Baldhead Bridge | ||||
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Studio album by | ||||
Released | 1978 | |||
Recorded | Joe Gibbs Recording Studio, Kingston | |||
Genre | Reggae | |||
Label | Joe Gibbs | |||
Producer | Joe Gibbs | |||
Culture chronology | ||||
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Baldhead Bridge is the second album by the Jamaican roots reggae band Culture, released on Joe Gibbs Records in 1978. [1] [2]
As with the band's debut, Two Sevens Clash, the album was recorded in Kingston at the studio of Joe Gibbs, who also produced the album. [3]
The band accompanying the trio was the Professionals, which included musicians such as Sly and Robbie, Tommy McCook, and Bobby Ellis.
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
The New Rolling Stone Record Guide | ![]() ![]() ![]() ![]() ![]() |
AllMusic called the album "a true reggae classic," writing that "listeners are reminded of the impact that the Delfonics, the Impressions and other soul favorites had on reggae." [4] Record Collector praised the "outrageously brutal" dub version of the album. [7]
Baldhead Bridge | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1978 | |||
Recorded | Joe Gibbs Recording Studio, Kingston | |||
Genre | Reggae | |||
Label | Joe Gibbs | |||
Producer | Joe Gibbs | |||
Culture chronology | ||||
|
Baldhead Bridge is the second album by the Jamaican roots reggae band Culture, released on Joe Gibbs Records in 1978. [1] [2]
As with the band's debut, Two Sevens Clash, the album was recorded in Kingston at the studio of Joe Gibbs, who also produced the album. [3]
The band accompanying the trio was the Professionals, which included musicians such as Sly and Robbie, Tommy McCook, and Bobby Ellis.
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
The New Rolling Stone Record Guide | ![]() ![]() ![]() ![]() ![]() |
AllMusic called the album "a true reggae classic," writing that "listeners are reminded of the impact that the Delfonics, the Impressions and other soul favorites had on reggae." [4] Record Collector praised the "outrageously brutal" dub version of the album. [7]