Other names | Cello banjo, Banjocello |
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Classification | String instrument ( plucked) |
Hornbostel–Sachs classification | 321.322-5 |
Developed | Late 19th century |
Playing range | |
Related instruments | |
There are multiple instruments referred to as a bass banjo. The first to enter real production was the five-string cello banjo, tuned one octave below a five-string banjo. This was followed by a four-string cello banjo, tuned CGDA in the same range as a cello or mandocello, and modified upright bass versions tuned EADG. More recently, true bass banjos, tuned EADG and played in conventional horizontal fashion have been introduced.
The five-string cello banjo was originally a gut-stringed instrument with a 3" deep 16" diameter rim, marketed by S.S. Stewart in 1889. [1] Advertising copy used the terms "bass banjo" and "cello banjo" to refer to the same instrument.
Other banjo makers manufactured similar instruments, including A.C. Fairbanks, with a 12⅜" diameter head and a 29½" scale length [2] and A.A. Farland, with 12½" head and a 28½" scale. [3] Gold Tone is the only contemporary manufacturer. [4]
In 1919, [5] Gibson began manufacturing a 4-string cello banjo, known as the CB-4. [6] Other vintage manufacturers of four-string bass banjos include Bacon & Day. [7][ verification needed] Gold Tone is the only contemporary manufacturer. [8]
Gibson produced a separate instrument called a "bass banjo" from 1930 to 1933. [5] This was a 4-string instrument, played as an upright bass, with a stand substituting for a spike. It was tuned EADG, the same as Gibson's mando-bass. [9]
The Bassjo, also referred to as the banjo bass in a 2006 article featuring Les Claypool on the cover of Bassplayer Magazine [10] was made by luthier Dan Maloney. Maloney was a friend of Claypool's approximately ten years ago when Claypool asked him to construct a guitar with "a banjo body and a bass neck ("Les Does More" 43)." The Bassjo can be heard on Claypool's 2006 album " Of Whales and Woe" on the track Iowan Gal", as well as Primus' "Captain Shiner" from the album Tales from the Punchbowl
Gold Tone Music Group produces a commercial version of the bass banjo. [11] It has a 32" scale and a 13" pot.
An unusual variation is the Heftone bass, which combines a large, 22" banjo pot with an upright spindle to produce an upright bass banjo. [12]
Bass and Cello Banjos | ||||
---|---|---|---|---|
Other names | Cello banjo, Banjocello |
---|---|
Classification | String instrument ( plucked) |
Hornbostel–Sachs classification | 321.322-5 |
Developed | Late 19th century |
Playing range | |
Related instruments | |
There are multiple instruments referred to as a bass banjo. The first to enter real production was the five-string cello banjo, tuned one octave below a five-string banjo. This was followed by a four-string cello banjo, tuned CGDA in the same range as a cello or mandocello, and modified upright bass versions tuned EADG. More recently, true bass banjos, tuned EADG and played in conventional horizontal fashion have been introduced.
The five-string cello banjo was originally a gut-stringed instrument with a 3" deep 16" diameter rim, marketed by S.S. Stewart in 1889. [1] Advertising copy used the terms "bass banjo" and "cello banjo" to refer to the same instrument.
Other banjo makers manufactured similar instruments, including A.C. Fairbanks, with a 12⅜" diameter head and a 29½" scale length [2] and A.A. Farland, with 12½" head and a 28½" scale. [3] Gold Tone is the only contemporary manufacturer. [4]
In 1919, [5] Gibson began manufacturing a 4-string cello banjo, known as the CB-4. [6] Other vintage manufacturers of four-string bass banjos include Bacon & Day. [7][ verification needed] Gold Tone is the only contemporary manufacturer. [8]
Gibson produced a separate instrument called a "bass banjo" from 1930 to 1933. [5] This was a 4-string instrument, played as an upright bass, with a stand substituting for a spike. It was tuned EADG, the same as Gibson's mando-bass. [9]
The Bassjo, also referred to as the banjo bass in a 2006 article featuring Les Claypool on the cover of Bassplayer Magazine [10] was made by luthier Dan Maloney. Maloney was a friend of Claypool's approximately ten years ago when Claypool asked him to construct a guitar with "a banjo body and a bass neck ("Les Does More" 43)." The Bassjo can be heard on Claypool's 2006 album " Of Whales and Woe" on the track Iowan Gal", as well as Primus' "Captain Shiner" from the album Tales from the Punchbowl
Gold Tone Music Group produces a commercial version of the bass banjo. [11] It has a 32" scale and a 13" pot.
An unusual variation is the Heftone bass, which combines a large, 22" banjo pot with an upright spindle to produce an upright bass banjo. [12]
Bass and Cello Banjos | ||||
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