Arthur Cotton Moore (April 12, 1935 – September 4, 2022)[1] was an American architect who was notable for the restoration of
Washington Harbour and modernization of the
Thomas Jefferson Building.[2]
Moore began his professional practice in 1965 and was best known for expanding the purview of the country’s nascent Preservation Movement, from the restoration of historic manor houses to re-purposing urban industrial structures. His first project––Canal Square, in Washington D.C.’s
Georgetown neighborhood––was the earliest recognized manifestation of combining an old mercantile building with major new construction.
Arthur Cotton Moore spent his early years at “Tanglebank,” his grandparents’ Victorian house off Connecticut Avenue in the
Kalorama neighborhood of NW Washington, D.C., now the site of a new People's Republic of China building providing housing for its embassy personnel.
Moore’s father, Captain Charles Godwin Moore, Jr., served during both World Wars. His mother was the granddaughter of Thomas Monroe Gale, whose house in the Kalorama neighborhood is now the
Myanmar Embassy.
Arthur Cotton Moore/Associates: Washington, D.C. (1965–2022)
Style
Moore described his architectural style in his non-preservation work as
Modernism with
Baroque sensibilities. Some have referred to this style as “post-postmodernism.”[5] It is a lighter, even an entertaining modern interpretation of the exuberant style that flourished in Europe from the middle of the 17th century to the early 18th century. ''People are tired of endless grid-crunching,'' Moore said. ''Baroque deals with modern design's fear and loathing of the curve - just what I think is missing in modern design.''[5]
Notable projects
Canal Square in Georgetown, is a landmarked 19th-century warehouse and the former home of the
Tabulating Machine Company, a direct precursor of IBM. It was re-adapted with new construction in 1970 at a cost of US$2.5 million. Located alongside the
Chesapeake and Ohio Canal in the then-neglected industrial waterfront area, the project repurposed the warehouse by joining it with a sympathetic modern addition, bringing new life to the area. This led to similar programs across the country in a practice that became known as “adaptive reuse,” using existing building equity in a strategic way as an alternative to the devastation brought about by urban renewal and other economic development programs. Eighty-four articles on Canal Square were published in national and international newspapers, magazines, and books.
Madeira School, an early solar-energy building (Washington, D.C.)
The
Cairo Hotel, an 1894 building and the tallest privately owned building in Washington, D.C., remodeled for US$2.7 million from a neglected hotel to a profitable condominium
The Foundry, along the C&O Canal in Georgetown, Washington, D.C. included an existing historic foundry together with new construction.
Lobby, entrance canopy, and Rizik’s Pavilion. 1100 Connecticut Avenue, NW, Washington D.C.
National awards for architecture and furniture design
Since 1965, Moore received 70 Design Awards including:
1977: The American Institute of Architects, in accordance with the judgment of its Honor Awards Jury, presented an Honor Award to Arthur Cotton Moore/Associates for achievement of excellence in Architectural Design of Canal Square (June 1977)
1999: The American Institute of Architects, in accordance with the judgment of its Honor Award Jury, presented an Honor Award for Architecture to the Thomas Jefferson Building of the Library of Congress, Washington, D.C. for Excellence in Architectural Design by the Architect of the Capitol and Arthur Cotton Moore/Associates, Associate Architect. The Library of Congress, Owner. (May 1999)
1999: The American Institute of Architects and The American Library Association presented this Award of Excellence to the Architect of the Capitol and Arthur Cotton Moore/Associates, Associate Architect, for the Thomas Jefferson Building of the Library of Congress in recognition of Distinguished Accomplishment in Library Architecture. (June 1999)
1972: Architectural Record Magazine’s National Award for Residential Design for Avon Place, Washington, D.C.
1977: Architectural Record Magazine’s National Award for Residential Design for Harris House, Arlington, VA
1980: Architectural Record Magazine’s National Award for Residential Design for Bernstein House, Washington, D.C.
