From Wikipedia, the free encyclopedia

Anna-Katharina Gien (born April 29, 1991 [1] in Munich) is a German writer and columnist.

Life

Gien is the daughter of the Germanist Gabriele Gien. She grew up in Munich and Augsburg. [2] She studied cultural studies and art history in Berlin and Florence. [3] After working for various art institutions, artistic projects and as a freelance author for art magazines, she devoted herself increasingly to literary and essayistic writing. From 2018, she wrote a column for the magazine Monopol under the title Das wird schon. [4] She writes articles and essays for Die Zeit and Zeit Online [5] as well as art magazines and catalogs. [6] [7] Her texts often deal with power and desire, economies of the female body, [8] the fragility of perception, submission and love [9] and work with influences from the visual arts, [10] the nouvelle vague, symbolism and horror. [11] [12]

In 2019, her debut novel M, co-written with Marlene Stark, was published by Matthes & Seitz Berlin. [13] [14] [15] A theater adaptation was planned for 2020 at the Berliner Schaubühne, but was postponed due to the COVID-19 pandemic. [16]

References

  1. ^ "Curriculum Vitae Gabriele Gien" (PDF). 2016-01-01. Retrieved 2023-06-28.
  2. ^ "Inneneinrichtung Das ausstaffierte Pseudo-Leben". Monopol. 2020-01-07. Retrieved 2019-04-01.
  3. ^ "Autorenseite". Matthes & Seitz Berlin. 2018-10-10. Retrieved 2019-04-01.
  4. ^ "Autorenseite". Monopol. 2018-10-10. Retrieved 2019-04-01.
  5. ^ "Autorenseite". Zeit Online. 2018-10-10. Retrieved 2019-04-01.
  6. ^ Verena Dengler (2020). "Die Galeristin und der schöne Antikapitalist auf der Gothic G'stettn (Corona Srezessionsession Dengvid-20 :))". Revolver Publishing. Retrieved 2022-08-22.
  7. ^ Anaïs Horn. "Fading" (in German). DCV Books. Retrieved 2022-08-22.
  8. ^ Anna Gien (2019-08-10). "(Interview mit) Hélène Cixous: Ist die Frage nach der Frau noch wichtig?". Retrieved 2022-08-22.
  9. ^ theartofintervention (2019-12-09). "Die schönste Liebe ist die unerfüllte" (in German). Retrieved 2022-08-22.
  10. ^ "Anna Gien, Autorin: Einblick (737)", Die Tageszeitung: taz, pp. 39 ePaper 15 Berlin, 2018-08-16, ISSN  0931-9085, retrieved 2022-08-22
  11. ^ "Umweg by Punkt" (in French). Retrieved 2022-08-22.
  12. ^ Clara Neubert (2019). "Im Paradies mit Anna Gien". Pra|Position.
  13. ^ "Gilt sexuelle Provokation noch als politischer Protest?". Süddeutsche Zeitung. 2019-03-03. Retrieved 2019-04-01.
  14. ^ "Autorenseite" (in German). internationales literaturfestival berlin. Retrieved 2022-08-22.
  15. ^ Iris Radisch (2019-03-13). "Lieber peinlich als männlich". Zeit Online. Retrieved 2019-04-01.
  16. ^ Berliner Zeitung. "Thomas Ostermeier steht vor der Ruine seines Spielplans" (in German). Retrieved 2020-07-03.
From Wikipedia, the free encyclopedia

Anna-Katharina Gien (born April 29, 1991 [1] in Munich) is a German writer and columnist.

Life

Gien is the daughter of the Germanist Gabriele Gien. She grew up in Munich and Augsburg. [2] She studied cultural studies and art history in Berlin and Florence. [3] After working for various art institutions, artistic projects and as a freelance author for art magazines, she devoted herself increasingly to literary and essayistic writing. From 2018, she wrote a column for the magazine Monopol under the title Das wird schon. [4] She writes articles and essays for Die Zeit and Zeit Online [5] as well as art magazines and catalogs. [6] [7] Her texts often deal with power and desire, economies of the female body, [8] the fragility of perception, submission and love [9] and work with influences from the visual arts, [10] the nouvelle vague, symbolism and horror. [11] [12]

In 2019, her debut novel M, co-written with Marlene Stark, was published by Matthes & Seitz Berlin. [13] [14] [15] A theater adaptation was planned for 2020 at the Berliner Schaubühne, but was postponed due to the COVID-19 pandemic. [16]

References

  1. ^ "Curriculum Vitae Gabriele Gien" (PDF). 2016-01-01. Retrieved 2023-06-28.
  2. ^ "Inneneinrichtung Das ausstaffierte Pseudo-Leben". Monopol. 2020-01-07. Retrieved 2019-04-01.
  3. ^ "Autorenseite". Matthes & Seitz Berlin. 2018-10-10. Retrieved 2019-04-01.
  4. ^ "Autorenseite". Monopol. 2018-10-10. Retrieved 2019-04-01.
  5. ^ "Autorenseite". Zeit Online. 2018-10-10. Retrieved 2019-04-01.
  6. ^ Verena Dengler (2020). "Die Galeristin und der schöne Antikapitalist auf der Gothic G'stettn (Corona Srezessionsession Dengvid-20 :))". Revolver Publishing. Retrieved 2022-08-22.
  7. ^ Anaïs Horn. "Fading" (in German). DCV Books. Retrieved 2022-08-22.
  8. ^ Anna Gien (2019-08-10). "(Interview mit) Hélène Cixous: Ist die Frage nach der Frau noch wichtig?". Retrieved 2022-08-22.
  9. ^ theartofintervention (2019-12-09). "Die schönste Liebe ist die unerfüllte" (in German). Retrieved 2022-08-22.
  10. ^ "Anna Gien, Autorin: Einblick (737)", Die Tageszeitung: taz, pp. 39 ePaper 15 Berlin, 2018-08-16, ISSN  0931-9085, retrieved 2022-08-22
  11. ^ "Umweg by Punkt" (in French). Retrieved 2022-08-22.
  12. ^ Clara Neubert (2019). "Im Paradies mit Anna Gien". Pra|Position.
  13. ^ "Gilt sexuelle Provokation noch als politischer Protest?". Süddeutsche Zeitung. 2019-03-03. Retrieved 2019-04-01.
  14. ^ "Autorenseite" (in German). internationales literaturfestival berlin. Retrieved 2022-08-22.
  15. ^ Iris Radisch (2019-03-13). "Lieber peinlich als männlich". Zeit Online. Retrieved 2019-04-01.
  16. ^ Berliner Zeitung. "Thomas Ostermeier steht vor der Ruine seines Spielplans" (in German). Retrieved 2020-07-03.

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