in New York's East Village. She participated in a number of exhibitions in the sixties and early 1970s, subsequently falling away from the art world. [1] Her work has seen a revival since her death in 2005 and been included in a number of exhibitions over the past decade.[ citation needed]
Her first pieces responded to questions of sound, memory and information. "Information, No Theory" consisted of a reel-to-reel recorder with an infinite tape loop and a microphone recording ambient noise from the room. It would record and then erase the traces of what was just recorded. It was recently restaged. [2]
She and Joseph Kosuth started the Museum of Normal Art out of the Lannis Gallery. For a short time it featured many of the artists associated with Conceptualism. She was a member of the Art and Language Group from 1971 to 1976.