1990: Architectural Record Magazine’s National Award for Excellence in Design for the Industrial Baroque Furniture Series
2004: The Society of Professional Journalists, Dateline Award for Excellence in Local Journalism for the "Big Apple Attack" published in the Washingtonian Magazine
1983: Columbia University Center for the Study of American Architecture. American Architecture: Innovation and Tradition
1985: The Catholic University of America, Architecture School: Current Work
1988: The Athenaeum, Alexandria, Virginia. A Decade of Washington Architecture
1988: The National Building Museum. Best Addresses
1990: The National Building Museum. Give us your Best
1991: The National Building Museum. Visions and Revisions
1991: Columbia University. Donations to the Avery Library Centennial Archive: Contemporary Architectural Drawings
Honors and distinctions
Projects have been published in over 2,800 articles in magazines and newspapers throughout the United States, Europe, the U.K., South Korea, Australia, Japan, and in several books
The international publicity generated by the many facets of the Washington Harbour Complex––Architecture, Urban Design, residential/office/commercial uses, a visionary flood control system, fountains, and its siting on the Potomac River––prompted requests from specific groups for a combination slide presentation, guided tour, and Q&A session:
1985: The National Building Museum (October 27)
1985: The National Building Museum (November 9)
1986: AIA Washington Chapter (November 22)
1986: Representatives of the Isle of Dogs, London Council
1987: The Corcoran Gallery of Art (April 4)
1987: Representatives of the City Council. Liverpool, England
1987: Representatives of the Ministry of Bonn, West Germany
1987: Columbia Historical Society (September 26)
1987: Brick Institute of America (November 16)
1987: Representatives of Parliament. Frankfurt, Germany
1988: American Society of Appraisers (June 28)
1988: American Society of Landscape Architects (July 13)
1988: The Waterfront Center (September 24)
1988: American Planning Association (October 28)
1988: Howard University School of Architecture (November 19)
1988: Representatives of the South Korean Government (December 7)
1989: The National Building Museum (March 25)
1989: Potomac River Basin Consortium (April 8)
1989: The National Building Museum (April 15)
1989: American Society of Landscape Architects (July 13)
1989: Israeli Architects Association (October 20)
1991: The Town Council of Lyon, France (April 8)
1991: AIA ACSA National Convention (April 9)
1991: The National Building Museum (April 27)
1991: AIA National Convention (May 18)
1993: University of Osaka, Graduate School of Global Architecture (June 21)
1994: The Brick Institute of America (November 14)
1996: The Brick Institute of America (November 11)
Master planning
“Master Plan of the National Mall, Expanded for the 21st Century” (2017) was published in Moore’s book “Our Nation’s Capital: Pro Bono Publico Ideas” (2017),[6] the Washington Business Journal (January 2018) and Washingtonian Magazine (May 2018).
Master Planning Policy Papers for New Towns. U.S. Department of Housing and Urban Development (1969)
Master Planning Research on Urban Waterfronts. Project No. C-2141 (1971). Supported under the Title II provisions of the Water Resources Research Act of 1964 and funded by the Office of Water Resources, U.S. Department of the Interior. The goal was to introduce master planning to urban waterfronts, as an incentive to the then-awakening efforts to recharge the United States’ cradle of development. Bright, Breathing Edges of City Life: Amenity Benefits of Urban Water Resources was the first definitive look at this specific development effort, and was the best-seller on the list of Government Printing Office publications at that time.
