From Wikipedia, the free encyclopedia
Bernardo Marques (1939)

Bernardo Loureiro Marques ( Silves, 1898 - Lisbon, 1962), was a Portuguese painter, illustrator, graphic artist and caricaturist. He was one of the most relevant Portuguese artists of his generation. [1] He was married to the painter, Ofélia Marques. [2]

Mainly a self-taught artist, Bernardo Marques emerged in the 1920s as a graphic artist and caricaturist. In 1929, he visited Berlin and was deeply influenced by German expressionism ( Georg Grosz in particular). His work thereafter became formally and thematically stronger.

Later his drawing became lighter and more poetic; he shifted his attention from people to things, particularly landscape. His final mode reveals highly sensitive visions of Lisbon, Sintra and the Algarve.

Bibliography

  • Marques, Bernardo – Bernardo Marques: Obras de 1950 a 1960. Lisbon: Calouste Gulbenkian Foundation, 1966.
  • Marques, Bernardo – Bernardo Marques. Lisbon: Calouste Gulbenkian Foundation, Lisboa, 1989.
  • Marques, Bernardo – Bernardo Marques. Macau: Fundação Oriente, 1991.
  • Ruivo, Marina Bairrão - Bernardo Marques, 1898-1962. Lisbon: Ed. Presença, 1993.

External links

References

  1. ^ José Augusto França includes Marques in the 2nd generation of 20th Century modern Portuguese painters, together with Mário Eloy and Carlos Botelho. FRANÇA, José Augusto - A Arte em Portugal no Século XX: 1911-1961 [1974]. Lisbon: Bertrand Editora, 1991, p. 183
  2. ^ Sales, Teresa. "Ofélia Marques". Centro de Documentação e Arquivo Feminista Elina Guimarães. Retrieved 14 April 2022.
From Wikipedia, the free encyclopedia
Bernardo Marques (1939)

Bernardo Loureiro Marques ( Silves, 1898 - Lisbon, 1962), was a Portuguese painter, illustrator, graphic artist and caricaturist. He was one of the most relevant Portuguese artists of his generation. [1] He was married to the painter, Ofélia Marques. [2]

Mainly a self-taught artist, Bernardo Marques emerged in the 1920s as a graphic artist and caricaturist. In 1929, he visited Berlin and was deeply influenced by German expressionism ( Georg Grosz in particular). His work thereafter became formally and thematically stronger.

Later his drawing became lighter and more poetic; he shifted his attention from people to things, particularly landscape. His final mode reveals highly sensitive visions of Lisbon, Sintra and the Algarve.

Bibliography

  • Marques, Bernardo – Bernardo Marques: Obras de 1950 a 1960. Lisbon: Calouste Gulbenkian Foundation, 1966.
  • Marques, Bernardo – Bernardo Marques. Lisbon: Calouste Gulbenkian Foundation, Lisboa, 1989.
  • Marques, Bernardo – Bernardo Marques. Macau: Fundação Oriente, 1991.
  • Ruivo, Marina Bairrão - Bernardo Marques, 1898-1962. Lisbon: Ed. Presença, 1993.

External links

References

  1. ^ José Augusto França includes Marques in the 2nd generation of 20th Century modern Portuguese painters, together with Mário Eloy and Carlos Botelho. FRANÇA, José Augusto - A Arte em Portugal no Século XX: 1911-1961 [1974]. Lisbon: Bertrand Editora, 1991, p. 183
  2. ^ Sales, Teresa. "Ofélia Marques". Centro de Documentação e Arquivo Feminista Elina Guimarães. Retrieved 14 April 2022.

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