From Wikipedia, the free encyclopedia

Charles Garland Verrinder (1839–1904) [1] was an Anglican organist and composer notable for his career in the composition and performance of Jewish music. [2]

Originally a boy chorister at Salisbury Cathedral, he trained as an organist under George Elvey. He read music at Oxford University, and received a Lambeth Degree in 1873. [1]

He was the first organist of the West London Synagogue, a position he held for 45 years. He brought an Anglican musical background to synagogue repertoire, arranging Jewish melodies for choir and organ, and forging a novel Anglo-Jewish musical identity as well as bringing Jewish music to a wider audience. [2]

References

  1. ^ a b Wollenberg, Susan (2016). "Charles Garland Verrinder and Music at the West London Synagogue, 1859-1904". In Zon, Bennet (ed.). Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley. Routledge. ISBN  9781317092384.
  2. ^ a b Padley, Danielle (2020). "Tracing Jewish Music beyond the Synagogue: Charles Garland Verrinder's Hear my cry O God". Nineteenth-Century Music Review. 17 (2): 181–223. doi: 10.1017/S1479409819000193. ISSN  1479-4098. S2CID  198042740.
From Wikipedia, the free encyclopedia

Charles Garland Verrinder (1839–1904) [1] was an Anglican organist and composer notable for his career in the composition and performance of Jewish music. [2]

Originally a boy chorister at Salisbury Cathedral, he trained as an organist under George Elvey. He read music at Oxford University, and received a Lambeth Degree in 1873. [1]

He was the first organist of the West London Synagogue, a position he held for 45 years. He brought an Anglican musical background to synagogue repertoire, arranging Jewish melodies for choir and organ, and forging a novel Anglo-Jewish musical identity as well as bringing Jewish music to a wider audience. [2]

References

  1. ^ a b Wollenberg, Susan (2016). "Charles Garland Verrinder and Music at the West London Synagogue, 1859-1904". In Zon, Bennet (ed.). Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley. Routledge. ISBN  9781317092384.
  2. ^ a b Padley, Danielle (2020). "Tracing Jewish Music beyond the Synagogue: Charles Garland Verrinder's Hear my cry O God". Nineteenth-Century Music Review. 17 (2): 181–223. doi: 10.1017/S1479409819000193. ISSN  1479-4098. S2CID  198042740.

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