Developer Master Plans for the ownership of the land, with the intention of phased implementation:
Davis Tract. Montgomery County, Maryland: 75 acres
Salt Pond. Bethany, Delaware: 1,000 acres
Forest Glen. Montgomery County, Maryland: 25 acres
The Palisades. Arlington, Virginia: 15 acres
Radnor Tract. Ballston, Virginia: 5 acres
The Portals. Washington D.C.: 10 acres
The Georgetown Waterfront. Washington, D.C.: 10 acres
Gwynebrook. Towson, Maryland: 75 acres
Warfield/Kline. Frederick, Maryland: 6 acres
Baker/Kane. Charleston, South Carolina: 50 acres
Baker Tract. Renley Point, South Carolina: 35 acres
Shirlington Tract. Arlington, Virginia: 30 acres
Shoreham Tract. Washington D.C.: 10 acres
Minglewood Farms. Nashville, Tennessee: 800 acres
400 Block, Schenectady, New York:4 acres
The Rockefeller Estate. Washington, D.C.: 25 acres
Arts Council. Winston-Salem, North Carolina: 3 acres
Old Ford Plant. Alexandria, Virginia: 10 acres
The Thomas Cannery. Gaithersburg, Maryland: 3 acres
Fortune Parc. Montgomery County, Maryland: 48 acres
Doubleday Property. Garden City, Long Island: 18 acres
Central Business District Master Plansfor city governments and downtown business groups, with the intention of phased implementation geared towards economic revitalization. Included in most of these was identification of potential developers, and a detailed strategy to bring the plans to reality:
Baltimore, Maryland: 40 blocks
Petersburg, Virginia: 40 acres
Norfolk, Virginia: 50 acres
Fort Wayne, Indiana: 6 blocks
Rockville, Maryland: 420 acres
Columbus, Georgia: 100 blocks
Nashville, Tennessee: 162 acres
York, Pennsylvania: 100 acres
Colmar Manor, Maryland: 15 acres
Dearborn, Michigan: 6 blocks
Myrtle Beach, South Carolina: 70 acres
Tourism Master Plans for state governments. Large-scale projects done in the 1960s, all of which were geared to economic development through creation/invention of a tourism industry:
The Town of East St. Louis, Illinois
Ski industry for West Virginia
Cooperative Resort Town, Puente al Mar, Puerto Rico
Frank Holten State Park, Illinois
The South Texas Triangle
Nine Counties, Northeast Development District, Arkansas
Eureka Springs, Arkansas
Arkadelphia, Arkansas
Ten Year Development Plan of the Bahama Islands
Red Carpet Country, Oklahoma
Bourne, Massachusetts
Nassau, Bahamas
Painting
Solo exhibitions
1990: Industrial Baroque (Painting and Furniture). Barbara Fendrick Gallery. New York. (February 22 to March 31, 1990)
1990: Industrial Baroque (Painting and Furniture). Barbara Fendrick Gallery. Washington D.C. (April 5 to 28, 1990)
1991–92: Facades (series). Hokin Kaufman Gallery. Chicago, Illinois. (November 1991 to January 1992)
1993: Urban Stories (series). Galerie Gasnier Kamien. Paris, France. (April 6, 1993, to July 31, 1993)
1995: Visions of the Future (series). National Technical Museum, Prague, Czech Republic in cooperation with the Fund for Arts and Culture in Central and Eastern Europe. (March 9 to April 30, 1995)
1995: Visions of the Future (series). The Museum of Architecture, Wroclaw, Poland in cooperation with the Fund for Arts and Culture in Central and Eastern Europe. (September 7 to October 8, 1995)
These following articles on the solo exhibitions were published in newspapers and magazines between 1989 and 1995:
The New York Times. June 15, 1989 (Barbara Gamarekian)
Regardie’s Magazine. January 1990
The New York Times. March 15, 1990 (Suzanne Slesin)
The Washington Post. April 5, 1990 (Jane Stonesifer)
The Washington Post. April 7, 1990 (Benjamin Forgey)
Dossier Magazine. June 1990
Trump’s Magazine. June 1990 (Lesa Griffith)
Architectural Record Magazine. September 1990 (Karen D. Stein)
Washington Home & Garden Magazine. Winter. 1990
Avery Library Centennial Drawings Archive. 1991. “Retrofitted Window.” San Francisco:
Pomegranate Press.
