Arthur George "Art" Smith (1917–1982) was one of the leading modernist jewelers of the mid-20th century, and one of the few Afro-Caribbean people working in the field to reach international recognition. He trained at Cooper Union, NYU, and under Winifred Mason. [1] [2]
Smith's jewelry has been described as:
Inspired by surrealism, biomorphicism, and primitivism ... dynamic in its size and form. [3]
Many of his pieces were designed to be worn by avant-garde dancers, which influenced his style. The pieces were often large. Of his own work, he said:
A piece of jewelry is in a sense an object that is not complete in itself. Jewelry is a ‘what is it?’ until you relate it to the body. The body is a component in design just as air and space are. Like line, form, and color, the body is a material to work with. It is one of the basic inspirations in creating form. [4]
Alexander Calder was also an influence. [5] Smith was friend and contemporary to many in the downtown New York City arts and fashion scene, such as sandal maker Barbara Shaum and Knobkerry's Sara Penn. [6]
Smith was born in Cuba, after his parents emigrated there from Jamaica. They moved to New York City when he was three years old. [7] [8]
As an adult, Smith worked in Manhattan's Greenwich Village, running a shop there from 1946 until 1979 (shortly before his death). Smith was a gay Afro-Caribbean, and as a result was subject to attacks shortly after his store opened. [9] A fan of jazz and modern dance, he was personally acquainted with musicians of the period including Lena Horne, Harry Belafonte, Eartha Kitt and Talley Beatty. [9] [10]
Smith died in 1982 of heart disease. [11]
During his life, Smith's work was featured in Vogue and Harper's Bazaar, and exhibited at the Museum of Contemporary Crafts. [9] Posthumously, Smith's work was the subject of an exhibition at the Brooklyn Museum in 2008-2011, [3] and is held in the permanent collection of the Cooper Hewitt Museum, Museum of Art and Design, and Boston Museum of Fine Arts. [1] [12]
One piece of Smith's sold for $22,000, [11] and a cufflink collector told the New York Times that Smith's cufflinks were the most expensive pieces in his collection. [13]
Arthur George "Art" Smith (1917–1982) was one of the leading modernist jewelers of the mid-20th century, and one of the few Afro-Caribbean people working in the field to reach international recognition. He trained at Cooper Union, NYU, and under Winifred Mason. [1] [2]
Smith's jewelry has been described as:
Inspired by surrealism, biomorphicism, and primitivism ... dynamic in its size and form. [3]
Many of his pieces were designed to be worn by avant-garde dancers, which influenced his style. The pieces were often large. Of his own work, he said:
A piece of jewelry is in a sense an object that is not complete in itself. Jewelry is a ‘what is it?’ until you relate it to the body. The body is a component in design just as air and space are. Like line, form, and color, the body is a material to work with. It is one of the basic inspirations in creating form. [4]
Alexander Calder was also an influence. [5] Smith was friend and contemporary to many in the downtown New York City arts and fashion scene, such as sandal maker Barbara Shaum and Knobkerry's Sara Penn. [6]
Smith was born in Cuba, after his parents emigrated there from Jamaica. They moved to New York City when he was three years old. [7] [8]
As an adult, Smith worked in Manhattan's Greenwich Village, running a shop there from 1946 until 1979 (shortly before his death). Smith was a gay Afro-Caribbean, and as a result was subject to attacks shortly after his store opened. [9] A fan of jazz and modern dance, he was personally acquainted with musicians of the period including Lena Horne, Harry Belafonte, Eartha Kitt and Talley Beatty. [9] [10]
Smith died in 1982 of heart disease. [11]
During his life, Smith's work was featured in Vogue and Harper's Bazaar, and exhibited at the Museum of Contemporary Crafts. [9] Posthumously, Smith's work was the subject of an exhibition at the Brooklyn Museum in 2008-2011, [3] and is held in the permanent collection of the Cooper Hewitt Museum, Museum of Art and Design, and Boston Museum of Fine Arts. [1] [12]
One piece of Smith's sold for $22,000, [11] and a cufflink collector told the New York Times that Smith's cufflinks were the most expensive pieces in his collection. [13]