Author | Alice Zorn |
---|---|
Language | English |
Genre | Novel |
Publisher | NeWest Press |
Publication date | May 1, 2011 |
Publication place | Canada |
Media type | Print ( hardcover & paperback) |
Pages | 315 |
ISBN | 978-1-897126-80-6 |
Arrhythmia is the first novel by Canadian author Alice Zorn. It was published on May 1, 2011 by NeWest Press. [1]
Claire Holden Rothman, in the Montreal Review of Books, said it was, "an ambitious, deftly handled exploration of human beings in love." [2] Juliet Waters, of Montreal Mirror, said, "Alice Zorn is another writer to watch these days. Her lucidly written first novel Arrhythmia is the follow-up to her promising short story collection Ruins & Relics and explores the lives of urban Montrealers struggling with various aspects of betrayal." [3] Beverly Akerman, writing for The Winnipeg Review, called the novel, "an impressively old-fashioned novel based on the ancient and captivating geometry of the triangle." [4] Natalie Samson, in Quill & Quire, said that "the effect here is of a jumble of voices, none of which feels particularly well fleshed-out or authentic". [5]
Author | Alice Zorn |
---|---|
Language | English |
Genre | Novel |
Publisher | NeWest Press |
Publication date | May 1, 2011 |
Publication place | Canada |
Media type | Print ( hardcover & paperback) |
Pages | 315 |
ISBN | 978-1-897126-80-6 |
Arrhythmia is the first novel by Canadian author Alice Zorn. It was published on May 1, 2011 by NeWest Press. [1]
Claire Holden Rothman, in the Montreal Review of Books, said it was, "an ambitious, deftly handled exploration of human beings in love." [2] Juliet Waters, of Montreal Mirror, said, "Alice Zorn is another writer to watch these days. Her lucidly written first novel Arrhythmia is the follow-up to her promising short story collection Ruins & Relics and explores the lives of urban Montrealers struggling with various aspects of betrayal." [3] Beverly Akerman, writing for The Winnipeg Review, called the novel, "an impressively old-fashioned novel based on the ancient and captivating geometry of the triangle." [4] Natalie Samson, in Quill & Quire, said that "the effect here is of a jumble of voices, none of which feels particularly well fleshed-out or authentic". [5]