Art & Antiques Magazine. November 1991 (Carol Vogel)
Gay Chicago Magazine. December 19, 1991 (Justin H. Sunward)
Le Generaliste. June 1993 (Chantal de Rosamel)
Jardin des Modes. June 1993 (Nicole Bamberger)
Demeures Chateaux. June/July 1993 (Michel de Loye)
Listings: D’Architectures. April 1993
Le Moniteur Architecture. April 1993
Connaissance des Art. May 1993
L’Oeil. May 1993
BAT Magazine. France. May 1993
The Washington Post. “Big Sky Motel.” October 14, 1993
2018: Washington Comiks: An Irreverent Look at the Absurdities of Our Nation's Capital, as Portrayed in 50 paintings, to be published by International Arts & Artists. 2018
Magazines
Journal of the American Institute of Architects:
1965: “Politics, Architecture and World Fairs.” Cover article. (April)
1979: Book Review. “The Revolutionary New Corridor-Free Systems.”
1979: “Adaptive Abuse”
1980: “The Retreat into Architectural Narcissism”
“The Pennsylvania Avenue Plan.” St. Albans Bulletin, May 1965
“Advise and Consult.” Library of Congress Information Bulletin. Vol. 56, No. 9, 5-11. May 1997.
The Weekly Standard:
“Storm Warnings. Architectural Change is Coming–and It ain’t gonna be pretty.” (Venice Biennale), February 7, 2005.
“Lines in the Sand. Art and Commerce in Sunny Florida.” (Art Basel Miami Beach), March 12, 2007.
“China by Design. On a clear day you can see the People’s Architecture” April 28, 2008
Washingtonian Magazine: (Contributing Editor on Urban Affairs, 1965–1978)
1965: “Last Resort Architecture”
1965: “Subways are for People”
1966: “Wanted: A HUD with Vision”
1966: “The Architecture of Zoning”
1966: “The Washington National Airport boondoggle”
1967: “Sound and Fury at the FAA”
1967: “The Restoration Game”
1967: “Transportation to Dulles Airport”
1967: “The Day Commissioner Tobrinop saw a Kiosk”
1967: “A Proposal to Solve the National Airport Problem: The Airline Terminal Building”
1969: “Washington’s Waterfronts: 44 Miles down the Drain”
1970: “Economic Home Rule for the District of Columbia”
Arthur Cotton Moore (April 12, 1935 – September 4, 2022)[1] was an American architect who was notable for the restoration of
Washington Harbour and modernization of the
Thomas Jefferson Building.[2]
Moore began his professional practice in 1965 and was best known for expanding the purview of the country’s nascent Preservation Movement, from the restoration of historic manor houses to re-purposing urban industrial structures. His first project––Canal Square, in Washington D.C.’s
Georgetown neighborhood––was the earliest recognized manifestation of combining an old mercantile building with major new construction.
Arthur Cotton Moore spent his early years at “Tanglebank,” his grandparents’ Victorian house off Connecticut Avenue in the
Kalorama neighborhood of NW Washington, D.C., now the site of a new People's Republic of China building providing housing for its embassy personnel.
Moore’s father, Captain Charles Godwin Moore, Jr., served during both World Wars. His mother was the granddaughter of Thomas Monroe Gale, whose house in the Kalorama neighborhood is now the
Myanmar Embassy.
Arthur Cotton Moore/Associates: Washington, D.C. (1965–2022)
Style
Moore described his architectural style in his non-preservation work as
Modernism with
Baroque sensibilities. Some have referred to this style as “post-postmodernism.”[5] It is a lighter, even an entertaining modern interpretation of the exuberant style that flourished in Europe from the middle of the 17th century to the early 18th century. ''People are tired of endless grid-crunching,'' Moore said. ''Baroque deals with modern design's fear and loathing of the curve - just what I think is missing in modern design.''[5]
Notable projects
Canal Square in Georgetown, is a landmarked 19th-century warehouse and the former home of the
Tabulating Machine Company, a direct precursor of IBM. It was re-adapted with new construction in 1970 at a cost of US$2.5 million. Located alongside the
Chesapeake and Ohio Canal in the then-neglected industrial waterfront area, the project repurposed the warehouse by joining it with a sympathetic modern addition, bringing new life to the area. This led to similar programs across the country in a practice that became known as “adaptive reuse,” using existing building equity in a strategic way as an alternative to the devastation brought about by urban renewal and other economic development programs. Eighty-four articles on Canal Square were published in national and international newspapers, magazines, and books.
