From Wikipedia, the free encyclopedia

Behrouz Vahidi Azar ( Persian: بهروز وحیدی آذر), born 1952 in Tabriz, is an Iranian violin teacher at the Islamic Republic of Iran Broadcasting music school. [1]

Career

Once in a couple of years, with the financial aid of the parents, he gathers his students into a chamber orchestra and conducts them. [2]

Cultural Concerns

Vahidi Azar has never hesitated to express his concerns to the authorities over the senseless, haphazard importing of the guitar and electric keyboard by self-seeking profiteers. He holds that the two instruments "disrupt children's emotional development", "jeopardize their mental health" and "are not celebrated as much in the manufacturing countries". [3] He is also concerned about "the growth of pub music", "the attraction of music graduates to pubs" and "directorship of orchestras by unqualified people with a background in pubs". [4]

References

  1. ^ "وحیدی آذر از ارکستر فیلارمونیک ارومیه می‌گوید". 15 August 2010.
  2. ^ Nasirifar, Habibollah (2005). مردان موسیقی سنتی و نوین ایران (in Persian). Iran: Negah. ISBN  964-6174-14-0.
  3. ^ "اول دفتر/پای صحبت‌های بهروز وحیدی آذر، موسیقیدان- هایپرکلابز".
  4. ^ "Fars News Agency : ظ…ظˆط³غŒظ'غŒâ€Œظ‡ط§غŒ ع©ط§ظپظ‡â€Œط§غŒ ط±ط´ط¯ ع©ط±ط¯ظ‡â€Œط§ظ†ط¯". Archived from the original on 2016-06-10. Retrieved 2017-09-16.
From Wikipedia, the free encyclopedia

Behrouz Vahidi Azar ( Persian: بهروز وحیدی آذر), born 1952 in Tabriz, is an Iranian violin teacher at the Islamic Republic of Iran Broadcasting music school. [1]

Career

Once in a couple of years, with the financial aid of the parents, he gathers his students into a chamber orchestra and conducts them. [2]

Cultural Concerns

Vahidi Azar has never hesitated to express his concerns to the authorities over the senseless, haphazard importing of the guitar and electric keyboard by self-seeking profiteers. He holds that the two instruments "disrupt children's emotional development", "jeopardize their mental health" and "are not celebrated as much in the manufacturing countries". [3] He is also concerned about "the growth of pub music", "the attraction of music graduates to pubs" and "directorship of orchestras by unqualified people with a background in pubs". [4]

References

  1. ^ "وحیدی آذر از ارکستر فیلارمونیک ارومیه می‌گوید". 15 August 2010.
  2. ^ Nasirifar, Habibollah (2005). مردان موسیقی سنتی و نوین ایران (in Persian). Iran: Negah. ISBN  964-6174-14-0.
  3. ^ "اول دفتر/پای صحبت‌های بهروز وحیدی آذر، موسیقیدان- هایپرکلابز".
  4. ^ "Fars News Agency : ظ…ظˆط³غŒظ'غŒâ€Œظ‡ط§غŒ ع©ط§ظپظ‡â€Œط§غŒ ط±ط´ط¯ ع©ط±ط¯ظ‡â€Œط§ظ†ط¯". Archived from the original on 2016-06-10. Retrieved 2017-09-16.

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