Brief Ecstasy | |
---|---|
Directed by | Edmond T. Gréville |
Written by | Basil Mason |
Produced by | Hugh Perceval |
Starring |
Paul Lukas Hugh Williams Linden Travers Marie Ney |
Cinematography |
Henry Harris Ronald Neame |
Edited by | Ray Pitt |
Music by | Walter Goehr |
Release date |
|
Running time | 72 minutes |
Country | United Kingdom |
Language | English |
Brief Ecstasy is a 1937 British drama film directed by Edmond T. Gréville and starring Paul Lukas, Hugh Williams, Linden Travers and Marie Ney. [1] It was made at Ealing Studios.
This article needs a
plot summary. (July 2021) |
Writing for Night and Day in 1937, Graham Greene gave the film a good review, expressing admiration for producer Perceval's ability to "wring twenty shillings' worth out of every pound" and director Gréville's recognition that for a film whose subject is sexual passion "the story doesn't matter; it's the atmosphere which counts". Greene praised Gréville's "wanton and vivid" depictions of "undifferentiated desire" as well as his French education in "photograph[ing] a woman's body - uncompromisingly", and noted that "the film at its finest [...] generalizes", and "there isn't, thank God, any love in it". [2]
Brief Ecstasy | |
---|---|
Directed by | Edmond T. Gréville |
Written by | Basil Mason |
Produced by | Hugh Perceval |
Starring |
Paul Lukas Hugh Williams Linden Travers Marie Ney |
Cinematography |
Henry Harris Ronald Neame |
Edited by | Ray Pitt |
Music by | Walter Goehr |
Release date |
|
Running time | 72 minutes |
Country | United Kingdom |
Language | English |
Brief Ecstasy is a 1937 British drama film directed by Edmond T. Gréville and starring Paul Lukas, Hugh Williams, Linden Travers and Marie Ney. [1] It was made at Ealing Studios.
This article needs a
plot summary. (July 2021) |
Writing for Night and Day in 1937, Graham Greene gave the film a good review, expressing admiration for producer Perceval's ability to "wring twenty shillings' worth out of every pound" and director Gréville's recognition that for a film whose subject is sexual passion "the story doesn't matter; it's the atmosphere which counts". Greene praised Gréville's "wanton and vivid" depictions of "undifferentiated desire" as well as his French education in "photograph[ing] a woman's body - uncompromisingly", and noted that "the film at its finest [...] generalizes", and "there isn't, thank God, any love in it". [2]