Madeira School, an early solar-energy building (Washington, D.C.)
The
Cairo Hotel, an 1894 building and the tallest privately owned building in Washington, D.C., remodeled for US$2.7 million from a neglected hotel to a profitable condominium
The Foundry, along the C&O Canal in Georgetown, Washington, D.C. included an existing historic foundry together with new construction.
Lobby, entrance canopy, and Rizik’s Pavilion. 1100 Connecticut Avenue, NW, Washington D.C.
National awards for architecture and furniture design
Since 1965, Moore received 70 Design Awards including:
1977: The American Institute of Architects, in accordance with the judgment of its Honor Awards Jury, presented an Honor Award to Arthur Cotton Moore/Associates for achievement of excellence in Architectural Design of Canal Square (June 1977)
1999: The American Institute of Architects, in accordance with the judgment of its Honor Award Jury, presented an Honor Award for Architecture to the Thomas Jefferson Building of the Library of Congress, Washington, D.C. for Excellence in Architectural Design by the Architect of the Capitol and Arthur Cotton Moore/Associates, Associate Architect. The Library of Congress, Owner. (May 1999)
1999: The American Institute of Architects and The American Library Association presented this Award of Excellence to the Architect of the Capitol and Arthur Cotton Moore/Associates, Associate Architect, for the Thomas Jefferson Building of the Library of Congress in recognition of Distinguished Accomplishment in Library Architecture. (June 1999)
1972: Architectural Record Magazine’s National Award for Residential Design for Avon Place, Washington, D.C.
1977: Architectural Record Magazine’s National Award for Residential Design for Harris House, Arlington, VA
1980: Architectural Record Magazine’s National Award for Residential Design for Bernstein House, Washington, D.C.
1990: Architectural Record Magazine’s National Award for Excellence in Design for the Industrial Baroque Furniture Series
2004: The Society of Professional Journalists, Dateline Award for Excellence in Local Journalism for the "Big Apple Attack" published in the Washingtonian Magazine
1983: Columbia University Center for the Study of American Architecture. American Architecture: Innovation and Tradition
1985: The Catholic University of America, Architecture School: Current Work
1988: The Athenaeum, Alexandria, Virginia. A Decade of Washington Architecture
1988: The National Building Museum. Best Addresses
1990: The National Building Museum. Give us your Best
1991: The National Building Museum. Visions and Revisions
1991: Columbia University. Donations to the Avery Library Centennial Archive: Contemporary Architectural Drawings
Honors and distinctions
Projects have been published in over 2,800 articles in magazines and newspapers throughout the United States, Europe, the U.K., South Korea, Australia, Japan, and in several books
The international publicity generated by the many facets of the Washington Harbour Complex––Architecture, Urban Design, residential/office/commercial uses, a visionary flood control system, fountains, and its siting on the Potomac River––prompted requests from specific groups for a combination slide presentation, guided tour, and Q&A session:
1985: The National Building Museum (October 27)
1985: The National Building Museum (November 9)
1986: AIA Washington Chapter (November 22)
1986: Representatives of the Isle of Dogs, London Council
1987: The Corcoran Gallery of Art (April 4)
1987: Representatives of the City Council. Liverpool, England
1987: Representatives of the Ministry of Bonn, West Germany
1987: Columbia Historical Society (September 26)
1987: Brick Institute of America (November 16)
1987: Representatives of Parliament. Frankfurt, Germany
1988: American Society of Appraisers (June 28)
1988: American Society of Landscape Architects (July 13)
1988: The Waterfront Center (September 24)
1988: American Planning Association (October 28)
1988: Howard University School of Architecture (November 19)
1988: Representatives of the South Korean Government (December 7)
1989: The National Building Museum (March 25)
1989: Potomac River Basin Consortium (April 8)
1989: The National Building Museum (April 15)
1989: American Society of Landscape Architects (July 13)
1989: Israeli Architects Association (October 20)
1991: The Town Council of Lyon, France (April 8)
1991: AIA ACSA National Convention (April 9)
1991: The National Building Museum (April 27)
1991: AIA National Convention (May 18)
1993: University of Osaka, Graduate School of Global Architecture (June 21)
1994: The Brick Institute of America (November 14)
1996: The Brick Institute of America (November 11)
Master planning
“Master Plan of the National Mall, Expanded for the 21st Century” (2017) was published in Moore’s book “Our Nation’s Capital: Pro Bono Publico Ideas” (2017),[6] the Washington Business Journal (January 2018) and Washingtonian Magazine (May 2018).
