Back Home | ||||
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![]() | ||||
Studio album by
Warne Marsh Quartet & Quintet | ||||
Released | 1986 | |||
Recorded | March 31, 1986 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 70:58 CD reissue with bonus tracks | |||
Label |
Criss Cross Jazz 1023 | |||
Producer | Gerry Teekens | |||
Warne Marsh chronology | ||||
|
Back Home, is an album by saxophonist Warne Marsh, recorded in 1986 and released on the Dutch Criss Cross Jazz label. [1] [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
The AllMusic review states that "the tenor master and Tristano disciple works through a set of tunes that, in true Tristano fashion, are built entirely upon the harmonic foundations of popular standards... Marsh's peculiar linear logic and behind-the-beat phrasing are the aural equivalent of well-aged scotch, and his rapport with Barry Harris represents a felicitous union of straight bebop and one of its most enigmatic tributaries, the Tristano school". [4]
All compositions by Warne Marsh except where noted
Back Home | ||||
---|---|---|---|---|
![]() | ||||
Studio album by
Warne Marsh Quartet & Quintet | ||||
Released | 1986 | |||
Recorded | March 31, 1986 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 70:58 CD reissue with bonus tracks | |||
Label |
Criss Cross Jazz 1023 | |||
Producer | Gerry Teekens | |||
Warne Marsh chronology | ||||
|
Back Home, is an album by saxophonist Warne Marsh, recorded in 1986 and released on the Dutch Criss Cross Jazz label. [1] [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
The AllMusic review states that "the tenor master and Tristano disciple works through a set of tunes that, in true Tristano fashion, are built entirely upon the harmonic foundations of popular standards... Marsh's peculiar linear logic and behind-the-beat phrasing are the aural equivalent of well-aged scotch, and his rapport with Barry Harris represents a felicitous union of straight bebop and one of its most enigmatic tributaries, the Tristano school". [4]
All compositions by Warne Marsh except where noted