From Wikipedia, the free encyclopedia
Association of Amateur Artists
Asociación de Artistas Aficionados
AbbreviationAAA
EstablishedJune 13, 1938; 86 years ago (1938-06-13)
Type Cultural institution
Headquarters Jirón Ica 323, Lima, Peru
Website aaalima.pe

The Association of Amateur Artists ( Spanish: Asociación de Artistas Aficionados) is a Peruvian theatre company and cultural institution founded on June 13, 1938. [1] Its headquarters are located at Jirón Ica 323, and are part of the historic centre of Lima, Peru. [1] The association was a pioneer in the dissemination of performing art in the country. [2] [3]

History

The group was founded on June 13, 1938, [1] by a group of young people, including the brothers Alejandro [ es], Aurelio and Elvira Miró Quesada, Rosa Graña, Manuel Solari Swayne [ es], Percy Gibson [ es], Ricardo Grau [ es], among others. [2] [4] Influenced by the arrival of Margarita Xirgu and the emergence of the autochthonous, [5] she renewed contemporary artistic development. [5] In addition, it fostered the cradle of talents in theater, dance and singing; [6] even before the arrival of institutions dedicated to these skills under the concept of "cultural Tuesdays." [4] Part of the cast managed to stage in other countries such as Spain and France. [4] Among the best known is Enrique Solari Swayne's Collacocha, [7] which was even exhibited at the Gran Teatro del Bosque, in Mexico. [8] [9] [10] [11]

See also

References

  1. ^ a b c "Sobre la AAA". Asociación de Artistas Aficionados.
  2. ^ a b Balta, Aída (2001). Historia general del teatro en el Perú (in Spanish). Universidad de San Martín de Porres. pp. 177–178. ISBN  9972-54-072-3. OCLC  47705542.
  3. ^ Cortés, Eladio; Barrea-Marlys, Mirta (2003). Encyclopedia of Latin American theater (in Spanish). Greenwood Press. p. 382. ISBN  0-313-01721-2. OCLC  57447775.
  4. ^ a b c "Afición a la cultura: los 75 años de la AAA". El Comercio. 2013-06-13.
  5. ^ a b Perales, Rosalina (1989). Teatro hispanoamericano contemporaneo, 1967-1987 (in Spanish). Gaceta. p. 230. ISBN  968-7155-32-9. OCLC  20907168.
  6. ^ Palacios Rodríguez, Raúl (1990). El Perú republicano y moderno, 1868-1968 (in Spanish). Librería Studium Ediciones. p. 534.
  7. ^ "Collacocha: La fuerza de la naturaleza". Perú 21. 2016-07-31.
  8. ^ Diario de los debates de la Cámara de Diputados (in Spanish). Vol. III. Lima: Cámara de Congreso de Diputados de Perú. 1958. pp. 409–410.
  9. ^ San Martín Vda. de Maria y Campos, Beatriz; Toriz Proenza, Martha (1999). Veintiún años de crónica teatral en México (in Spanish) (1st ed.). Instituto Nacional de Bellas Artes, Centro Nacional de Investigación, Documentatión e Información Teatral Rodolfo Usigli. p. 414. ISBN  970-18-2225-0. OCLC  44416663.
  10. ^ "Espectáculos: Teatro peruano". Presente. No. 58. 1958-09-30. p. 44.
  11. ^ Ramos-Garcíá, Luis; Rizk, Beatriz J. (2007). Panorama de las artes escenicas iberico y latinoamericanas: homenaje al Festival Iberoamericano de Cádiz (in Spanish). Patronato del Festival Iberoamericano de Teatro de Cádiz. p. 16. ISBN  0-934840-26-1. OCLC  420344168.
From Wikipedia, the free encyclopedia
Association of Amateur Artists
Asociación de Artistas Aficionados
AbbreviationAAA
EstablishedJune 13, 1938; 86 years ago (1938-06-13)
Type Cultural institution
Headquarters Jirón Ica 323, Lima, Peru
Website aaalima.pe

The Association of Amateur Artists ( Spanish: Asociación de Artistas Aficionados) is a Peruvian theatre company and cultural institution founded on June 13, 1938. [1] Its headquarters are located at Jirón Ica 323, and are part of the historic centre of Lima, Peru. [1] The association was a pioneer in the dissemination of performing art in the country. [2] [3]

History

The group was founded on June 13, 1938, [1] by a group of young people, including the brothers Alejandro [ es], Aurelio and Elvira Miró Quesada, Rosa Graña, Manuel Solari Swayne [ es], Percy Gibson [ es], Ricardo Grau [ es], among others. [2] [4] Influenced by the arrival of Margarita Xirgu and the emergence of the autochthonous, [5] she renewed contemporary artistic development. [5] In addition, it fostered the cradle of talents in theater, dance and singing; [6] even before the arrival of institutions dedicated to these skills under the concept of "cultural Tuesdays." [4] Part of the cast managed to stage in other countries such as Spain and France. [4] Among the best known is Enrique Solari Swayne's Collacocha, [7] which was even exhibited at the Gran Teatro del Bosque, in Mexico. [8] [9] [10] [11]

See also

References

  1. ^ a b c "Sobre la AAA". Asociación de Artistas Aficionados.
  2. ^ a b Balta, Aída (2001). Historia general del teatro en el Perú (in Spanish). Universidad de San Martín de Porres. pp. 177–178. ISBN  9972-54-072-3. OCLC  47705542.
  3. ^ Cortés, Eladio; Barrea-Marlys, Mirta (2003). Encyclopedia of Latin American theater (in Spanish). Greenwood Press. p. 382. ISBN  0-313-01721-2. OCLC  57447775.
  4. ^ a b c "Afición a la cultura: los 75 años de la AAA". El Comercio. 2013-06-13.
  5. ^ a b Perales, Rosalina (1989). Teatro hispanoamericano contemporaneo, 1967-1987 (in Spanish). Gaceta. p. 230. ISBN  968-7155-32-9. OCLC  20907168.
  6. ^ Palacios Rodríguez, Raúl (1990). El Perú republicano y moderno, 1868-1968 (in Spanish). Librería Studium Ediciones. p. 534.
  7. ^ "Collacocha: La fuerza de la naturaleza". Perú 21. 2016-07-31.
  8. ^ Diario de los debates de la Cámara de Diputados (in Spanish). Vol. III. Lima: Cámara de Congreso de Diputados de Perú. 1958. pp. 409–410.
  9. ^ San Martín Vda. de Maria y Campos, Beatriz; Toriz Proenza, Martha (1999). Veintiún años de crónica teatral en México (in Spanish) (1st ed.). Instituto Nacional de Bellas Artes, Centro Nacional de Investigación, Documentatión e Información Teatral Rodolfo Usigli. p. 414. ISBN  970-18-2225-0. OCLC  44416663.
  10. ^ "Espectáculos: Teatro peruano". Presente. No. 58. 1958-09-30. p. 44.
  11. ^ Ramos-Garcíá, Luis; Rizk, Beatriz J. (2007). Panorama de las artes escenicas iberico y latinoamericanas: homenaje al Festival Iberoamericano de Cádiz (in Spanish). Patronato del Festival Iberoamericano de Teatro de Cádiz. p. 16. ISBN  0-934840-26-1. OCLC  420344168.

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