Master Planning Policy Papers for New Towns. U.S. Department of Housing and Urban Development (1969)
Master Planning Research on Urban Waterfronts. Project No. C-2141 (1971). Supported under the Title II provisions of the Water Resources Research Act of 1964 and funded by the Office of Water Resources, U.S. Department of the Interior. The goal was to introduce master planning to urban waterfronts, as an incentive to the then-awakening efforts to recharge the United States’ cradle of development. Bright, Breathing Edges of City Life: Amenity Benefits of Urban Water Resources was the first definitive look at this specific development effort, and was the best-seller on the list of Government Printing Office publications at that time.
Developer Master Plans for the ownership of the land, with the intention of phased implementation:
Davis Tract. Montgomery County, Maryland: 75 acres
Salt Pond. Bethany, Delaware: 1,000 acres
Forest Glen. Montgomery County, Maryland: 25 acres
The Palisades. Arlington, Virginia: 15 acres
Radnor Tract. Ballston, Virginia: 5 acres
The Portals. Washington D.C.: 10 acres
The Georgetown Waterfront. Washington, D.C.: 10 acres
Gwynebrook. Towson, Maryland: 75 acres
Warfield/Kline. Frederick, Maryland: 6 acres
Baker/Kane. Charleston, South Carolina: 50 acres
Baker Tract. Renley Point, South Carolina: 35 acres
Shirlington Tract. Arlington, Virginia: 30 acres
Shoreham Tract. Washington D.C.: 10 acres
Minglewood Farms. Nashville, Tennessee: 800 acres
400 Block, Schenectady, New York:4 acres
The Rockefeller Estate. Washington, D.C.: 25 acres
Arts Council. Winston-Salem, North Carolina: 3 acres
Old Ford Plant. Alexandria, Virginia: 10 acres
The Thomas Cannery. Gaithersburg, Maryland: 3 acres
Fortune Parc. Montgomery County, Maryland: 48 acres
Doubleday Property. Garden City, Long Island: 18 acres
Central Business District Master Plansfor city governments and downtown business groups, with the intention of phased implementation geared towards economic revitalization. Included in most of these was identification of potential developers, and a detailed strategy to bring the plans to reality:
Baltimore, Maryland: 40 blocks
Petersburg, Virginia: 40 acres
Norfolk, Virginia: 50 acres
Fort Wayne, Indiana: 6 blocks
Rockville, Maryland: 420 acres
Columbus, Georgia: 100 blocks
Nashville, Tennessee: 162 acres
York, Pennsylvania: 100 acres
Colmar Manor, Maryland: 15 acres
Dearborn, Michigan: 6 blocks
Myrtle Beach, South Carolina: 70 acres
Tourism Master Plans for state governments. Large-scale projects done in the 1960s, all of which were geared to economic development through creation/invention of a tourism industry:
The Town of East St. Louis, Illinois
Ski industry for West Virginia
Cooperative Resort Town, Puente al Mar, Puerto Rico
Frank Holten State Park, Illinois
The South Texas Triangle
Nine Counties, Northeast Development District, Arkansas
Eureka Springs, Arkansas
Arkadelphia, Arkansas
Ten Year Development Plan of the Bahama Islands
Red Carpet Country, Oklahoma
Bourne, Massachusetts
Nassau, Bahamas
Painting
Solo exhibitions
1990: Industrial Baroque (Painting and Furniture). Barbara Fendrick Gallery. New York. (February 22 to March 31, 1990)
1990: Industrial Baroque (Painting and Furniture). Barbara Fendrick Gallery. Washington D.C. (April 5 to 28, 1990)
