Bill Hammond | |
---|---|
Born | William Hammond 29 August 1947 Christchurch, New Zealand |
Died | 30 January 2021 | (aged 73)
Nationality | New Zealand |
Education | Ilam School of Fine Arts [1] |
Known for | Painting |
William Hammond (29 August 1947 – 30 January 2021) was a New Zealand artist who was part of the Post-colonial Gothic movement at the end of the 1990s. [2] He lived and worked in Lyttelton, New Zealand. [3] [4] The theme of his works centred around the environment and social justice.
Hammond was born in Christchurch on 29 August 1947. [5] He attended Burnside High School. [6] He went on to study at the Ilam School of Fine Arts of the University of Canterbury from 1966 until 1969. [6] [7] [8] Before embarking on his career in art, he worked in a sign factory, made wooden toys, and was a jewellery designer. [9] He also had a keen interest in music, serving as the percussionist for a jug band. [5]
Hammond started to exhibit his works in 1980, [5] and went back to painting on a full-time basis one year later. [10] His first solo exhibition was at the Brooke Gifford Gallery in Christchurch in 1982. [11] In March 1987 he showed for the first time at the Peter McLeavey Gallery in Wellington, an exhibition followed by over 20 others. [5]
One of Hammond's best known work was the painting Waiting for Buller (1993). [12] This was in reference to Walter Lawry Buller, the first New Zealander ornithologist who wrote A History of New Zealand Birds in 1873. [5] Hammond was particularly interested in the contradictions in Buller's life, in how he documented birds while being a hunter and taxidermist. [13] Another noted piece of his was Fall of Icarus (1995), [14] which explores the effects of the colonisation on the country, [9] and is exhibited at Christchurch Art Gallery. [5] The Guardian described this as "his most famous work". [9] His painting Bone Yard, Open Home (2009) was the largest single piece of canvas he painted, [6] with a width of more than four metres. [15]
The overarching theme of Hammond's work was social and environmental issues. Specifically, it touched on the imperiled state of both, [5] as well as the destruction brought on by colonisation. [9] His paintings feature two common themes: references to popular music and gaunt creatures with avian heads and human limbs. [16] [17] The characters in Hammond's paintings, which were often anthropomorphic animals, rarely move away from their natural habitat and are in no hurry. [10] Humans are notably absent from his works during the later part of his career, which was influenced by his visit to the Auckland Islands in 1989. [5] [9] Two signature colors employed by Hammond were emerald green and gold. [10] He was also at the forefront of the Post-colonial Gothic movement. This ultimately became "one of the most influential tendencies in New Zealand painting" at the turn of the 3rd millennium. [13]
Hammond eschewed giving interviews [9] and guarded his privacy. [6] He died on the evening of 30 January 2021, at the age of 73. [5] He was labelled as one of the country's "most influential contemporary painters" by Radio New Zealand. [5]
Bill Hammond | |
---|---|
Born | William Hammond 29 August 1947 Christchurch, New Zealand |
Died | 30 January 2021 | (aged 73)
Nationality | New Zealand |
Education | Ilam School of Fine Arts [1] |
Known for | Painting |
William Hammond (29 August 1947 – 30 January 2021) was a New Zealand artist who was part of the Post-colonial Gothic movement at the end of the 1990s. [2] He lived and worked in Lyttelton, New Zealand. [3] [4] The theme of his works centred around the environment and social justice.
Hammond was born in Christchurch on 29 August 1947. [5] He attended Burnside High School. [6] He went on to study at the Ilam School of Fine Arts of the University of Canterbury from 1966 until 1969. [6] [7] [8] Before embarking on his career in art, he worked in a sign factory, made wooden toys, and was a jewellery designer. [9] He also had a keen interest in music, serving as the percussionist for a jug band. [5]
Hammond started to exhibit his works in 1980, [5] and went back to painting on a full-time basis one year later. [10] His first solo exhibition was at the Brooke Gifford Gallery in Christchurch in 1982. [11] In March 1987 he showed for the first time at the Peter McLeavey Gallery in Wellington, an exhibition followed by over 20 others. [5]
One of Hammond's best known work was the painting Waiting for Buller (1993). [12] This was in reference to Walter Lawry Buller, the first New Zealander ornithologist who wrote A History of New Zealand Birds in 1873. [5] Hammond was particularly interested in the contradictions in Buller's life, in how he documented birds while being a hunter and taxidermist. [13] Another noted piece of his was Fall of Icarus (1995), [14] which explores the effects of the colonisation on the country, [9] and is exhibited at Christchurch Art Gallery. [5] The Guardian described this as "his most famous work". [9] His painting Bone Yard, Open Home (2009) was the largest single piece of canvas he painted, [6] with a width of more than four metres. [15]
The overarching theme of Hammond's work was social and environmental issues. Specifically, it touched on the imperiled state of both, [5] as well as the destruction brought on by colonisation. [9] His paintings feature two common themes: references to popular music and gaunt creatures with avian heads and human limbs. [16] [17] The characters in Hammond's paintings, which were often anthropomorphic animals, rarely move away from their natural habitat and are in no hurry. [10] Humans are notably absent from his works during the later part of his career, which was influenced by his visit to the Auckland Islands in 1989. [5] [9] Two signature colors employed by Hammond were emerald green and gold. [10] He was also at the forefront of the Post-colonial Gothic movement. This ultimately became "one of the most influential tendencies in New Zealand painting" at the turn of the 3rd millennium. [13]
Hammond eschewed giving interviews [9] and guarded his privacy. [6] He died on the evening of 30 January 2021, at the age of 73. [5] He was labelled as one of the country's "most influential contemporary painters" by Radio New Zealand. [5]