Basil Athanasiadis | |
---|---|
Born | 1970 |
Nationality | Greek |
Education | |
Occupations |
|
Awards |
Basil Athanasiadis ( Greek: Βασίλης Αθανασιάδης, born in 1970 [1] [2] in Katerini, Greece) is a Greek composer based in the United Kingdom.
Athanasiadis, after completing his piano and advanced theory studies (harmony, counterpoint, fugue) at the National Conservatoire of Athens, moved to London, England. [3] [1] [2] He studied composition at the Trinity College of Music with Daryl Runswick, the Royal Academy of Music with Paul Patterson, and finally at the Canterbury Christ Church University (CCCU), in Canterbury, Kent, England, where he obtained his Doctor of Philosophy (PhD) dissertation [4] under the supervision of Roderick Watkins and Paul Patterson supported by the Research Studentship Award. [3] [1] [2]
In 2010, Athanasiadis was the recipient of the JSPS Postdoctoral Fellowship Award (2010–2011). [3] Based at the Tokyo University of the Arts as a Special Foreign Researcher, he composed new works for Western and Japanese instruments with a particular interest on the shō (mouth organ) and the 20-stringed koto.
Some of those works were presented in a series of concerts culminating to a large-scale performance project that took place at the Sogakudo Hall on 23 January 2011. The same year he was awarded the JSPS Postdoctoral Fellowship Award (November 30, 2011 – November 29, 2013) [5] for the second time to further his research with Research Subject The Japanese Aesthetic of Wabi Sabi and its Potential in Contemporary Composition [6] [7] and support the composition of new works for Japanese and Western instruments and their performance in both Japan and Europe. [3] [1] [2] [8] [9] [10] [11] [12]
Athanasiadis' works are characterised by a strong visual identity; his performances has often been accompanied by dance or stage action. [3] Early influences can be traced in Sergiu Celibidache's views on aspects of ambience and acoustic space (Athanasiadis attended Sergiu Celibidache's Munich seminars in 1994), and in composers such as Christou, Feldman and Takemitsu. His most recent works focus on the Japanese aesthetic of wabi-sabi, which has also been the main subject of his doctoral and postdoctoral research since 2004. [3] [1] [2]
Athanasiadis's music has been published by Oxford University Press and United Music Publishers [2] and selected works have been released on CD by Dutton Epoch, Sargasso Records, Regent Records, Fonorum and the Choir & Organ magazine (cover CD for March/April 2009 issue). [3]
Basil Athanasiadis's works have been performed in Europe, US, Canada and Asia by ensembles such as the London Sinfonietta, Amsterdam Loeki Stardust Quartet, New London Chamber Ensemble, Silk String Quartet, Okeanos, Mondriaan Quartet, Alea III, [13] Shonorities and choirs such as the BBC Singers, Wells Cathedral Choir, Cambridge Chapel Choir of Selwyn College, Montreal Christ Church Cathedral Choir. [3] [14] [15] [16] [17] [18] [19]
Athanasiadis's compositions include the following: [3] [1] [2]
Basil Athanasiadis | |
---|---|
Born | 1970 |
Nationality | Greek |
Education | |
Occupations |
|
Awards |
Basil Athanasiadis ( Greek: Βασίλης Αθανασιάδης, born in 1970 [1] [2] in Katerini, Greece) is a Greek composer based in the United Kingdom.
Athanasiadis, after completing his piano and advanced theory studies (harmony, counterpoint, fugue) at the National Conservatoire of Athens, moved to London, England. [3] [1] [2] He studied composition at the Trinity College of Music with Daryl Runswick, the Royal Academy of Music with Paul Patterson, and finally at the Canterbury Christ Church University (CCCU), in Canterbury, Kent, England, where he obtained his Doctor of Philosophy (PhD) dissertation [4] under the supervision of Roderick Watkins and Paul Patterson supported by the Research Studentship Award. [3] [1] [2]
In 2010, Athanasiadis was the recipient of the JSPS Postdoctoral Fellowship Award (2010–2011). [3] Based at the Tokyo University of the Arts as a Special Foreign Researcher, he composed new works for Western and Japanese instruments with a particular interest on the shō (mouth organ) and the 20-stringed koto.
Some of those works were presented in a series of concerts culminating to a large-scale performance project that took place at the Sogakudo Hall on 23 January 2011. The same year he was awarded the JSPS Postdoctoral Fellowship Award (November 30, 2011 – November 29, 2013) [5] for the second time to further his research with Research Subject The Japanese Aesthetic of Wabi Sabi and its Potential in Contemporary Composition [6] [7] and support the composition of new works for Japanese and Western instruments and their performance in both Japan and Europe. [3] [1] [2] [8] [9] [10] [11] [12]
Athanasiadis' works are characterised by a strong visual identity; his performances has often been accompanied by dance or stage action. [3] Early influences can be traced in Sergiu Celibidache's views on aspects of ambience and acoustic space (Athanasiadis attended Sergiu Celibidache's Munich seminars in 1994), and in composers such as Christou, Feldman and Takemitsu. His most recent works focus on the Japanese aesthetic of wabi-sabi, which has also been the main subject of his doctoral and postdoctoral research since 2004. [3] [1] [2]
Athanasiadis's music has been published by Oxford University Press and United Music Publishers [2] and selected works have been released on CD by Dutton Epoch, Sargasso Records, Regent Records, Fonorum and the Choir & Organ magazine (cover CD for March/April 2009 issue). [3]
Basil Athanasiadis's works have been performed in Europe, US, Canada and Asia by ensembles such as the London Sinfonietta, Amsterdam Loeki Stardust Quartet, New London Chamber Ensemble, Silk String Quartet, Okeanos, Mondriaan Quartet, Alea III, [13] Shonorities and choirs such as the BBC Singers, Wells Cathedral Choir, Cambridge Chapel Choir of Selwyn College, Montreal Christ Church Cathedral Choir. [3] [14] [15] [16] [17] [18] [19]
Athanasiadis's compositions include the following: [3] [1] [2]