1991–92: Facades (series). Hokin Kaufman Gallery. Chicago, Illinois. (November 1991 to January 1992)
1993: Urban Stories (series). Galerie Gasnier Kamien. Paris, France. (April 6, 1993, to July 31, 1993)
1995: Visions of the Future (series). National Technical Museum, Prague, Czech Republic in cooperation with the Fund for Arts and Culture in Central and Eastern Europe. (March 9 to April 30, 1995)
1995: Visions of the Future (series). The Museum of Architecture, Wroclaw, Poland in cooperation with the Fund for Arts and Culture in Central and Eastern Europe. (September 7 to October 8, 1995)
These following articles on the solo exhibitions were published in newspapers and magazines between 1989 and 1995:
The New York Times. June 15, 1989 (Barbara Gamarekian)
Regardie’s Magazine. January 1990
The New York Times. March 15, 1990 (Suzanne Slesin)
The Washington Post. April 5, 1990 (Jane Stonesifer)
The Washington Post. April 7, 1990 (Benjamin Forgey)
Dossier Magazine. June 1990
Trump’s Magazine. June 1990 (Lesa Griffith)
Architectural Record Magazine. September 1990 (Karen D. Stein)
Washington Home & Garden Magazine. Winter. 1990
Avery Library Centennial Drawings Archive. 1991. “Retrofitted Window.” San Francisco:
Pomegranate Press.
Art & Antiques Magazine. November 1991 (Carol Vogel)
Gay Chicago Magazine. December 19, 1991 (Justin H. Sunward)
Le Generaliste. June 1993 (Chantal de Rosamel)
Jardin des Modes. June 1993 (Nicole Bamberger)
Demeures Chateaux. June/July 1993 (Michel de Loye)
Listings: D’Architectures. April 1993
Le Moniteur Architecture. April 1993
Connaissance des Art. May 1993
L’Oeil. May 1993
BAT Magazine. France. May 1993
The Washington Post. “Big Sky Motel.” October 14, 1993
2018: Washington Comiks: An Irreverent Look at the Absurdities of Our Nation's Capital, as Portrayed in 50 paintings, to be published by International Arts & Artists. 2018
Magazines
Journal of the American Institute of Architects:
1965: “Politics, Architecture and World Fairs.” Cover article. (April)
1979: Book Review. “The Revolutionary New Corridor-Free Systems.”
1979: “Adaptive Abuse”
1980: “The Retreat into Architectural Narcissism”
“The Pennsylvania Avenue Plan.” St. Albans Bulletin, May 1965
“Advise and Consult.” Library of Congress Information Bulletin. Vol. 56, No. 9, 5-11. May 1997.
The Weekly Standard:
“Storm Warnings. Architectural Change is Coming–and It ain’t gonna be pretty.” (Venice Biennale), February 7, 2005.
“Lines in the Sand. Art and Commerce in Sunny Florida.” (Art Basel Miami Beach), March 12, 2007.
“China by Design. On a clear day you can see the People’s Architecture” April 28, 2008
Washingtonian Magazine: (Contributing Editor on Urban Affairs, 1965–1978)
1965: “Last Resort Architecture”
1965: “Subways are for People”
1966: “Wanted: A HUD with Vision”
1966: “The Architecture of Zoning”
1966: “The Washington National Airport boondoggle”
1967: “Sound and Fury at the FAA”
1967: “The Restoration Game”
1967: “Transportation to Dulles Airport”
1967: “The Day Commissioner Tobrinop saw a Kiosk”
1967: “A Proposal to Solve the National Airport Problem: The Airline Terminal Building”
1969: “Washington’s Waterfronts: 44 Miles down the Drain”
1970: “Economic Home Rule for the District of Columbia”