British Black music refers to
music of the African diaspora, or music derived from the African diaspora which has been produced in
Great Britain regardless of the ethnic background of the musicians.
Cotgrove, Mark (2009). From Jazz Funk & Fusion to Acid Jazz. Milton Keynes: AuthorHouse.
ISBN978-1438973609.
Dabydeen, David; John Gilmore; Cecily Jones (2008). The Oxford Companion to Black British History. Oxford: Oxford University Press.
ISBN978-0199238941.
de Koningh, Michael; Griffiths, Marc (2003). Tighten up!: The History of Reggae in the UK. London: Sanctuary.
McGrady, Richard (1991). Music and Musicians in Early Nineteenth Century Cornwall: World of Joseph Emidy - Slave, Violinist and Composer. Exeter: University of Exeter Press.
Oliver, Paul (1990). Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music. Buckingham: Open University Press.
Owusu, Kwesi (2000). Black British Culture and Society: A Text Reader. London: Comedia.
Portelli, Tony (2006). The Music Industry Raw: Pirates, Clubs, House and Garage. Milton Keynes: AuthorHouse.
Smith, Steve Alexander (2009). British Black Gospel: The Foundations of This Vibrant UK Sound. Oxford: Monarch Books.
ISBN978-1854248961.
Simons Andrew. Black British Swing: The African Diaspora's Contribution to England's Own Jazz of the 1930s and 1940s. Northway Publications.
Schwartz, Roberta Freund (2007). How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom. Aldershot: Ashgate.
British Black music refers to
music of the African diaspora, or music derived from the African diaspora which has been produced in
Great Britain regardless of the ethnic background of the musicians.
Cotgrove, Mark (2009). From Jazz Funk & Fusion to Acid Jazz. Milton Keynes: AuthorHouse.
ISBN978-1438973609.
Dabydeen, David; John Gilmore; Cecily Jones (2008). The Oxford Companion to Black British History. Oxford: Oxford University Press.
ISBN978-0199238941.
de Koningh, Michael; Griffiths, Marc (2003). Tighten up!: The History of Reggae in the UK. London: Sanctuary.
McGrady, Richard (1991). Music and Musicians in Early Nineteenth Century Cornwall: World of Joseph Emidy - Slave, Violinist and Composer. Exeter: University of Exeter Press.
Oliver, Paul (1990). Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music. Buckingham: Open University Press.
Owusu, Kwesi (2000). Black British Culture and Society: A Text Reader. London: Comedia.
Portelli, Tony (2006). The Music Industry Raw: Pirates, Clubs, House and Garage. Milton Keynes: AuthorHouse.
Smith, Steve Alexander (2009). British Black Gospel: The Foundations of This Vibrant UK Sound. Oxford: Monarch Books.
ISBN978-1854248961.
Simons Andrew. Black British Swing: The African Diaspora's Contribution to England's Own Jazz of the 1930s and 1940s. Northway Publications.
Schwartz, Roberta Freund (2007). How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom. Aldershot: Ashgate.